A young, lonely, emotionally challenged teenage girl finds solace in burying dead animals after the sudden traumatic death of a childhood friend ten years earlier.A young, lonely, emotionally challenged teenage girl finds solace in burying dead animals after the sudden traumatic death of a childhood friend ten years earlier.A young, lonely, emotionally challenged teenage girl finds solace in burying dead animals after the sudden traumatic death of a childhood friend ten years earlier.
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I love this film. It is very much a movie about a wild child. Haley acts very well and she truly becomes the character. This movie reminds me a lot of the 60s spirit of hippies, flower child and all that. It's about love and child-like spirit. Very sweet. The plot has issues, but I can overlook it because the movie is so sweet in a natural way. Like others have said, it is much better than her Disney movies.
To those who think the movie is rambling...it is, but I think it totally fits with the mood and theme of the movie. It is about a free spirit.
The English countryside is beautiful. Like someone else said, it makes me want to jump in the movie and run with her. It's a good advertisement for UK tourism.
Thanks TCM for showing this rare film.
To those who think the movie is rambling...it is, but I think it totally fits with the mood and theme of the movie. It is about a free spirit.
The English countryside is beautiful. Like someone else said, it makes me want to jump in the movie and run with her. It's a good advertisement for UK tourism.
Thanks TCM for showing this rare film.
This charming and unusual film was written by Mary Hayley Bell (with inspiration from DH Lawrence's story 'The Virgin and the Gypsy'), directed by John Mills, and starred their daughter Hayley as disturbed teenager Brydie.
The basic premise - that the girl is 'sky west and crooked' because of something that happened in her childhood that she can't remember - soon switches into a 'growing-up' kind of tale as Brydie meets gypsy boy Roibin (Ian McShane). The people in the village are equally well-drawn (Brydie's mother, played by Annette Crosbie; the vicar, played by Geoffrey Bayldon; the grudge-bearing Mr Dacres, played by Laurence Naismith; and the gypsy grandma played by Rachel Thomas).
From encouraging the children around her to bury dead animals in the consecration of the churchyard, to her love match amongst the caravans and the Romany customs, Hayley Mills makes Brydie a delight, although she acts and looks much younger than the character's age of seventeen. As Roibin, Ian McShane is very much in 'glamour' mode, perhaps photographed too sympathetically to make the character believable.
Still, 'Sky West and Crooked' is a well-written and directed piece, a lovely fairytale in which the idealism of first love is well presented and where the surroundings, whether a church or an open road, marry to the action perfectly.
The basic premise - that the girl is 'sky west and crooked' because of something that happened in her childhood that she can't remember - soon switches into a 'growing-up' kind of tale as Brydie meets gypsy boy Roibin (Ian McShane). The people in the village are equally well-drawn (Brydie's mother, played by Annette Crosbie; the vicar, played by Geoffrey Bayldon; the grudge-bearing Mr Dacres, played by Laurence Naismith; and the gypsy grandma played by Rachel Thomas).
From encouraging the children around her to bury dead animals in the consecration of the churchyard, to her love match amongst the caravans and the Romany customs, Hayley Mills makes Brydie a delight, although she acts and looks much younger than the character's age of seventeen. As Roibin, Ian McShane is very much in 'glamour' mode, perhaps photographed too sympathetically to make the character believable.
Still, 'Sky West and Crooked' is a well-written and directed piece, a lovely fairytale in which the idealism of first love is well presented and where the surroundings, whether a church or an open road, marry to the action perfectly.
I first saw this film in the early 70's when I was still in my teens. I remember it was called Gypsy Girl (the alternate title) and was a great and touching story. However, I just purchased the film from a Professional Source and it is missing the song Gypsy Girl, sung so beautifully by Hayley Mills. I think it set the stage for the story just wonderfully. In the 80s it aired on Life Channel and the song was there. My VHS was a little snowy, which prompted me to purchase a new DVD of it. Well, the one I just received does not have the song and is called Sky West and Crooked.
I think either title is clever, but the song was lovely. Wonder if anyone has an inkling of why it was missing.
That said, I loved the touching romance between Brydie and Roiban. I would love to have seen more of their romance and finally getting together. The vicar was very kind and wanted the best for Brydie.
I think either title is clever, but the song was lovely. Wonder if anyone has an inkling of why it was missing.
That said, I loved the touching romance between Brydie and Roiban. I would love to have seen more of their romance and finally getting together. The vicar was very kind and wanted the best for Brydie.
I've seen every movie Hayley Mills was in (except for "The Truth About Spring"), from age 20 and under, and I like this one the best. You won't find this on video--it aired here on t.v. at about 3:00 am, and I was lucky to tape it. Just like anonymous from N.Y. said, you almost watch this movie more for the many interesting people than for the plot. The plot itself is pretty simple--Brydie White is a 17 year old girl who meets a gypsy named Roibin, and the two fall instantly in love, almost like their under a spell. However, it's the personalities that the characters are given that make this story different. Brydie is an innocent, somewhat simple girl, who's friends with all the children in the village. Hayley Mills was excellent in her portrayal of this lonely girl. Ian McShane did a good job as well, forever gazing about with those soulful eyes. The song sung at the beginning of the movie sets the right mood from the start. Another thing that I liked about "Gypsy Girl" was that throughout the movie Brydie and Roibin's love stayed innocent. If at all possible, try to track down this movie, or ask a local t.v. station to air it. It's a shame that such a beautiful film has only been seen by a few.
10emefay
Hayley Mills was never more appealing than as the sweet-natured, arrested-development country girl who is more at home playing with village children than living with her rather unpleasant mother. As she is the sort of fragile, other-worldly spirit that one fears will come to mischief in this cruel world, the viewer is mightily relieved when she is taken up by the gypsies - at least this particular brand of comparatively gentle gypsies - as their simple way of life seems better suited to her future than "ordinary" growing up and marriage to a "normal" person would be. With the gorgeous and kindly gypsy boy (played by the stunningly attractive Ian McShane), Brydie feels loved and safe; and one senses that their life together will be relatively uncomplicated by modern annoyances. (It is something of a parallel to the George Hamilton/Yvette Mimieux romance in "Light in the Piazza," made a few years earlier.) I loved this film, and wished to enter into the pretty-but-now-mostly-vanished English countryside of the time. John Mills and Hayley worked together well on several occasions, and of course, Mother Mary's story was charming. Highly recommended for anyone with an ounce of romance in their souls.
Did you know
- TriviaThis movie was made under the working title, "Bats with Baby Faces", but Director Sir John Mills was persuaded to change it on the grounds that people might think it was a Hammer horror movie about vampires. Many critics noted that the new title, "Sky West and Crooked", would simply be incomprehensible to the casual movie-goer, although its meaning is explained in this movie. (The phrase "sky west and crooked" refers to someone who, as portrayed by Hayley Mills, is slightly mentally challenged).
- GoofsBrydie repeatedly transitions between wearing shoes and being barefoot between scenes.
- Alternate versionsThe version sold to cable television by the Samuel Goldwyn Company omits the opening theme song sung by Hayley Mills, replacing it with the background score, this despite a song credit in the opening scroll.
- ConnectionsFeatured in Film Preview: Episode #1.3 (1966)
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