Grand Prix
- 1966
- Tous publics
- 2h 56m
American Grand Prix driver Pete Aron is fired by his Jordan-BRM racing team after a crash at Monaco that injures his British teammate, Scott Stoddard.American Grand Prix driver Pete Aron is fired by his Jordan-BRM racing team after a crash at Monaco that injures his British teammate, Scott Stoddard.American Grand Prix driver Pete Aron is fired by his Jordan-BRM racing team after a crash at Monaco that injures his British teammate, Scott Stoddard.
- Won 3 Oscars
- 3 wins & 4 nominations total
- Izo Yamura
- (as Toshiro Mifune)
- Nino Barlini
- (as Antonio Sabàto)
- Monique Delvaux-Sarti
- (as Genevieve Page)
- Wallace Bennett
- (as Donal O'Brien)
- Surgeon
- (as Albert Remy)
Featured reviews
I don't recommend pairing this in a screening with _Days of Thunder_ for two reasons: First, GP is LONG; second, DoT will pale by comparison.
BTW, if you can rent it in DVD, get it that way and watch it on as big a TV as you can find. The soundtrack is incredible and the widescreen work is like nothing you'll ever see anywhere else.
"Titanic" wasn't about that pathetic love triangle story. It was a vehicle to get you into the night the great ship was lost. Grand Prix uses a relatively lame storyline about the private lives of the drivers to get you into their circle. I think it's all just a part of putting the audience into the car.
And I DO mean the car. Not a green screen half car and a CGI effect. A car. Several cars. At high speed, with cameras mounted and actors trained to actually drive them. No phony backgrounds projected. Watch NASCAR or INDY coverage on the SPEED Channel any weekend and you will see on-board shots from vidcams in real time. We're used to that now. Prior to "Grand Prix", there was NO such thing. Grand Prix stands with "Bullitt" and "The French Connection" as the greatest "cut to the chase" movies of all time.
Nothing is done like this any more. If you want to see the masters at work, rent these movies. This is pure analog fun at it's best, and it just doesn't get better with the switch to digits, because the thrill leaves along with the risk factor.
So tolerate the maudlin romantic claptrap. Laugh as you watch some of the stars of Formula 1 racing standing around grimacing into the camera at the infidelities of the British driver's wife (it is a riot), but stand and applaud in awe at the astounding achievement of John Frankenheimer and company at shooting a fictional Grand Prix season against the background of an actual Grand Prix season. It is awesome and worthy of your viewing time, even though the basic story falls short of Oscar caliber scripting.
Nothing ever attemped since has even come close. Drivin is a pathetic joke next to it.
Just waiting for the DVD to come out!
Did you know
- TriviaOf the 32 professional racing drivers who participated or were seen in the film, five died in racing accidents within two years and another five in the following ten years.
- GoofsA banner in the town square heralds the 37th Annual Gran Premio d'Italia. 1966 marked the 57th edition of Monza.
- Quotes
Jean-Pierre Sarti: The danger? Well, of course. But you are missing a very important point. I think if any of us imagined - really imagined - what it would be like to go into a tree at 150 miles per hour we would probably never get into the cars at all, none of us. So it has always seemed to me that to do something very dangerous requires a certain absence of imagination.
- ConnectionsEdited into Bass on Titles (1982)
15 Fast and Fun Racing Movies
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Details
Box office
- Budget
- $9,000,000 (estimated)
- Runtime
- 2h 56m(176 min)
- Aspect ratio
- 2.20 : 1