Le Voyage fantastique

The premise of "Fantastic Voyage" seemed very unlikely in 1966, however in 2002 I'm not so sure.

The story concerns a top secret miniaturization program being developed by the Americans and concurrently by "the other side". A scientist from the other side has the secret of counteracting the situation where the miniaturization effects wear off after one hour. Unfortunately, the scientist receives a brain injury in an assassination attempt. This results in General Carter (Edmond O'Brien), the commanding officer of the project deciding to "send in" a team of experts miniaturized, to the injured man's brain to repair the damage.

The team consists of Drs. Duval (Arthur Kennedy) and Michaels (Donald Pleasance), Pilot Capt. Owens (William Redfield) and the romantic leads, Grant (Stephen Boyd) and the ever lovely Raquel Welch as Duval's assistant. Assisting O'Brien as a medical expert is Arthur O'Connell as Col. Reid. Of course, as in most film's of this type there is the inevitable fifth columnist aboard. The acting is good, particluarly the performances of veterans Kennedy, Pleasance, O'Brien and O'Connell.

The real star of the "Fantastic Voyage" are its amazing special effects. Filmed long before today's computerized digital effects, this film still makes believable, the illusion of a team of people being injected into a person's bloodstream. To fully appreciate the effects the viewer should see it in its widescreen format.

Watch for James Brolin in a small role as one of the lab technicians. And if you get bored, there's always (snort, pant, drool) Raquel in her form fitting diving suit.

"Fantastic Voyage" follows a surgical team of three scientists: Dr Peter Duval, the top brain surgeon in the country (Arthur Kennedy); Cora Peterson, his technical assistant (Raquel Welch); Dr Michaels, chief of the medical mission (Donald Pleasance), plus the skipper of the ship (William Redfield) and Grant (Stephen Boyd) the security agent for security purposes...

The sealed vessel—The Proteus—is reduced down by a secret branch called CMDF (Combined Miniature Deterrent Forces) and injected into one artery of a defecting Russian scientist who has suffered brain injury and he's in a coma from an assassination attempt... The crew must navigate to the scientist's brain (within exactly 60 minutes) where Dr Duval will attempt to dissolve the coagulum with a laser beam… After that everything starts growing back to its original size…

"Fantastic Voyage" is a film of authentic wonder: An ocean of life, the corpuscles, the heart, the lungs of the human body through which the crew move are exquisitely designed in great detail with artistic quality...

The plot creates unceasing moments of suspense as the ship and its crew are continually threatened by the scientist's natural defenses: white corpuscles, reticular fibers, antibodies and other factors… Leonard Rosenman's futuristic score nicely complements the adventure on screen with the strange sound of the human blood rushing through arteries, veins, rhythmical muscular movements, and of course, the sabotage occurred on board…

With two Oscar Awards for Best Visual Effects and Best Art Direction, 'Fatastic Voyage' is certainly the most unusual journey into the human body, where the 'medieval philosophers were right. Man is the center of the universe. We stand in the middle of infinity, between outer and inner space. And there's no limit to either.'

This is not only a great science fiction film, it is also a great thriller as well. I especially loved the fact that this was supposedly done in "real time" and that the characters and that it was not only a mission to save the scientist life, but a race against time before the miniaturization wore off. Also, even though the effects are dated, they still were pretty good for the era they were produced in.

This movie holds up after nearly 35 years. The TV version is often chopped up for commercials and the print muddy, but if you can get a good video or see it on a premium movie channel, Fantastic Voyage will still produce a sense of wonder as you navigate "inside" an injured man's body with a team of intrepid explorers to find and repair microscopic damage. Some of the Cold War aspects of the film might jar, as well as a 35-year-old vision of "high tech", but the spec effects of the journey of the PROTEUS through the human vascular system was years ahead of its time.

To answer everyone's question about how did Issac Asimov resolve the Proteus issue at the end of the movie; in his novelization of the film (which is a very good sci-fi book on its own), the sub comes out with everyone else in the teardrop along with "a very surprised white blood cell." The scene with Donald Pleasance gave me chills when I saw it as a child and having recently seen it again, it still is creepy. I think this is due to Pleasance's performance more than anything else. I do have to say that seeing Stephen Boyd being driven around the LA Sports Center (subbing for the top secret research center; they had to have everything removed by 5:30 in the afternoon the week they filmed there because sporting events were going on at night) in a golf cart seemed a bit silly but I guess that showed how important he was. With these kinds of films, one has to ignore all certain types of questions about how come this did or didn't happen when the scientists did this and just relax and enjoy it.