The Bubble

The film maybe would have been able to escape its B-movie limits if Oboler gave signs of being a really good filmmaker, but the film is still burdened with a weak cast, or at least one Oboler can't get much from, and not much creativity in making the limited effects budget stretch. It has a tremendously weak ending and while the 3-D camera work is decent (the restoration looks nice), the filmmakers don't do much other than push things at the audience's face or do a couple other trick shots. As someone who likes both 3D and weird sci-fi, I found myself wanting to like this a lot more than I actually did.

I was a teen in the 60's and a big horror movie fan who saw and read anything I could get my hands on regarding horror films, and especially 3D horror films of the 50's. I distinctly remember reading the press releases in the Detroit newspapers that Arch Oboler, one of the technical pioneers of 3D films in the 50's, was in town to supervise the installation of special silver screens for his new 3D process.

It was not new because it used polarized lenses...those had been used in the majority of the 3D films in the 50's. The new process related to the projection of the film. (I don't recall the articles going into much more detail about that process, but now I know it was apparently the first to combine both images on a single filmstrip.)

I was so excited that Oboler himself was in my hometown to supervise the showing I made sure to go see it. I believe it was at the Adams in downtown Detroit.

The 3D was mind-blowing! The beer tray floating out over the audience has still (this is mid 2013) not been topped for jaw-dropping 3D. I have thought of it many times since, and I think the reason it worked so well, and so much better than explosions or other fast-moving moves out of frame, is that the tray moved slow enough to follow and keep in focus by our eyes. (This is similar to holding one finger in front of your face and slowly moving it toward your nose. Your eyes cross slowly as your finger gets nearer.) I remember little else of the film, but I know that I walked out feeling I got my money's worth, just for the 3D alone.

This was not the first polarized 3-D movie by a long shot, as over 50 3-D movies were released in polarized 3-D in 1953 and 1954. Some of those were later downconverted to the inferior red/blue anaglyph format but they were not seen that way upon their initial release.

However, this was the first film widely distributed in a single strip/one projector 3-D process instead of the dual strip/dual projector system used in the fifties.

The film has been compared to an overlong "Twilight Zone" and that is an apt description. The widescreen 3-D is quite good. It's a bit slow, and the film was cut from the original 112m version to 90 mins for a wide 1976 3-D re-issue under the title FANTASTIC INVASION OF PLANET EARTH. Later 3-D video versions cut it further to 75 mins.

Rhino's DVD restores the original title but is the 90 min version, and has been downconverted from polarized to inferior red/blue anaglyph. Still, the red/blue presentation is better than most; and is worth a purchase for 3-D fans. Just don't expect it to look as good as the original polarized glasses version.

A young couple (the guy is Michael Cole) find themselves in a mysterious town.

I am guessing many retro sci-fi fans don't even know this film exists for the simple reason that the title - The Bubble - does not give any hint as to what genre of movie this is.

Hit and miss best describes this flick. Cole does some great acting, the backlot town looks creepy enough, the moody musical score fits in well and there are some very well done moments that Under The Dome (2013) may have pinched.

But this is a long movie that really needed to be a 25 minute or 50 minute TV episode of The Twilight Zone or The Outer Limits. The ending is a bit average. Also, the 3D tricks (actors pointing things at the camera) are not welcome.

I would suggest a late night viewing when you are not feeling very demanding.

My beloved grandmother took me to see this movie at the theater. She was well into her 70s at the time and pretty fed up with movies but she (and I) had fun with this one.

The movie is very slow paced and tedious. One early line from the male lead got a big laugh in the theater: When his wife is in labor (in a plane I think) and about to give birth, he desperately asks her, "can't you hold it in?" What I really remember is the 3D. Even Grandma was amazed, excited and laughing like a kid (along with everyone else in the theater) at the way things really came out of the screen at you. At one point, a tray of beer glasses floats off the bar and into the audience, very slowly. It gets closer and closer until it looks like you could touch it if you stood up and reached over. Many people in the theater did just that (myself included).

What fun. Great memories of a very happy afternoon. Thanks, Grandma :-)