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Le crépuscule des aigles

Original title: The Blue Max
  • 1966
  • Tous publics
  • 2h 36m
IMDb RATING
7.1/10
8K
YOUR RATING
Le crépuscule des aigles (1966)
Trailer for this wartime drama about fighter pilots
Play trailer3:08
1 Video
99+ Photos
DisasterTragedyActionDramaRomanceWar

A young pilot in the German air force of 1918, disliked as lower-class and unchivalrous, tries ambitiously to earn the medal offered for 20 kills.A young pilot in the German air force of 1918, disliked as lower-class and unchivalrous, tries ambitiously to earn the medal offered for 20 kills.A young pilot in the German air force of 1918, disliked as lower-class and unchivalrous, tries ambitiously to earn the medal offered for 20 kills.

  • Director
    • John Guillermin
  • Writers
    • Jack Hunter
    • Ben Barzman
    • Basilio Franchina
  • Stars
    • George Peppard
    • James Mason
    • Ursula Andress
  • See production info at IMDbPro
  • IMDb RATING
    7.1/10
    8K
    YOUR RATING
    • Director
      • John Guillermin
    • Writers
      • Jack Hunter
      • Ben Barzman
      • Basilio Franchina
    • Stars
      • George Peppard
      • James Mason
      • Ursula Andress
    • 111User reviews
    • 41Critic reviews
  • See production info at IMDbPro
    • Won 1 BAFTA Award
      • 1 win & 5 nominations total

    Videos1

    The Blue Max
    Trailer 3:08
    The Blue Max

    Photos106

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    Top cast21

    Edit
    George Peppard
    George Peppard
    • Lt. Bruno Stachel
    James Mason
    James Mason
    • General Count von Klugermann
    Ursula Andress
    Ursula Andress
    • Countess Kaeti von Klugermann
    Jeremy Kemp
    Jeremy Kemp
    • Willi von Klugermann
    Karl Michael Vogler
    Karl Michael Vogler
    • Hauptmann Otto Heidemann
    Anton Diffring
    Anton Diffring
    • Holbach
    Harry Towb
    Harry Towb
    • Kettering
    Peter Woodthorpe
    Peter Woodthorpe
    • Corporal Rupp
    Derek Newark
    Derek Newark
    • Ziegel
    Derren Nesbitt
    Derren Nesbitt
    • Fabian
    Loni von Friedl
    Loni von Friedl
    • Elfi Heidemann
    • (as Loni Von Friedl)
    Friedrich von Ledebur
    Friedrich von Ledebur
    • Feldmarschall von Lenndorf
    • (as Friedrich Ledebur)
    Carl Schell
    Carl Schell
    • Von Richthofen aka The Red Baron
    Hugo Schuster
    • Hans. Elderly Servant
    Alex Scott
    Alex Scott
    • The Orator
    Roger Ostime
    • The Crown Prince
    Ray Browne
    • Pilot
    Timothy Parkes
    • Pilot
    • Director
      • John Guillermin
    • Writers
      • Jack Hunter
      • Ben Barzman
      • Basilio Franchina
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews111

    7.17.9K
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    10

    Featured reviews

    9ewarn-1

    Possibly Best Flying Film Ever

    I would rate this a 10, but didn't like the soundtrack enough.

    Since the release of "Flyboys" it seems amazing that a movie made forty years ago has a more polished, advanced, and contemporary look than one made today. This will amaze people who compare films of the twentieth century one hundred years from now."The Blue Max" has better cinematography, special effects, acting, storyline, etc. In the end its a disappointing fact that today's films have taken giant steps backwards compared to those of the '60s.

    The flying sequences and scenes of aerial combat in "The Blue Max" have never been surpassed or equaled. Even in "Flyboys" with millions of dollars of CGI effects no movie has ever captured the feel of flying and aerial fighting like this one. The planes all look authentic, too.

    The big scope of World War One does not swallow up the intense personal stories here either. This is one of the only films that explores the psyche of successful fighting men. The arrogance they need to maintain their bravery and aggression can also be their downfall. Here we also can see the politics behind the combat, both on a personal and national level. This is a very thrilling history lesson.

    The actors are so good, and the characters so complex I forgot they were supposed to be my (supposed) enemy. Peppard does a good job of acting, playing a guy who is meant to be both likable, admirable, irritating and repulsive at the same time. The only problem is he looks too American for the role. Imagine if Brando had done it, but he had a hard time choosing really good parts. My favorite is James Mason, who played German generals better than they could play themselves off-screen. If you like flying, history, or personal drama you can't miss this one.
    7Theo Robertson

    I Still Like It

    This seemed a very strange choice to broadcast on Remembrance Sunday . If you're foreign let me explain Remembrance Sunday is a day in the British calender where people lay wreaths at their local war memorial and hold a two minute silence in honour of the British war dead who died in the First World War and in conflicts since then . It's an official national event and a very solemn one . Somewhat strange that the BBC broadcast a war film featuring Germans as lead characters !However THE BLUE MAX does contain some bloody sequences of First World War carnage so I guess it was an obvious candidate for broadcast

    I first saw this on television in the early 1970s and was impressed with it then . I'm still impressed with it now though with reservations . As several people have pointed out the story drags when the story switches to the adultrous affair between Bruno Stachel and his Baroness lover . It should also be pointed out that George Peppard and Ursula Andress are rather unconvincing in these scenes and seem to be playing characters in a romantic drama set in the 1960s than in the early part of the century . I hated these scenes when I first saw the film and I hate them thirty years later . I also can't help thinking this sub plot makes the movie slightly over long . Was it included to make the movie more marketable to a female audience ? If a movie features thousands of men sticking bayonets into each other no woman will be going to the cinema to watch the movie full stop

    That's my only real criticism though there are one or two other flaws regarding historical facts and planes used , but lets look at the positive points . This the best film I've seen featuring First World War dogfights , when you see a movie like ACES HIGH etc it's painfully obvious that actors are sitting in front of some back projection but with the exception of one rather poor scene you can believe the cast are indeed flying their own planes , the arial battles are superb as are the battles on the ground

    The cast play up to their characters in thinking they are 20th century knights fighting in an honourable and elitist way and though they're the other side it's impossible to hate them in anyway , and it's interesting to see James Mason playing a morally upstanding army officer in a role almost identical to the one he played in CROSS OF IRON . I guess it doesn't matter whose side your on because politics will win out in the end
    7ma-cortes

    Spectacular dogfighting , colorful scenario , all-star cast and memorable acting

    Interesting War drama taken from German point of view , it deals with a young pilot named Stachel (George Peppard) in the air force of 1918, disliked as lower-class and unchivalrous , attempts ambitiously to earn the medal -The Blue Max- offered for 20 shooting down enemy planes . He reunites an aristocratic group of flying aces (Jeremy Kemp , Karl Michael Vogler) and emerges dispute , envy and hating . Most of the officer corps comes from Germany's high-class elite and Stachel feels out of place . His blind ambition leads him to claim a shooting down that is not his and when he confides in the gorgeous spouse (Ursula Andress) of a General (James Mason), conflicts are inevitable .

    Big-budget extended adventures produced by Elmo Williams about a maverick pilot and his partners undergoing risked feats on air and bombing on earth . Based on a novel by Jack Hunter and being well adapted by Franchina and Ben Barzman . Very good aerial actioner plenty action , steamy romance , drama , fantastic cloudy scenes and spectacular dogfighting . George Peppard shows professionalism as crack fighter pilot named Stachel , an ambitious youth assigned to dangerous missions . Top-notch support cast gives excellent performance as Jeremy Kemp as astute contender , Anton Diffring , Derren Nesbitt , Peter Woodthorpe , Loni Von Friedl and Carl Schell as Von Richthofen , the famous Red Baron . Rousing aerial scenes staged by Squire , being wonderfully photographed by Douglas Slocombe and marvelous musical score by the great Jerry Goldsmith are the chief assets of this spectacular film . This lavish airplane movie is professionally directed by John Guillermin , habitual of disaster films ( Skyjacked , King Kong , Kong lives ) , adventures ( Tarzan in India , Tarzan's greatest adventure , Sheena ) , Wartime ( Bridge of Remangen , Guns at Batasi , I was Monty's double ) and intrigue ( Death on the Nile , Shaft in Africa , The whole truth ) . John Guillermin usually worked with George Peppard in various films ( such as P.J , House of cards and Blue Max) and Peter Sellers (Never let go , Walz of the Toreadors) . 'Blue Max' is a rehash of the former airplane movie clichés in which the splendid casting stands out . Rating : Good and entertaining , it's a fairly watchable and breathtaking film and results to be a good treatment of WWI flying aces .
    pertti.jarla

    Flawed, but....nice

    I still don't know what to think of this film. As an air war movie it is a must see. Various plane replicas were made for this film, and the aerial sequences are some of the best i've ever seen. There is quite a lot of flying, especially in the first half of the movie. Also the scenes of trench warfare are huge in scale and very convincing. As a character drama Blue Max is a far more complex issue. It turns the typical scenario of "a lone hero against the cruel world" boldly upside down. Here Peppard's character is a bit of a bastard, he is only hungry for status and never even begins to understand the people around him or their values. A nice parody of a modern alpha male. As a contrast the other pilots and officers around him are quite likeable. I actually found myself rooting for the squadron leader and hoping that the hero gets killed in the end instead of him! So, the war scenes are excellent and the human interest stuff is morally complex and interesting. However, i wasn't completely satisfied with the film. I can't help thinking that maybe i would have enjoyed it more had the hero been a bit more likeable. As the characters start spending more time behind the lines than in the air, the film starts to drag. The love scenes with Ursula Andress, as much i tried to like them, are frankly boring. Also, from an adventure of such scale, you'd expect some sort of a climax in the end, instead we see just about half an hour of political scheming in Berlin.

    Overall, Blue Max has moments of greatness and moments of boredom. A must see for war film fans, in any case.
    8philip_vanderveken

    Forget about Top Gun as the ultimate 'fighter pilot' movie!

    I'm a fan of World War One-movies and I've got several of them in my private DVD collection. "The Blue Max" isn't in it yet, but if I ever find it on a DVD, I won't hesitate for one moment to buy it. I want to have it, not only because it deals with WWI in general and because it is a good movie, but also because it gives an idea of how the war in the air was fought and how these pilots acted and saw themselves...

    This movie tells the story of Bruno Stachel, an ordinary infantry soldier who has been turned into a fighter pilot. His colleagues aren't happy with him, not only because he isn't an aristocrat like they are, but also because he's extremely ambitious. He will do anything to win him his country's most honored medal, the Blue Max. But to win it, he'll have to shoot down 20 enemy aircrafts, which will all have to be confirmed by his comrades, without getting killed himself. And while being hated by his fellow pilots, he's seen as the people's hero and perfect propaganda material by the general and as the ideal lust object by the general's wife...

    "The Blue Max" shows very well how the pilots during WWI were almost always noblemen (I guess the most famous one of them all was Manfred Freiherr von Richthofen, better known as the Red Barron), who considered the concept of an honorable death at the hands of a "worthy" opponent still as one of the most important things during their fights. Even at the end of the war in 1918, while on the ground troops had been anonymously slaughtered by the thousands with machine guns and gas, they still considered chivalry as one of the highest goods.

    Next to the historically correct situation of the story, I also admire the rest of the movie. I know, if you aren't interested in WWI, than this might not be the most spectacular movie you've ever seen, but even than the movie has plenty of good and interesting things to offer. The story on itself is nice, the acting is very good and the airplanes are magnificent to watch, on the ground as well as in the air. This is one of those movies that has stood the hands of time, but that is known by only a small audience, which is really a shame. Personally I'm a big fan of this movie and that's why I reward it with an 8/10. My advice: don't call "Top Gun" the ultimate fighter pilot movie before you've seen this one.

    Storyline

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    Did you know

    Edit
    • Trivia
      Fox wasn't able to rent any of he surviving WWI planes still extant, so they built their own. The aircraft were later used in "Darling Lily" and "You Can't Win Them All."
    • Goofs
      The German award called the "Pour le Mérite" (a.k.a. the Blue Max) was awarded at the beginning of the war to pilots who shot down 8 enemy aircraft; that was later raised to 16. The requirement was never 20 as depicted here.
    • Quotes

      Willi von Klugermann: By the way, Stachel... there's an impression around that... you care more about your unconfirmed kill than you do about Fabian's death.

      [long pause]

      Bruno Stachel: Perhaps it's force of habit. In the trenches, we couldn't even bury the dead; there were too many of them. I've never had the time... to discuss them over a glass of champagne.

    • Alternate versions
      It is believed that this film was at one time released in a 70 mm version (because of its six channel soundtrack), but this has never been confirmed.
    • Connections
      Featured in The Amazing Howard Hughes (1977)
    • Soundtracks
      Deutschlandlied
      (uncredited)

      Music by Joseph Haydn

      Lyrics by August Heinrich Hoffman von Fallersleben

      Played at Stachel's medal presentation

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    FAQ

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    Details

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    • Release date
      • August 26, 1966 (France)
    • Country of origin
      • United Kingdom
    • Language
      • English
    • Also known as
      • El crepúsculo de las águilas
    • Filming locations
      • Dublin, County Dublin, Ireland
    • Production company
      • Twentieth Century Fox
    • See more company credits at IMDbPro

    Box office

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    • Budget
      • $5,000,000 (estimated)
    See detailed box office info on IMDbPro

    Tech specs

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    • Runtime
      2 hours 36 minutes
    • Color
      • Color
    • Sound mix
      • 6-Track Stereo
    • Aspect ratio
      • 2.35 : 1

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