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Le crépuscule des aigles

Original title: The Blue Max
  • 1966
  • Tous publics
  • 2h 36m
IMDb RATING
7.1/10
8K
YOUR RATING
Le crépuscule des aigles (1966)
Trailer for this wartime drama about fighter pilots
Play trailer3:08
1 Video
99+ Photos
DisasterTragedyActionDramaRomanceWar

A young pilot in the German air force of 1918, disliked as lower-class and unchivalrous, tries ambitiously to earn the medal offered for 20 kills.A young pilot in the German air force of 1918, disliked as lower-class and unchivalrous, tries ambitiously to earn the medal offered for 20 kills.A young pilot in the German air force of 1918, disliked as lower-class and unchivalrous, tries ambitiously to earn the medal offered for 20 kills.

  • Director
    • John Guillermin
  • Writers
    • Jack Hunter
    • Ben Barzman
    • Basilio Franchina
  • Stars
    • George Peppard
    • James Mason
    • Ursula Andress
  • See production info at IMDbPro
  • IMDb RATING
    7.1/10
    8K
    YOUR RATING
    • Director
      • John Guillermin
    • Writers
      • Jack Hunter
      • Ben Barzman
      • Basilio Franchina
    • Stars
      • George Peppard
      • James Mason
      • Ursula Andress
    • 111User reviews
    • 41Critic reviews
  • See production info at IMDbPro
    • Won 1 BAFTA Award
      • 1 win & 5 nominations total

    Videos1

    The Blue Max
    Trailer 3:08
    The Blue Max

    Photos106

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    Top cast21

    Edit
    George Peppard
    George Peppard
    • Lt. Bruno Stachel
    James Mason
    James Mason
    • General Count von Klugermann
    Ursula Andress
    Ursula Andress
    • Countess Kaeti von Klugermann
    Jeremy Kemp
    Jeremy Kemp
    • Willi von Klugermann
    Karl Michael Vogler
    Karl Michael Vogler
    • Hauptmann Otto Heidemann
    Anton Diffring
    Anton Diffring
    • Holbach
    Harry Towb
    Harry Towb
    • Kettering
    Peter Woodthorpe
    Peter Woodthorpe
    • Corporal Rupp
    Derek Newark
    Derek Newark
    • Ziegel
    Derren Nesbitt
    Derren Nesbitt
    • Fabian
    Loni von Friedl
    Loni von Friedl
    • Elfi Heidemann
    • (as Loni Von Friedl)
    Friedrich von Ledebur
    Friedrich von Ledebur
    • Feldmarschall von Lenndorf
    • (as Friedrich Ledebur)
    Carl Schell
    Carl Schell
    • Von Richthofen aka The Red Baron
    Hugo Schuster
    • Hans. Elderly Servant
    Alex Scott
    Alex Scott
    • The Orator
    Roger Ostime
    • The Crown Prince
    Ray Browne
    • Pilot
    Timothy Parkes
    • Pilot
    • Director
      • John Guillermin
    • Writers
      • Jack Hunter
      • Ben Barzman
      • Basilio Franchina
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews111

    7.18K
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    Featured reviews

    7bkoganbing

    The Definition of Class

    At the beginning of The Young Lions Marlon Brando tells Barbara Rush how difficult it is to rise in class in Europe as opposed to America. It's one of the reasons he's thinking that Adolph Hitler and the Nazis will be a good thing for Germany.

    George Peppard plays a more ruthless version of the Brando character in the previous generation in The Blue Max. He's a survivor of the trenches who gets an opportunity to learn to fly and transfer in the Air Corps. What comes with it is a commission and while Peppard is now an officer he's no gentleman.

    There's a whole different ethic operating in the Air Corps. The pilots see themselves as an updated version of the Teutonic Knights of old. A view by the way shared by both sides. The fliers on both sides see themselves as old fashioned chivalrous sorts who glory in single combat. They are also upper middle class and aristocratic types and Peppard doesn't quite fit in.

    You can put him in a biplane and give him rank, but his outlook doesn't change. What Peppard does see is that if he makes 20 confirmed kills he gets awarded the Blue Max decoration and his future and respectability is secure.

    James Mason who commands the Flying Corps takes an interest in Peppard's rise. His political instinct tells him revolution is in the body politic. Make heroes out of someone like Peppard who would be part of the proletarian masses will help give those masses a vested interest in the Wilhelmine regime and would forestall revolution. Of course wife Ursula Andress has some different ideas about Peppard.

    I like The Blue Max because it is a film about more than aviation. It is about what was happening in Germany during those last days of World War I when Germany was desperately trying to break the stalemate on the western front and pull out a victory before American troops were in sufficient numbers. They almost pulled it out in fact. It's about attitudes, old, new and changing. All three of the leads suit their roles perfectly.

    As a veteran of World War I if he didn't gain the respectability out of the war he craved, Peppard would have been ripe for the Nazi propaganda that filled Germany and was finally heeded during the Depression. The Nazis filled their ranks with Peppards up and down Germany.

    Which is why The Blue Max should be seen and learned from because it is not just about World War I aviators as good as the aerial footage is here.
    jlpicard1701E

    How a man with a dream, misuses it and falls from grace...

    I will be brief. Buy it, it's a must! George Peppard plays his role, Stachel, to the hilt in this WWI war drama. He is supported by very talented and well-known actors such as James Mason, Ursula Andress, Anton Diffring and many others.

    The image is sharp and the colors are vivid. The sound is a bit conventional, but since the story is all-encompassing and well developed you will probably forget all technicalities and just sit through an excellent movie as I did.

    The story deals with a simple German infantry soldier, stuck in the horror of the trench warfare, who dreams to fly and become an ace.

    Well, he doesn't have to wait long and soon he's a flyer. he also becomes an ace.

    Unfortunately, his modest social origins, keep him from the Sun, the Blue Max in fact. The Blue Max is the highest ranking medal given to pilots in WWI.

    Knowing that, Stachel (Peppard) decides to fight all the odds and becomes totally ruthless and opportunistic.

    Unluckily for him, two can play at the same game. The German Reich needs a hero, an example to play its cards right, in order to have more draftees to send to the front.

    Stachel becomes such a hero, but to a price...

    It is a crude and cruel depiction of the rise and fall of someone who came from nothing and through war, thought he could make it in society, only to find out that certain games are better left alone.

    A very good morals and ethics lesson, from which many people could still learn something.

    I can only suggest it. The rest is up to you.
    7ma-cortes

    Spectacular dogfighting , colorful scenario , all-star cast and memorable acting

    Interesting War drama taken from German point of view , it deals with a young pilot named Stachel (George Peppard) in the air force of 1918, disliked as lower-class and unchivalrous , attempts ambitiously to earn the medal -The Blue Max- offered for 20 shooting down enemy planes . He reunites an aristocratic group of flying aces (Jeremy Kemp , Karl Michael Vogler) and emerges dispute , envy and hating . Most of the officer corps comes from Germany's high-class elite and Stachel feels out of place . His blind ambition leads him to claim a shooting down that is not his and when he confides in the gorgeous spouse (Ursula Andress) of a General (James Mason), conflicts are inevitable .

    Big-budget extended adventures produced by Elmo Williams about a maverick pilot and his partners undergoing risked feats on air and bombing on earth . Based on a novel by Jack Hunter and being well adapted by Franchina and Ben Barzman . Very good aerial actioner plenty action , steamy romance , drama , fantastic cloudy scenes and spectacular dogfighting . George Peppard shows professionalism as crack fighter pilot named Stachel , an ambitious youth assigned to dangerous missions . Top-notch support cast gives excellent performance as Jeremy Kemp as astute contender , Anton Diffring , Derren Nesbitt , Peter Woodthorpe , Loni Von Friedl and Carl Schell as Von Richthofen , the famous Red Baron . Rousing aerial scenes staged by Squire , being wonderfully photographed by Douglas Slocombe and marvelous musical score by the great Jerry Goldsmith are the chief assets of this spectacular film . This lavish airplane movie is professionally directed by John Guillermin , habitual of disaster films ( Skyjacked , King Kong , Kong lives ) , adventures ( Tarzan in India , Tarzan's greatest adventure , Sheena ) , Wartime ( Bridge of Remangen , Guns at Batasi , I was Monty's double ) and intrigue ( Death on the Nile , Shaft in Africa , The whole truth ) . John Guillermin usually worked with George Peppard in various films ( such as P.J , House of cards and Blue Max) and Peter Sellers (Never let go , Walz of the Toreadors) . 'Blue Max' is a rehash of the former airplane movie clichés in which the splendid casting stands out . Rating : Good and entertaining , it's a fairly watchable and breathtaking film and results to be a good treatment of WWI flying aces .
    8philip_vanderveken

    Forget about Top Gun as the ultimate 'fighter pilot' movie!

    I'm a fan of World War One-movies and I've got several of them in my private DVD collection. "The Blue Max" isn't in it yet, but if I ever find it on a DVD, I won't hesitate for one moment to buy it. I want to have it, not only because it deals with WWI in general and because it is a good movie, but also because it gives an idea of how the war in the air was fought and how these pilots acted and saw themselves...

    This movie tells the story of Bruno Stachel, an ordinary infantry soldier who has been turned into a fighter pilot. His colleagues aren't happy with him, not only because he isn't an aristocrat like they are, but also because he's extremely ambitious. He will do anything to win him his country's most honored medal, the Blue Max. But to win it, he'll have to shoot down 20 enemy aircrafts, which will all have to be confirmed by his comrades, without getting killed himself. And while being hated by his fellow pilots, he's seen as the people's hero and perfect propaganda material by the general and as the ideal lust object by the general's wife...

    "The Blue Max" shows very well how the pilots during WWI were almost always noblemen (I guess the most famous one of them all was Manfred Freiherr von Richthofen, better known as the Red Barron), who considered the concept of an honorable death at the hands of a "worthy" opponent still as one of the most important things during their fights. Even at the end of the war in 1918, while on the ground troops had been anonymously slaughtered by the thousands with machine guns and gas, they still considered chivalry as one of the highest goods.

    Next to the historically correct situation of the story, I also admire the rest of the movie. I know, if you aren't interested in WWI, than this might not be the most spectacular movie you've ever seen, but even than the movie has plenty of good and interesting things to offer. The story on itself is nice, the acting is very good and the airplanes are magnificent to watch, on the ground as well as in the air. This is one of those movies that has stood the hands of time, but that is known by only a small audience, which is really a shame. Personally I'm a big fan of this movie and that's why I reward it with an 8/10. My advice: don't call "Top Gun" the ultimate fighter pilot movie before you've seen this one.
    8dublin9

    A Terrific WWI Air War Movie With Real Planes & No CGI

    What a refreshing movie to watch.

    I saw this movie with my father in 1966. He always loved the bi-planes of World War I and they thrill me to this day.

    The title, though central to the theme of the movie is really a misnomer to the enjoyment of this film. You actually get to see r-e-a-l aircraft in combat without the cartoon effects of CGI.

    This is movie making in the school of the other Cinamascope greats: Somewhat weak on plot, but so absolutely cool in visual execution, that you overlook the script's lack of depth.

    I'm not saying that this movie doesn't have a plot. It's a solid story with somewhat shallow character development. But in the end, the characters were secondary to a story of bravery, early air war history and tactics and the wearing away of chivalry in an era of a nation fighting for survival in the end of hours.

    Acting was good, direction was fine and choreography using actual aircraft was among the last of it's kind.

    I give this an 8 out of 10 for displaying concrete reality in an era of cartoon gimmicks.

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    Related interests

    Helen Hunt and Bill Paxton in Twister (1996)
    Disaster
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    Tragedy
    Bruce Willis in Piège de cristal (1988)
    Action
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama
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    Romance
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    War

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Fox wasn't able to rent any of he surviving WWI planes still extant, so they built their own. The aircraft were later used in "Darling Lily" and "You Can't Win Them All."
    • Goofs
      The German award called the "Pour le Mérite" (a.k.a. the Blue Max) was awarded at the beginning of the war to pilots who shot down 8 enemy aircraft; that was later raised to 16. The requirement was never 20 as depicted here.
    • Quotes

      Willi von Klugermann: By the way, Stachel... there's an impression around that... you care more about your unconfirmed kill than you do about Fabian's death.

      [long pause]

      Bruno Stachel: Perhaps it's force of habit. In the trenches, we couldn't even bury the dead; there were too many of them. I've never had the time... to discuss them over a glass of champagne.

    • Alternate versions
      It is believed that this film was at one time released in a 70 mm version (because of its six channel soundtrack), but this has never been confirmed.
    • Connections
      Featured in The Amazing Howard Hughes (1977)
    • Soundtracks
      Deutschlandlied
      (uncredited)

      Music by Joseph Haydn

      Lyrics by August Heinrich Hoffman von Fallersleben

      Played at Stachel's medal presentation

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    FAQ19

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    Details

    Edit
    • Release date
      • August 26, 1966 (France)
    • Country of origin
      • United Kingdom
    • Language
      • English
    • Also known as
      • El crepúsculo de las águilas
    • Filming locations
      • Dublin, County Dublin, Ireland
    • Production company
      • Twentieth Century Fox
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $5,000,000 (estimated)
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 2h 36m(156 min)
    • Color
      • Color
    • Sound mix
      • 6-Track Stereo
    • Aspect ratio
      • 2.35 : 1

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