L'armée Brancaleone

"L'armata Brancaleone" was made at the time of Italian cinema's triumphs, when Italy could boast some excellent directors and well-known actors. There's one simple reason why this movie is still loved by young generations: it's a real comedy, hilarious without being trivial, and it can rely on a couple of ingenious tricks, such as the language and the setting. The characters speak a funny pseudo-ancient Italian crammed with Latin words and solemn sentences, and maybe some quotations from "La Divina Commedia" by Dante Alighieri (the name Matelda and her character played by the gorgeous Catherine Spaak). And what about the setting? A wild Medieval Italy, with uncontaminated natural sceneries, castles and towns infested by pestilences. Kudos to the actors, everybody is perfect in his/her own role, from Vittorio Gassman and Gian Maria Volonté to the supporting roles, and of course to the director Mario Monicelli, amalgamating all with his personal touch.

Thanks to the french-speaking TV networks of my country (Canada), I litterally grew up with commedia all'italiana - Italy's crazy explosion of satirical comedies (1955-1980). Soon the "quartet of monsters" - Gassman, Manfredi, Sordi, Tognazzi - became my favourite comic stars. But when it comes to L'Armata Brancaleone, it is only two years ago that I finally found this movie, after a decade and a half of frentic research. The old Italian guy who sold me the (used) videocassette for 50 $ thinks he outsmarted me. No he did not! Even for a 1000 $, it would still be a bargain! For L'Armata Brancaleone is no less than a miracle of comic invention. The visceral power of this farce defies any superlatives I could find. Vittorio Gassman's performance as Brancaleone can only be compared to the greatest comics of the century. For their work on this film, scripters Age & Scarpelli, director Mario Monicelli and the whole team down to the most humble go-fer would deserve an enormous trophy.

I take the risk of annoying most people but it must be said: in order to get the full flavour of the fun in this movie you should have a really good knowledge of the Italian language, and view the film in original. It is hard even for an Italian to understand some of the dialogues, while they rapidly switch from Gassman's impeccable proto-Italian with strong Latin influences (spoken in such a serious manner as to result irresistibly comic), to Abacuc's Jewish version thereof, to the other characters' strong rural poor-man's accent.

In this movie, and in the delectable sequel "Brancaleone alle Crociate", Gassman is at the top of his skill as an actor. This is somehow like acting the "Fifteen Minutes Hamlet" without even remotely smiling, but giving a serious, professional performance. Only someone who is truly great can do the buffoon like this without appearing histrionic, or ridiculous.

Ok, this movie is very funny, really. There are great jokes, a lot of gags and pure nonsense. The characters are unforgettable and the reconstitution of Middle Age is impressive. Unfortunately, it's an unknown (in the USA) masterpiece of Mario Monicelli and there are another Medieval Comedy's movies more famous, like Monty Phyton and the Holy Grail. But, if you will have a chance to watch "L'Armata Brancaleone" (The Incredible Army of Brancaleone), don't miss because it's really good.

"L'Armata Brancaleone" is an absolute comedy masterpiece. Its surreal medieval world is incredibly deep and funny. The story is summarized here at IMDB, so it's not necessary to repeat it. The main comic device is based on the contrast between the heroic world that the charachters try to master (paladins, knights' tournaments, kings etc) and their actual miserable conditions. The only problem with this movie for non-italian speakers is the language: the authors re-created a mock medieval language (using ancient italian, latin and italian dialects) which is absolutely flamboyant. This particular language (very difficult to understand if you're not italian native speaker) and Vittorio Gassman make this movie one of the best comedies of the 20th century. Thanks to Mario Monicelli, the great film director.