Based on the hit play. A British Government Minister puts forward a bill to battle filth in the UK but that doesn't stop him having an affair with both his secretary, Miss Parkyn and Wendy, ... Read allBased on the hit play. A British Government Minister puts forward a bill to battle filth in the UK but that doesn't stop him having an affair with both his secretary, Miss Parkyn and Wendy, the wife of a high-up reporter. Opponents to the bill - mainly some hippy girls, lead by J... Read allBased on the hit play. A British Government Minister puts forward a bill to battle filth in the UK but that doesn't stop him having an affair with both his secretary, Miss Parkyn and Wendy, the wife of a high-up reporter. Opponents to the bill - mainly some hippy girls, lead by Johnny, kidnap the Minister's best friend and co-founder of the bill, Barry Ovis just as he... Read all
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The characters in this film are incredibly dumb but there's a method behind this. They have to be dumb otherwise if they acted like sensible human beings all the plot strands would be tied up in about 20 minutes.
This is the sort of film they don't make anymore and with good reason.
It does sag in places (!) as the lie-upon-lie builds up, but what many people don't seem to notice is the slick interplay between the leads, the funny dialogue, and Leslie Phillips in full "well he-llo" mode. There is also the advantage of a great supporting cast, of whom Joan Sims typically shines in a thankless "nagging wife" role. Her advice to someone getting married "pray... watch..." is delivered superbly.
It's the type of thing that would never trouble an Oscar jury, but if some of the recent winners are anything to go by (hello Monsters Ball, Cold Mountain....), this can only be in its favour.
Basically, this is a fun film that you can see time and time again. You can't say that for a lot of films. Thrillers get less thrilling when you know whodunnit, for example.
The plot is as follows - a government minister intends to tighten up the laws on censorship, leading to a group of hippies kidnapping his underdog. From this simple premise the film descends into the usual farce with clothes coming off, mistaken identities, characters making up stories as they try to explain away their various antics and so on.
The first thing to note is that the film doesn't look like a filmed stage play in the same way as NOT NOW DARLING did. It makes use of more than one location and some outdoor scenes too (although not too many).
Leslie Phillips is on top form in this film and his caddish on screen persona is ideally suited to the part he plays. Likewise, Brian Rix is probably at his best in this film. I remember recently seeing the film version of another Rix farce, DRY ROT, and noting that it was a far less energetic production than this one. Rix has a ball of a time getting into all manner of mishaps, as well as trying to fool a police inspector with a phony Australian accent. It's all great to see and the film moves along at a very fast pace like NOT NOW DARLING did.
Joanna Lumley has always been better in serious works rather than comedy. That's my opinion anyway. I'll always think of her as being at her best as Sapphire in the SAPPHIRE AND STEEL series. But she is good as Miss Parkyn, Phillips' secretary and shares many great scenes with Phillips.
Derek Royle has fun playing an MP of the opposition party, hoping to find evidence of Phillips' sexual exploits in order to try embarrassing (and possibly bring down) the government.
Peter Bland is excellent as Inspector Ruff, a character who reprises his role in another, lesser-known Rix farce called A BIT BETWEEN THE TEETH (sadly no film version of that one was made).
Joan Sims is somewhat wasted as Phillips' wife, but it's great to see her here nonetheless.
The rest of the cast are great too, especially Katy Manning.
As was the case with NOT NOW DARLING, the film is better than the stage version. The faster pace and the perfect casting ensure this.
Overall, DON'T JUST LIE THERE, SAY SOMETHING is one of the best British farces - a fast-paced masterpiece and one of my all-time favourite comedies. For fans of the CARRY ON films, Benny Hill, Ray Cooney farces (or Brian Rix ones of course), this is a must see.
Did you know
- TriviaJoanna Lumley, who also appeared in the stage version, describes the filming as having to be done in 'a basement off Fleet Street, more horrific than L'Exorciste (1973) it was!'
- Quotes
Insp. Ruff: Well, well well, it seems the bird has flown, eh? So, we've got a right lot of names for our adress book. Take them down, sergeant. Oh, Charlie, no phone numbers, eh?
Police sergeant: No, sir.
- ConnectionsReferences Come Dancing (1949)
Details
- Release date
- Country of origin
- Language
- Also known as
- Raptaram o Secretário
- Filming locations
- Gannet Studios, London, England, UK(studio: made at)
- Production companies
- See more company credits at IMDbPro