Le jour des loups

Quentin Tarantino may have seen ALSO this one : the gang boss does not want his men can identify themselves, and he wants them to choose (or he chooses for them : memory is not sure about that) names of numbers or colors or anything else. Remind you something ? It is clearly one source of one of the good ideas of Tarantino in RESERVOIR DOGS. Tarantino has seen many movies : he makes homage to the famous first dialogue line of DEATH TRAP / EATEN ALIVE / STARLIGHT SLAUGTHER (USA 1976) directed by Tobe Hooper in KILL BILL, and to many others movies he has seen in his own movies. He liked what we liked in the 60's & the 70's. And because of his "history of movies" memories, we can even re-discover such movies as this quite funny DAY OF THE WOLVES ! As Latin proverb says : NIHIL NOVI SUB SOLE (Nothing new under the sun) !

Once you get past the $1.98 production values, this one is a true treat for the mind. The gang's plot and execution are mind-boggling, and Jan Murray plays one of the most vicious criminal masterminds ever. The desert is used to good advantage, and Richard Egan's poor-man's Will Kane is well executed. See it.

"The Day of the Wolves" has attracted a small cult among die-hard aficionados of the crime syndicate genre, yet the central concept of a large-scale robbery pulled off by an anonymous boss (and his specifically-invited cohorts, who don't know their leader nor each other) isn't too original--it reminds one right away of "The Thomas Crown Affair", and probably a few other titles besides. The low-budget yarn begins with one man killing a restaurant manager, another robbing a bank while disguised as a postman (!), and still another robbing a hilltop residence; these three crooks, as well as three other men, are then brought to a secret hideout where their new leader (Jan Murray, playing "No.1") lays out his plan: to overtake a small town after knocking out the phones and electricity, each man standing to gain $50,000 G's. Richard Egan plays the chief of police--recently dismissed by his own city council!--who is the only town resident brave enough to take on the bad guys. "Wolves" must have been more fun to make than it is to watch. Apparently, the population of Lake Havasu City got involved in the production, and the results have that stilted, tentative feel of an amateur project wherein everybody pitches in without actually possessing noticeable film-making talent. Egan, though looking weathered, does his best without embarrassing himself; as his child-hugging spouse, Martha Hyer isn't as fortunate. Surprisingly, Murray really delivers the goods as the brains of the outfit, and there's a nifty ending with him on TV. Sean Bonniwell's score, which sounds like stoned-out jazz, dates the picture more than anything else, though the opening theme song is a gone gasser. "Nameless men have heard the cry of silent, pounding hoofs," we're told, "While nameless men like you and I will never hear the wolves!" Huh?? ** from ****

Low-budget doesn't begin to describe the cheesy production values of this independent heist movie. The piped-in music, limited camera angles, and production glitches remind me of a porno movie. But, the plot is ingenious -- as gripping as I've seen in a crime movie in 30 years. And, although some of the dialogue is ridiculous in the scenes between townspeople in the first third of the film, all of the dialogue, amongst the criminals and among the law officers once the crime is on, is gritty and realistic. A few story twists help the proceedings along to a most satisfactory conclusion.

While budgetary constraints may be evident, the plot is what probably attracted a quality actor like Richard Egan. Definitely a must see for Tarantino fans, as it seems he watched it more than a few times. The film itself was ahead of its time in terms of plot, and if it were more available, would be a favorite among heist fans. Despite the budget/filming conditions, Egan gives a great performance, giving the writing a bit more than it deserves. All in all, a good watch.