Dark Star : L'Étoile noire

Up until "Dark Star", crews of rocket ships were usually "spit and polish", highly disciplined members of a crew all working towards a common goal in harmony. This was the image of the astronauts as promulgated by NASA. Dark Star introduced the negative dynamic to spaceship crews: space travel was ho-hum, they had little contact with earth, and everyone had gotten sick of each other.

Dan O'Bannon used this to good effect in "Alien".

Also, the use of contemporary music was highly original and helped move the movie along.

The scene where they talk to the bomb was just a rip-off from Star Trek and the episode "The Ultimate Computer".

When one takes into account that this was the first real film venture of John Carpenter and Dan O' Bannon, two incredibly influential and talented movie personas, Dark Star is not all that bad. It has some imaginative camera shots, an intriguing storyline, and some unique, definitely not mainstream humour. The story about the humdrum nature of flying in space for an interminable time has several layers peeled in the script. If I judged the film solely on those merits, it would indeed do well. However, the film has a snail's pace and some uneven plot twists, not to mention some not very good acting. Many of Carpenter's soon-to-be-signature trademarks are clearly evident in this film. No denying it, the man has talent. The film was made with a shoestring budget, but Carpenter and crew do a workmanlike job with the resources they had. Clearly, the greatest appreciation for this film is not for the product itself but for the potential and early, evident development of Carpenter and to a lesser degree O' Bannon.

Well OK this may not the most enjoyable film I've seen but it is certainly one of the most unique and cynical films ever. I find myself pulling out the tape and watching it again every couple of years just to give myself a reality check with all the Hollywood tripe you get these days. To make the most of it you need to watch a couple of Star Trek episodes first and then watch this. Instead of the clean-cut, politically correct, join-the-dots films that are so common now, you get a feeling that this might just be the way life on a space ship would really be.

It was really way ahead of its time. People now comment that films like Star Wars and Alien were the first to make sci-fi more 'realistic' but Dark Star pre-dates both of them by several years. I have a sneaking suspicion that this is where Scott Ridley and George Lucas got some of their ideas.

John Carpenter's first film. Must be horror you say, but you'd be wrong in that account. Dark Star is a parodied view of future, in where a group of astronauts travel in space, destroying unstable planets in danger of hitting in to the sun, thus making them in to novas.

One would think there's lots of special effects in a movie like this, and one would be right. Those special effects just aren't extremely good in any standard, but they do have lots of charm. And I actually do believe, that if this movie would have any better specials it wouldn't be as funny as it's now.

I won't spoil the movie for you, but if you like sci-fi this just might suit for you then. It gave me couple of laughs.

I saw this film as a kid, dismissed it as boring, and moved on. Luckily, fate forced me to see it again about 2 years ago and (some are going to hate me for this) now i consider it second only to Kubrick's 2001:A Space Odyssey. The scope is gigantic, even though we're trapped inside the goofy little ship with these rejects (and they ARE rejects). It is a spoof of man's uninformed view of his place in the universe. It is filled to capacity with malfunctioning technology, illogical solutions to self-inflicted conflicts and a very genuine feeling of the isolation of deep space.

The music (John Carpenter is an innovator in film scoring) is strange and often indistinguishable from the zany noises of the ship's equipment and displays (who would ever create such tortuous bleeps and sirens for EVERY function of a spacecraft designed to house a couple of guys in the outermost regions of the galaxy?). The ship's computer is a perfect contast of Hal9000 (2001) in that SHE seems to understand her crew's dimwitted plight and ,after speaking to them in her programmed monotone, recognizes the need to go back and dumb herself down so that they can function accordingly. It is never explained whether she has assumed a mother-figure role or is simply acting out of self-preservation ,but ,like most of the more thought-provoking elements of this absurdist's fantasy, the viewer is merely given the bare-bones information and allowed to decide for itself.

Maybe all of this implied data caused me to make the movie better in my head than it actually is ,but how many films have you seen lately that can give you that freedom?