The Cat Creature

This is a very silly story, but I loved seeing a very young Meredith Baxter along with gothic/horror film regulars of the 30s and 40s such as John Carradine, Peter Lorre and Gale Sondergaard. Oh, and Charlie Chan's Number One Son Keye Luke.

The first made for television collaboration between Psycho scribe and all round pulp horror titan Robert Bloch with classy b-horror veteran Curtis Harrington, The Cat Creature is a charming if inconsequential affair that neither reaches the levels of its influences nor surpasses its status as a made for television production, but is still perfectly good stuff for a dull afternoon left sparing. The outlandish plot sees an antique theft from a deceased collector result in the release of a murderous acolyte of the Egyptian cat goddess Bast, and cop Lieutenant Marco teaming up with Professor Roger Edmonds to figure out what's going on. Then there's occult shop owner Hester Black and her assistant Rena Carter getting involved in things as well. The vibe hearkens back to horror and detection stories of yesteryear, particularly the 1940's and Cat People, with a measured pace and restrained action as well as certain pleasing subtleties. Director Harrington pulls off a few effectively creepy stalking sequences and deploys the titular beast in fun if slightly repetitive fashion. Fortunately the story has a few twists and turns so things never get dull, although they fail to get all that heated either. The cast is fairly well handled and thread things through nicely, Stuart Whitman is suitably gruff and no nonsense as Lt. Marco, Meredith Baxter paints Rena in sympathetic shades of confusion, fear and yearning, while David Hedison takes a while to warm up and loose his awkwardness but is still likable as Prof. Edmonds, a classic academic good guy figuring things out with open-mindedness and learning. Best though is Oscar winner Gale Sondergaard as Hester, crooked and controlling, time soured and radiating low key negativity yet at the same time open and helpful. She steals every one of her scenes and brings an unaffected old fashioned class to things that is perhaps the films greatest asset. It's just a shame that the film doesn't really have enough in the way of atmosphere or shocks (being rather tame even by made for television horror standards), so for all that it has in the way of style and vacant likability it just isn't all that compelling. Certainly watchable, but definitely a film for fans of television horror of the era rather than more casual fans, who may quite reasonably be bored and unimpressed. As a fan of such horror then I give The Cat Creature 6/10 and partially recommend it to other such fans, but it is far from essential.

An old attorney is in charge of cataloging a wealthy estate and is later found murdered near a mummy sarcophagus. On the case is Lt. Marco (Stuart Whitman), who quickly finds out that an amulet of Baast, the Egyptian cat goddess, was stolen. He enlists the help of Prof. Roger Edmonds (David Hedison) and they soon find themselves centering on an occult shop run by Hester Black (Gale Sondergaard) and her new assistant Rena Carter (Meredith Baxter). She admits a thief (Keye Luke) came by to try and sell the amulet, but she turned him away as she is out of the fencing game. Meanwhile, folks all over L.A. are being murdered with cat-like scratches found on their bodies. This ABC Movie of the Week was a return to TV for director Curtis Harrington (after his theatrical features WHAT'S THE MATTER WITH HELEN?, WHOEVER SLEW AUNITE ROO? and THE KILLING KIND). He definitely was looking to get into the Val Lewton mold a la THE CAT PEOPLE and it is pretty successful. The script by Robert Bloch moves quickly and there are some great performances in here. The best is Sondergaard as Hester Black, which might be one of the greatest names ever. Another interesting thing is Harrington, who was gay, fills the film with subtle gay moments (like Hester always asking her younger co-workers out for dinner and getting rejected).

The Cat Creature (1973)

** (out of 4)

An antique collector dies and soon afterwards a thief steals a gold amulet with the face of a cat on it. Soon several people who come in contact with it are murdered or commit suicide, which leads a detective and a college professor into the investigation. THE CAT CREAURE comes from director Curtis Harrington and writer Robert Bloch and it features an all-star cast but in the end you can't help but see this as being pretty minor. The biggest problem is the story, which has a few interesting ideas but nothing good is ever done with it. I thought the film got off to an extremely good start and the ending was good but everything in the middle was pretty much a bore. The entire investigation just seems so one note and there's never any energy behind it. Even with such a short running time the film really did drag badly in spots, which is a real shame because there are some good things here. One such thing is the alternate way of looking at the legend of a mummy and the curse that comes with it. The actual look of the mummy was good and I also thought the film did a good job with how the cats were used. I'm not going to spoil what happens at the end but it's actually a nice little twist. Another good thing is that the cast is great. We get Meredith Baxter doing a good job playing a woman who gets involved with the case and David Hedison is also good as the college professor. Gale Sondergaard (THE BLACK CAT '41), Keye Luke, Kent Smith, Stuart Whitman and Peter Lorre, Jr. are also in the cast and are fun to see. Then we have the great John Carradine in a quick minute role but he gets to act along side a prostitute midget so here's another weird one for the actor's filmmography. THE CAT CREATURE has a few bright ideas but sadly they never really materialize into anything watchable. Fans of the cast might want to check it out but others should stay clear.

Several people, who have somehow come into contact with an amulet improperly elevated from the sarcophagus of an Egyptian mummy, are unaccountably but fatally assailed by a black cat. Not so much another CAT PEOPLE (1942) variation as a commendable addition to filmdom's mummy lore (courtesy of Robert Bloch); a cast of mostly old reliables helps add flavor to the familiar narrative. The film's leads are adequately filled with Meredith Baxter's deceptively innocent salesgirl and archaeologist David Hedison – who, naturally, fall for each other during the course of the narrative; sprucing up the rest of the 'dramatis personae' are world-weary cop Stuart Whitman, sinister proprietor of "The Sorceress" pawn shop Gale Sondergaard, solicitor Kent Smith (the male protagonist of the aforementioned Val Lewton/Jacques Tourneur classic), alcoholic thief Sen Yung and even hotel clerk(!) John Carradine (although already pushing 70 by this time). I have a handful of unwatched made-for-TV genre efforts from director Harrington and I might get to include them in this year's Halloween marathon.