Chino

The Valdez Horses (AKA: Chino and Valdez the Halfbreed) is directed by John Sturges and adapted to screenplay by Clair Huffaker from the novel "The Valdez Horses" written by Lee Hoffman. It stars Charles Bronson, Jill Ireland, Marcel Bozzuffi and Vincent Van Patten. Music is by Guido and Maurizio De Angelis and cinematography by Armando Nannuzzi.

Chino Valdez (Bronson), half Indian, half Mexican, lives in solitude on his ranch and beavers away breeding and breaking horses. When one night a 15 year old stray youngster appears at his door looking for bed, board and maybe work, it signals a chain of events that will ultimately define the both of them.

It happens once in a while, a Western fan will observe the mixed notices for a particular genre piece and kind of dismiss it as being far from essential viewing, even if it happens to star an actor you greatly enjoy. "The Valdez Horses" is a beautiful Western, a thoughtful and reflective genre piece that seems to have been damned by those who got a completely different Bronson movie to the one they were hoping for. Regardless of the question of just how much directing John Sturges actually did on the picture (it's rumoured Italian Duilio Coletti did most of the work), the end result is a mature and engaging piece of entertainment.

It's a film that belongs in the company of "Monte Walsh", "Will Penny" and "Lonely Are the Brave", films that feature a macho male protagonist at odds with what is happening around him. In Chino Valdez's case, he's a loner, he likes a drink and he's constantly having to defend himself against the racists down in the town. He's at his happiest when it's just him and his horses, man and beast clearly understand each other. But when young Jamie Wagner (Patten) arrives in Chino's life, the equilibrium is upset, but in a good way, two lost souls finding a family foothold that both thought beyond them.

Yet there is of course a villain of the piece, Maral (Bozzuffi), an all domineering land baron who has absolutely no time of day for the halfbreed horse tamer. Things are further complicated when Maral's half sister comes to town, Catherine (Ireland) is prim and proper British, and immediately there's an attraction between her and Chino, there is just no way Maral is going to sit back and let a relationship develop there. A shame because Chino and Catherine benefit each other greatly, but the vile stink of hatred hovers over them like a black cloud waiting to unload its miserable cargo.

Some old reviews for the film claim its a series of un-cohesive scenes strung together! That really isn't the case at all, the trajectory very much builds towards the next stage of Chino and Jamie's life. Chino introduces Jamie to an Indian tribe, spending time with them and their way of life, even as he ruefully remarks to his young charge that they are a dying breed, there's a proud sheen to Chino that's most telling. Chino also takes him out for Xmas celebrations in town with the Mexicans, the young man clearly has never been so happy as he gets shown by Chino that not all the West is rife with bile. While elsewhere, all the scenes with the horses, the breaking in, the riding, the stare downs, are superbly filmed and emphasise the narrative's point of Jamie's further education.

There's some violence, it would after all be a shame to waste Bronson in that way, but this is no "Chato's Land" and newcomers to the film should be forewarned that it isn't a shoot em' up/fist fights rampage movie. In fact the ending is most unconventional and sure to leave some very frustrated. I know that I was initially, but a couple of hours later as I sat down with a glass of wine I pondered on how daring and poignant it was, a real bitter-sweet finale that deftly has you re-evaluating the whole point of the movie. Lovely scenery (Almeria, Spain) helps put the cherry on the cake, and with Bronson on fine form and his chemistry with Ireland and Patten set in stone, this is a far better picture than you may have heard it is. 8/10

Chino is the story of the typical loner who doesn't fit into society. Typical Bronson film with an un-typical Bronson ending. Bronson plays Chino who breaks and sells wild horses. After taking a young boy in as a ranch hand things start to get better for Chino. He falls in love with a rancher's sister and things deteriorate from that point. Can recommend this film for Bronson fans.

I agree that the change of directors caused a change in quality of the film, but all in all this is one of my favorite westerns. It is thought provoking and realistic. Bronson's acting comes off as natural and he understood who Chino was. His relationship with the young boy seems odd, but not forced. The scenes with Jill Ireland are amusing and show the difference in culture between Europe and the old west. Filmed in Europe, there are a few quirks that sort of make you laugh, the Native Americans and the town seem a little hokey, but the film remains enjoyable. The ending bothered me, but thats what made this a good film. I reccommend this to anyone who wants to sit and relax to a good western.

Some of the best films in which Charles Bronson stared in can said to have been the very best. However, there are a couple which are never off the mark. This is one of them. The movie is called " Chino " and in this reviewer's opinion is like a item of wet clothing, hung out to dry. Charles Bronson plays Chino Valdez a native America who has am isolated ranch in the New Mexico plains. One day a teen age lad named Jamie Wagner (Vincent Van Patten) arrives on his ranch looking for work. Reluctantly, Valdez hires him and set about to teach him the horse trade. At nearly the same time Valdex is smitten by an English woman called Catherine (Jill Ireland) who falls for him. Despite the rest of the town clamoring for Chin to stay away, thing on his ranch never do get off the ground as the Catherine's brother is someone who decides Chino is not the right man for his sister. Despite the Bronson presence and the fact that this is a John Sturges film, it lacks the magic of their combined efforts in other movies. Still, much can be garnered from this offering. In this case, Van Patton does add his youthful presence and conspires to ask the question, why does it end the way it does. This is very unlike Bronson. ***

This Italian/Spanish/French co-production concerns a mestizo , Chino Valdez (Bronson at fifty-one years of age), the Halfbreed , he's a horse breeder rancher who struggles to maintain his way of life by facing off foes. 'The Valdez Horses' refers to Chino's equine herd . The half-Indian man lives solitary until the arrival a young (Vincent Van Patten) . Chino decides to take him in and teach him the art of rodeo , raising , breeding and round-up horses . The movie follows the Bronson's adventures and his imposing black stallion that represents freedom and proud what the white men impede him to enjoy. Meanwhile , Chino has a sensitive romance, as he falls in love with the sister (Jill Ireland) of a wealthy owner (Marcel Bozzuffi) who doesn't approve the relationship and taking the subsequent vengeance. Bronson is Valdez!...and around Valdez things erupt. They Took His Land... His Horses... His Woman... But... They Couldn't Take Chino!

It is a Spaghetti Western shot in Almeria (Spain) where by that time lots of Maccaroni/Paella Westerns were shot , and its source 'The Valdez Horses' , a novel written by Lee Hoffman (published in 1967) ; but being a little bit boring and slow-moving , although there are some shootouts, action , and excitement enough. It even turns out to be quite advanced for its time, due to its ecological content, being an ode to the land and wild animals; its political correctness in the treatment of the Indians is also worthy of praise.

Interesting storyline though monotonous and tiring , at times, by Clair Huffaker , he was a prestigious screenwriter who wrote several notorious westerns. Clair Huffaker is credited as the sole writer on American prints , though in the Italian ones is also signed by Massimo De Rita and Arduino Maiuri . There's a brief exploring about Native American Indians and dream sequences that tend to undermine the easy action. As usual, Charles Bronson is a convincingly silent tough guy, here playing Chino Valdez, a mix of Native American Indian/white European ancestry, a horse breeder who domesticates and trains horses ; while Jill Ireland (Bronson's real wife) , as his sweetheart , is enjoyable and enticing . This film is one of Charles Bronson's 70s westerns , his westerns made during the seventies include Red sun (1971) by Terence Young , Chato (1972) by Michael Winner , From noon till three (1976) by Frank D Gilroy , Nevada Express (1975) by Tom Gries and White Buffalo (1977) by J. Lee Thompson , being most of them produced by Dino De Laurentiis. Spectacular outdoors well shown by cameramen Armando Nannuzzi and Godofredo Pacheco. Set in New Mexico , USA , this movie was actually filmed in Almería , desert of Tabernas , Andalucía , Spain . Musical score by Guido and Maurizio De Angelis is effective, stirring and evocative , they are composers of numerous spaghetti western soundtracks .

Weak though slick direction by John Sturges, he previously made classic westerns as ¨Gunfight OK Corral¨, ¨Last train from Gun Hill¨ and ¨The magnificent seven¨ and his former Western film had been ¨Joe Kidd¨ with Clint Eastwood . Being fifth and ending film that filmmaker Sturges made with star Charles Bronson . This Italian/Spanish/French co-production was premiered in Europe in 1973 but didn't open in the USA until 1976. In the Italian version appears credited as co-director Duilio Coletti. Duilio was a good craftsman who mainly filmed adventure genre such as ¨Captain Fracassa¨, ¨Il Fornaretto Di Venezia¨, The Mask of Cesare Borgia" , "Merchant of Slaves" and wartime genre , such as ¨Anzio¨ co-directed by Edward Dymitryck , ¨Divisione Folgore¨, "The Earth Cries Out" , "Hell Raiders of the Deep" , and ¨Under ten flags¨ . The motion picture is a Charles Bronson vehicle along with his wife, Jill Ireland , both of whom sadly deceased . Despite having little fame in the past, and having been somewhat hidden and obscure, the film has improved over time, thanks above all to recent remasterings, compared to old, poorly worn prints from a 'public domain', and is today better regarded, which is why it is highly recommended for lovers of the genre. Rating: 6/10. Acceptable and passable, but not remarkable.