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La cloche de l'enfer

Original title: La campana del infierno
  • 1973
  • Unrated
  • 1h 46m
IMDb RATING
5.7/10
1.6K
YOUR RATING
Renaud Verley in La cloche de l'enfer (1973)
HorrorThriller

After being falsely accused of being insane and put in a asylum so his wicked aunt and her daughters could steal his money, a recently released young man returns to seek the ultimate revenge... Read allAfter being falsely accused of being insane and put in a asylum so his wicked aunt and her daughters could steal his money, a recently released young man returns to seek the ultimate revenge against them.After being falsely accused of being insane and put in a asylum so his wicked aunt and her daughters could steal his money, a recently released young man returns to seek the ultimate revenge against them.

  • Directors
    • Claudio Guerín
    • Juan Antonio Bardem
  • Writer
    • Santiago Moncada
  • Stars
    • Renaud Verley
    • Viveca Lindfors
    • Alfredo Mayo
  • See production info at IMDbPro
  • IMDb RATING
    5.7/10
    1.6K
    YOUR RATING
    • Directors
      • Claudio Guerín
      • Juan Antonio Bardem
    • Writer
      • Santiago Moncada
    • Stars
      • Renaud Verley
      • Viveca Lindfors
      • Alfredo Mayo
    • 53User reviews
    • 28Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 2 wins total

    Photos17

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    Top cast17

    Edit
    Renaud Verley
    Renaud Verley
    • Juan (John in English version)
    Viveca Lindfors
    Viveca Lindfors
    • Marta
    Alfredo Mayo
    Alfredo Mayo
    • Don Pedro
    Maribel Martín
    Maribel Martín
    • Esther
    Nuria Gimeno
    • Teresa
    Christina von Blanc
    • María
    • (as Christine Betzner)
    Saturno Cerra
    Saturno Cerra
    • The Shepherd
    Nicole Vesperini
    • Don Pedro's Wife
    Erasmo Pascual
    Erasmo Pascual
    • Priest
    Antonio Puga
    Antonio Puga
    • Don Pedro's Hunting Partner
    Juan Cazalilla
    • Don Pedro's Hunting Partner
    Tito García
    Tito García
    • Don Pedro's Hunting Partner
    Rosetta Vellisca
    • The Shepherd's Daughter
    Ángel Blanco
    • Slaughterhouse Clerk
    Susana Latour
    • Juan's Mother
    Rosa M. Rodriguez
    • The Shepherd's Daughter
    • (as Rosetta Vellisca)
    William Layton
    • Dr. Cunqueiro
    • (uncredited)
    • Directors
      • Claudio Guerín
      • Juan Antonio Bardem
    • Writer
      • Santiago Moncada
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews53

    5.71.6K
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    10

    Featured reviews

    7x_anumati_x

    It's creepy alright!

    I saw this movie when I was about 10 years old on an episode of Shock Theater that aired in Georgia. That would have been in the late 70's. I was at an all-girl slumber party, and the last one awake when it came on TV. Talk about a creepy mix of midnight horror at the age of pre-teen sexual awakening. This movie has stuck with me all these years, and has to be one of the more oddly erotic horror movies that I've encountered. I remember John's bedroom being painted red and having a very erotic, yet unhinged feel to it. And the parts with the girls tied up; I was mesmerized. Maybe it just touched the deranged part of myself. ;o)
    7JamesSaintRave

    A lost little horror gem

    I saw this film several times on the late night local movie when I was a kid back in the 70's. With a title like 'A Bell From Hell' you would expect the worst, but it is actually a highly entertaining little Spanish horror film. The plot concerns a man returning home from an asylum bent on taking revenge on those that put him there. These revenge scenes are both horrific and comical-sort of in the tradition of "Dr. Phibes" and "Theatre of Blood"-minus the great Vincent Price! Still, the performances are above average and the plot has not one sleepy moment in it...and watch out for the ironic twist of a finale-you won't see this one coming! Not to be missed-if you can find it.
    7adriangr

    Bizarre

    I don't't know what to make of this film at all, but it certainly had me hooked all the way to the end. The story is pretty unique, and the turns of events are all surprising and unexpected.

    The central character is John, a dashing but rather unpredictable man whose behaviour is impossible to interpret for the entire running time of the film. He starts off the story by being released from a criminal asylum on probation, but it is not clear whether he is still dangerous and/or insane. I don't know if this is down to the script or just his indifferent acting. Sadly, as is the case with a lot of 70's and 80's Euro horror films, the English dubbing takes away most of the nuances of any acting performances. Anyway, he immediately revs up his motorbike and sets off for the nearest cattle slaughterhouse where he takes a job and learns the art of killing. Let me say first off that any animal lovers should switch off right now, as what follows is about 5 minutes of the most upsetting slaughterhouse footage I have ever seen. I flinched when I saw a live pig knifed in "Blue Eyes of the Broken Doll" (a Spanish horror flick from around the same era as this one), but this is far worse as we get to see live cows strung up, knifed, bled, dismembered and disembowelled. All the time, their harrowing death screams are recorded on the soundtrack. To my disbelief, the actor playing the part of John is clearly seen carrying out these tasks for real on camera. I guess this must have been par for the course in 1970's Spain, but you certainly wouldn't get any of today's Hollywood stars doing anything remotely similar! As thoroughly unpleasant as this is, it does have the desired effect of making you dread the possibilities that may lie ahead in the film.

    With this nasty business is out of the way, John returns to his former home which is an ornate mansion. Soon after this he meets up with his aunt and her three daughters, and it transpires that the two sides of the family have some kind of feud over to whom the estate and its accompanying riches should legally belong to. The aunt has been paying to keep John incarcerated, and at the same time taken control of the family fortune. From here on, the rest of the story charts Juan's warped plot to terrorise and generally have his revenge on the aunt and the three girls for keeping him in the asylum, alongside their plots to try and stop his demented behaviour and claim the inheritance for themselves. It's quite hard to work out who is the innocent party in this war-zone, but it's made pretty clear that Juan is one sick individual. He plays bizarre pranks of all and sundry, often taking great pains to gross people out or otherwise terrify them. But he also saves an innocent girl from a gang of would be rapists, albeit in a scene which seems unconnected with any other events of the plot. However any sympathy the viewer has for Juan soon fades when he actually starts to carry out his designs on the rest of his family, which involve some quite fiendish ideas, culminating in the climax of the film, as Juan takes all three daughters prisoner in a private fully functioning slaughterhouse that he has created by using his experience in the real thing as training. This is the most powerful scene of the movie, and it creates a sense of dread almost on a par with parts of "The Texas Chainsaw Massacre". The slaughterhouse footage makes a brief re-appearance here and I guarantee that a lot of viewers will be watching through their fingers as the terrified girls await their gruesome fate. Be aware, though, that the film has more twists and turns to play out before the final credits roll, and it's well worth seeing through to the end.

    The atmosphere throughout is superb. The locations and camera work are wonderful, and there are many unusual camera angles along with some creative editing and montage sequences. Although Renaud Verley makes a thoroughly indecipherable leading man, Viveca Lindfors is superb as the aunt, and her character is a masterpiece of understatement. I think the actress probably dubbed her own voice, and it is the only really effective vocal performance on the soundtrack. The three daughters are typical mid 70's Euro starlets, including the lovely Maribel Martin as the youngest.

    I have read that the Pathfinder DVD edition misses out a scene involving John and the youngest daughter exploring grounds as well as some important lines from the aunt. The version of the movie I have seen retains this short sequence and although not vital to the plot, it is a nice sequence to watch. The DVD is also apparently framed incorrectly, and this I would find a major issue as it would undoubtedly mar the entire viewing experience. However as it is nigh on impossible to seek out the full version, which appears to only be available on the incredibly rare Duplivision pre-cert video from the 1980's, then at least the film can be seen in this better-than-nothing DVD version. It's a good enough movie to put up with a few framing issues and cuts (be assured that none of the violence or slaughterhouse footage has been cut), but a properly remastered version would be worth adding to any collection of the greats among European horror cinema. Comment
    6Hitchcoc

    We Need More

    This is a pretty well done film of its ilk. As is the case with most of these, we have the deep psychological, "Psycho" like motivations. The problem with this one is that we can't answer if we have a true victim or sociopath? Are we to take this young man's trials as an excuse? He spent time in an institution. Did he crack, or was he relatively sane, filled with revenge? Who's to know. What we have is a slaughterhouse film, full of horror and carnage. There is an enjoyment in seeing those who are evil get theirs, but, then, there are normal courses. This movie is pretty well filmed although I think some of the cinematography is a little trite (close up, long shot), but there are some startling images and a fair amount of imagination. The sound on my print is terrible, making the initial conversations virtually impossible to understand. Maybe this one might be worth some restoration.
    8Tera-Jones

    I Was Impressed! It's Good!

    This movie is NOT a bloody, gory film at all - it's quite the opposite! It's a Gothic psychological horror-thriller with a great ending! I was expecting it to be a trashy bloody and gory film but instead I found it to be a good movie.

    A man is falsely accused of rape and being insane by his aunt and her 3 daughters. The aunt and the daughters want the mansion and all the money to themselves after the guy's mother died when he was younger. He was locked away and the aunt paid the doctor an insane amount of money monthly to keep him declared insane but his lawyer got him out on probation. Now that he's out he's going to find out why this happened and to get some revenge! It's not bloody nor gory revenge but a thrilling psychological film that will leave you wondering what's going to happen next and the ending is a surprise! :)

    Recommended to those that like the slower starting films that build into a thrilling psychological horror.

    8.5/10

    Related interests

    Mia Farrow in Rosemary's Baby (1968)
    Horror
    Cho Yeo-jeong in Parasite (2019)
    Thriller

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Director Claudio Guerín fell from the tower housing the title bell on the last day of shooting and was killed. The film was completed by Juan Antonio Bardem.
    • Goofs
      There's no reason why the neighbors would have stopped to speak with Juan (John in the English version) in the apiary on his way home after the asylum. It's before anyone else is aware of his return, and the incline down from the road was too steep for them to just happen to have noticed him driving by, the direction they were going.
    • Quotes

      Juan: My dearest darling, do you know what you are, my dearest darling?

      María: What?

      Juan: You're a stupid cunt! A stupid cunt, and you don't even know what to do with it!

    • Alternate versions
      The complete version has gore and other scenes not included in the U.S. release.
    • Connections
      Referenced in Video Nasties: Moral Panic, Censorship & Videotape (2010)
    • Soundtracks
      Frère Jacques
      (uncredited)

      [French children's song]

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    FAQ15

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    Details

    Edit
    • Release date
      • July 19, 1974 (West Germany)
    • Countries of origin
      • Spain
      • France
    • Languages
      • Spanish
      • English
    • Also known as
      • Bell from Hell
    • Filming locations
      • Noia, A Coruña, Galicia, Spain
    • Production companies
      • Hesperia Films S.A.
      • Les Films de la Boétie
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 46m(106 min)
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.85 : 1

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