Bumper Morgan is a veteran Los Angeles Police Department street cop. He is due to retire after twenty years on the job, but is not letting up on the criminal element on his beat.Bumper Morgan is a veteran Los Angeles Police Department street cop. He is due to retire after twenty years on the job, but is not letting up on the criminal element on his beat.Bumper Morgan is a veteran Los Angeles Police Department street cop. He is due to retire after twenty years on the job, but is not letting up on the criminal element on his beat.
- Won 4 Primetime Emmys
- 5 wins & 5 nominations total
Raymond Guth
- Lt. Hilliard
- (as Ray Guth)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I saw this mini series when it first aired back in the seventies before the days of the vcrs. The only time I ever saw it again was after it was cut down to a 90 min. TV Movie with most of the "bite" taken out of it. I think that it was this movie that made me realize how good an actor William Holden was. I certainly would like this entire min-series put on a DVD. I would buy it in a heartbeat.
I also saw this NBC mini series in its original uncut network run in the fall of 1973 and then saw it repeated in 1975, but that's it. Yes, it needs to be released on DVD or VHS in its original state because this is classic landmark adult TV. This was the re-birth of William Holden's career and he was beyond memorable as Bumper Morgan. The characters ran better here than in print and that was hard to top because Wambaugh wrote a great first person character analysis with his novel of the final works days of a dinosaured LAPD street cop. Overlooked was the supporting mastery of Joe Santos, Vic Tayback and Sam Elliot. Along with KOJAK, this was TV's best of 1973.
The film has a gritty realism. Holden gives, I think one of his best performances. Lee Remick is wonderful as the love intrest. You'll be surprised to see a very young Sam Elliot in the role of the rookie cop.
Director Robert Butler concocted together this 188-minute TV series, which may have been the blueprint for the better known and orchestrated HILL STREET BLUES series that enjoyed some considerable success in the 1980s.
Cinematography is strictly competent and fitting, featuring mostly drab surroundings and down and outers in the seedier parts of a major US city.
William Holden holds those 188 minutes together thanks to a masterful performance and dry delivery. It is a pity that an actor of his immense quality should have made so many poor choices, but certainly THE BLUE KNIGHT deserves watching for his contribution alone.
The script is rather thin. Nothing much happens. The character of Bumper Morgan, the street cop played by Holden, is fairly well etched and credible. I found it more difficult to understand Lee Remick's part. Beautiful woman that she was, a university lecturer to boot, why would she bother with a bottom of the barrel cop struggling with ghosts from the past like his failed marriage and his dead son? And when he seems to have made a place for her and a kid in his life, he kicks it all out and goes back to his lonely street cop job even though he is on his last day and about to hang up holster, gun and badge. Baffling, to say the least.
I give this a very generous 7/10 because of Holden. The rest is completely forgettable.
Cinematography is strictly competent and fitting, featuring mostly drab surroundings and down and outers in the seedier parts of a major US city.
William Holden holds those 188 minutes together thanks to a masterful performance and dry delivery. It is a pity that an actor of his immense quality should have made so many poor choices, but certainly THE BLUE KNIGHT deserves watching for his contribution alone.
The script is rather thin. Nothing much happens. The character of Bumper Morgan, the street cop played by Holden, is fairly well etched and credible. I found it more difficult to understand Lee Remick's part. Beautiful woman that she was, a university lecturer to boot, why would she bother with a bottom of the barrel cop struggling with ghosts from the past like his failed marriage and his dead son? And when he seems to have made a place for her and a kid in his life, he kicks it all out and goes back to his lonely street cop job even though he is on his last day and about to hang up holster, gun and badge. Baffling, to say the least.
I give this a very generous 7/10 because of Holden. The rest is completely forgettable.
10jdeitz
Truly one of the best mini-series ever, with a monumental, Emmy-winning performance by William Holden. I sure wish I knew who to bug about getting this out on DVD, because if you weren't around in 1973, you missed a wonderful, gripping series. Holden is fantastic. Please, please put this on DVD!!!
Did you know
- TriviaThe Spanish-language movie poster features William Holden holding a BB gun, a Marksman Model 1010 BB pistol.
- Quotes
Rudy Garcia: Don't you cops ever believe anybody?
Bumper Morgan: We keep trying
- Alternate versionsOriginally a six hour movie. Later edited into two hour format.
- ConnectionsFeatured in The 26th Annual Primetime Emmy Awards (1974)
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