Le dernier match

I originally saw this movie when it first opened in early 1973 . I haven't seen it in many years but fondly remember it as one of those pictures that leaves an indelible impression. Based on an early '50s novel by Mark Harris about a fictional N.Y.City Baseball Team (The Mammoths) the movie's focal point is the friendship between the team's star pitcher and a dying catcher, a naive, backwoods boy lacking in the social graces.

I'll never forget Michael Moriarty's Henry Wiggen in a scene where he reaches out to embrace a distraught, frightened Bruce Pearson (Robert De Niro), trying his best to console his dying roommate. " We're all dying " , Wiggen says to his friend, and thus begins and shortly ends one of the most tender scenes ever filmed between two men, in a movie about baseball, no less. And yet it's really not about baseball at all; yes, there are the obligatory scenes of the team at play and a humorous locker room speech by the team's crusty manager (the wonderful, late Vincent Gardenia, who received a supporting actor Oscar nomination for this film). There is plenty of humor to go along with the pathos in this story but pathos wins out. Death hangs over everyone's head in this picture : the message is pure and simple . To quote the movie's poster tag line, "Nothing is more important than friendship, not even death". I suppose a movie like this wouldn't work as well nowadays. The team support and management along with ridiculous sky rocketing salaries and apathetic treatment of sports fans has changed everything for the worse; this sweet little movie touches on a more innocent time. BANG THE DRUM SLOWLY will not enter the record books as one of the all time greats: it's too pat and maudlin at times (the locker room scene where Piney Woods plaintively strums the title song on the guitar is overkill, although it gets to me every time). But Moriarty and De Niro and a timeless reminder of the importance of love and friendship make this an unforgettable film.

Being a baseball fan for 30+ years; i really enjoyed this movie, it's a good baseball story about a relationship between the ace pitcher and a catcher, the movie features various quirky players and such, but mainly focuses on these two. If you're not a baseball fan , then maybe the story about the friendship between the two will draw you in,, if on the other hand you are looking for lots of action, crashes , stuff like that,, look elsewhere, this is one of those movies that is very touching to the soul, makes you think about life in general; Robert Deniro gives an excellent performance as Pearson the catcher, maybe not his best performance but way better than average,, the rest of the cast features Michael Moriarity, a small bit from Danny Aiello, and a few others who i can't remember, but all in all it was a good touching story about a catcher trying to help his team with the World Series. A thumbs up from this baseball fan.

I have been a baseball fan all my life, I have played the game, and I have even been compared by one girl to Kevin Costner's character, Crash Davis, in Bull Durham. I like Bang The Drum Slowly better than Durham. For one, the lines stand up better. Many of Bull Durham's lines are ridiculous or unnecessary or unrealistic. The whole "I believe Lee Harvey Oswald acted alone..." monologue, for example is silly when really looked at hard. (Who would make such a speech?) There are lines in Bang the Drum, however that stand up over time. "It's sad, it makes you wanna cry. No, it sad, it makes you wanna laugh," for example. Even though I have actually had to explain the meaning of that line to one person, I love it. Just the way the players, especially Moriarty, talk, is so authentic. "Not a bad ballplayer, either once people got off his back and let him play." Great performance by De Niro. A good little sports film that will make you cry a little and give you lines that you never forget. "From now on, I rag no one."

Most of us, at the end of the 20th century, know Robert DeNiro as an actor who has portrayed countless tough guys onscreen, in movies such as Goodfellas, Raging Bull, Mean Streets, and even up to Ronin. But before Bobby was cast (and cast and cast and cast)as Hollywood's chief badfella, he co-starred in this adaptation of a novel by Mark Harris as a simpleton baseball catcher who may be dying.

Many people feel that playing a sick or handicapped character is relatively easy for an actor, but in truth there's more to acting than simply limping or slurring one's speech. DeNiro's character, we learn early on, is dying - just when his chances of sticking with the big club are tenuous at best. His best friend is played by Michael Moriarty, whose character is a seasoned, talented pitcher. Moriarty learns of DeNiro's fate during an off season, and decides to do all he can to help his friend, to make what life he has left a pleasant one.

Both actors turn in magnificent performances, but you can't beat this film for an excellent foretelling of a major talent. By 1973, DeNiro had acted in a few movies (including a couple from his once and future director, Brian DePalma), but it was his astounding work in this film that really put him on the map. His Bruce Pearson isn't just a simpleton for whom the audience is supposed to feel a truckload of sympathy - there are many television movies that do just that - he's a multilayered person. DeNiro squeezes more emotion out of a single sideways smile than many actors can do in their entire careers. What's more, even though you the viewer know what Pearson's fate is, you're no less pulling for him.

Call this a tearjerker, and you'd be correct. But ultimately, DeNiro's conviction and a solid script put this far above most other films of this genre.

Good sports movies are hard to come by. Sure, there are a lot that are pretty decent, the ones that truly strike a chord seem to have been made mostly in the 70's, and this one is included. DeNiro plays a struggling catcher on the Yankees who finds out hes's dying, and Moriarty plays the pitcher. They're two completely different characters who form a bond with each other throughout the last year or so of the catcher's life. And though it still somehow gets centered mainly on Moriarty until the pivotal points of the movie, DeNiro still amazes, as the slow witted catcher with a problem that he doesn't want to tell anyone, so as not to get pity. This is real story with baseball as the backdrop, and that's how it should be done, to get real sports movies.