Baba Yaga

During the late '60s and early '70s, Carroll Baker expatriated from the United States and made some horror flicks in Italy. Among these giallo movies was "Baba Yaga". It portrays a fashion photographer (Isabelle De Funes) getting involved with an otherworldly older woman (Baker). The title identifies who she is, but people unfamiliar with Slavic mythology may not know who that is. Baba Yaga is a witch in Slavic, especially Russian, folklore. Depending on which story, she can be good or evil, but they usually portray her living in a house standing on chicken legs. We in the west usually mispronounce the second part of her name: we say YAH-gah, but it's actually yah-GAH.

But let's not get off topic. I liked this movie. It was sort of half horror, half look at the mod culture in early 1970s Italy (although it seems like all the giallo movies back then showed it). And of course, there's plenty of eroticism to go around; as far as I'm concerned, Carroll Baker embodies (pun intended) eroticism. Quite cool.

Also starring George Eastman.

I saw it last night for the first time and thought it was spectacular! Filled with style and inventive camera work that could leave Argento in shame, the movie had a bizarre, interesting story. The pace was slow and lethargic (similar to Franco's Succubus and Vampyros Lesbos); the music was excellent, including a melancholic jazz tune and a stylish rock score; and the acting was above average: Carroll Baker, as opposite of what many reviewers said, shines in the role of the evil witch (and looks very attractive also), and Isabelle de Funes was a nice revelation. Cult favorite George Eastman is also good in is supporting role. For the sleazy guys, there was also some mild S&M and some T&A, but nothing worth mention . Too bad the director only made this film, as he looked very talented. A 8/10 from me.

Guido Crepax erotic comic 'Valentina' was the basis for this movie. The comics themselves were not very plot-driven so the screenplay here was more inspired by them rather than being a straight adaption. Perhaps because of this, plot is not a strong point in this one. A fashion photographer called Valentina encounters a mysterious witch called Baba Yaga. The latter puts a hex on Valentina's camera meaning that anyone she photographs experiences some trauma. It's a fairly basic narrative but it has been used as a framework here for all manner of stylish madness.

Isabelle De Funès plays Valentina and she looks suitably chic in the part, regular Italian genre actress Carroll Baker is the enigmatic Baba Yaga, while George Eastman gets to appear in a role that unusually does not call for him to be a psychopath but instead is a romantic lead of sorts who works as a director of commercials (his effort for a soap powder advert really has to be seen to be believed!). The director here is Corrado Farina who had previously helmed another strange art-horror film called They Have Changed Their Faces (1971). While both films are in the horror bracket, it would be fair to say that their arty leanings are at least as strong as any horror angle. Baba Yaga is very dreamlike in tone with a deliberate pace. It is highly stylish in its visual approach with its sensibilities being divided between pop art and surrealism. Of the latter there are several dream sequences involving Nazis. Odd moments happen in the dead of night such as Valentina discovering a puppy lying within a circle of candles. There are strange items such as an S&M doll which has the power to transform into a woman. So, there is a great deal of oddness to this one, resulting in a film with a strange tone. Farina executes this kind of stuff with a bold visual style which is the movie's main strength. Particularly nice were the sequences in which the action suddenly becomes visually formatted like one of the fumetti comics from which it was inspired. Piero Umiliani provides a pretty varied musical score which splits itself into three styles - upbeat easy-pop for the fashion shoot scenes, slower orchestral stuff for scenes involving Baba Yaga and jazzy compositions to accompany the more surreal episodes.

On the whole, this is quite a strange movie which will not have widespread appeal. It's quite restrained as a horror movie and is not visceral in any way. While it does have some erotic elements, they aren't very exploitative. This is very much an art-house/horror hybrid in a lot of ways. It's not necessarily entirely successful in execution but it definitely does a lot of things very well and has some admirable ambition. It's one that is mainly aimed at those who have an affinity with style-heavy early 70's Italian movies. A very intriguing oddity that's for sure.

'Baba Yaga' is a fascinating mess. Corrado Farina seems like an intelligent guy but even he admits that he failed in his attempt to adapt the erotic comics of Guido Crepax to the movie screen. Farina's initial choices for the lead roles of Valentina and Baba Yaga fell through and so he had to reluctantly make do with Isabelle De Funes and Carroll Baker. On top of that his movie was recut behind his back by a producer with second thoughts and he had to fight to salvage it. Despite all this behind the scenes drama it is a movie which will appeal to fans of arty Eurotrash like Franco's 'Vampyros Lesbos' and 'Eugenie De Sade' and Bava's 'Lisa And The Devil'. The plot of the film is minimal and frankly not its strong point. Valentina (De Funes) is a successful photographer who comes under the spell of a mysterious witch Baba Yaga (Carroll). That's about it folks. The movie attempts to create a dreamlike atmosphere, mixing up fantasy and reality. It isn't entirely successful but some sequences are quite impressive. In fact it's probably best enjoyed if you ignore the minimal story and just concentrate on the imagery and the music. Farina complained that Carroll Baker wasn't the right physical type to play Baba Yaga, who in the original comic strip was androgynous and not conventionally beautiful. That may be so but I certainly enjoy looking at Ms. Baker, an actress who made several left of center movie choices in the '60s and '70s including 'Orgasmo', 'The Sweet Body Of Deborah', 'Bad' and 'Bloodbath'. The DVD by the way includes a brief outtake of a full frontal scene from her for those that are interested. 'Baba Yaga' is one of those movies that you either love or hate. I'm in the former camp.

I saw this in my local video store for a while, and only rented it after finally reading the reviews here, and I must say, it was quite bizaare.

Valentina is a photographer who, one night, has a run-in with a mysterious woman named Baba Yaga. Baba Yaga asks to borrow something from Valentina, promising to give it back the next morning. (I have no idea what the thing was--I decided to just forget it.) Valentina agrees, and after a very odd photoshoot with one model the next morning, she finds Baba Yaga at her door, with the item as promised. The woman also inspects Valentina's camera, and then everything Valentina photographs is plagued by something horrible. Things continue, including a creepy photoshoot at Baba Yaga's home, the gift of a strange leather-clad doll named Annette, all leading up to an extremely bizaare ending.

Definitely not for everyone, but still an okay movie. Fans of giallo thrillers will like this very offbeat, trippy movie. I didn't really understand the meaning behind Valentina's SS-influenced dreams, and in fact, they were quite disturbing. The bottomless pit in Baba Yaga's house was a nice touch, and actually, the house in total was quite creepy. Annette was very weird, the living doll. And the ending--that was the oddest part of the whole movie! As I said, not for everyone, but still entertaining. And am I the only one who thought the music was nothing special? Sorry, I didn't get what all the hype was about from the other reviewers. Oh well. Still, check this movie out if you can find it.