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Les noces de cendres

Original title: Ash Wednesday
  • 1973
  • Tous publics
  • 1h 39m
IMDb RATING
5.1/10
819
YOUR RATING
Elizabeth Taylor in Les noces de cendres (1973)
DramaMystery

After getting plastic surgery in Switzerland to help rejuvenate her shaky marriage, Barbara Sawyer has an affair with a younger man while waiting for her husband's arrival from the U.S.After getting plastic surgery in Switzerland to help rejuvenate her shaky marriage, Barbara Sawyer has an affair with a younger man while waiting for her husband's arrival from the U.S.After getting plastic surgery in Switzerland to help rejuvenate her shaky marriage, Barbara Sawyer has an affair with a younger man while waiting for her husband's arrival from the U.S.

  • Director
    • Larry Peerce
  • Writer
    • Jean-Claude Tramont
  • Stars
    • Elizabeth Taylor
    • Henry Fonda
    • Helmut Berger
  • See production info at IMDbPro
  • IMDb RATING
    5.1/10
    819
    YOUR RATING
    • Director
      • Larry Peerce
    • Writer
      • Jean-Claude Tramont
    • Stars
      • Elizabeth Taylor
      • Henry Fonda
      • Helmut Berger
    • 17User reviews
    • 17Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 1 nomination total

    Photos72

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    Top cast24

    Edit
    Elizabeth Taylor
    Elizabeth Taylor
    • Barbara Sawyer
    Henry Fonda
    Henry Fonda
    • Mark Sawyer
    Helmut Berger
    Helmut Berger
    • Erich
    Keith Baxter
    Keith Baxter
    • David
    Maurice Teynac
    Maurice Teynac
    • Doctor Lambert
    Margaret Blye
    Margaret Blye
    • Kate Sawyer
    Monique van Vooren
    Monique van Vooren
    • German Woman
    Henning Schlüter
    Henning Schlüter
    • Bridge Player
    Dino Mele
    Dino Mele
    • Mario
    Kathy Van Lypps
    • Mandy
    Dina Sassoli
    Dina Sassoli
    • Nurse Ilse
    Carlo Puri
    • Paolo
    Andrea Esterhazy
    Andrea Esterhazy
    • Comte d'Arnoud
    Jill Pratt
    • Simone
    Irina Wassilchikoff
    • Silvano del Campo
    Maximillian Windisch-Graetz
    • Viet Hartung
    Nadia Stancioff
    • Helga
    Rodolfo Lodi
    • Prince Von Essen
    • Director
      • Larry Peerce
    • Writer
      • Jean-Claude Tramont
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews17

    5.1819
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    Featured reviews

    10mrcaw12

    Guilty Pleasure

    Ash Wednesday (1973) Costarring Henry Fonda, Taylor plays your typical depressed, run-of-the-mill, middle-aged housewife who in an attempt to win back her divorce-seeking husband, goes to a Swiss spa to undergo plastic surgery and regain her youthful beauty. Well, not only is the operation a success, she comes out of it looking like, well Elizabeth Taylor. Dominick Dunne produced this movie before he went on to novel writing fame and fortune. It's considered a really bad movie. I consider it high seventies camp at its best. Most definitely a thumbs up. Watch it in college with your friends over vodka tonics.
    sadie_thompson

    No spoilers here!!!

    I lost track of this film after they pulled Elizabeth Taylor's face off, so I can't possibly divulge any plot points. (Okay, so it wasn't Elizabeth getting her face torn off, but it was somebody and it was SICK.)

    The whole point to this film, as I understood it, was that Elizabeth Taylor's character Barbara is a superficial women who thinks everyone else is superficial also. Her marriage is on the rocks, so she automatically assumes she's getting ugly. Appearance isn't everything, Barbara dear. She is understandably shocked when her husband lets her in on that fact. He doesn't care if she looks like a troll named Brunhilde (which is how she starts off the film)--he just doesn't love her anymore. I thought he was a real twit, as he acts as if he couldn't care less about her and never did.

    I get aggravated when Elizabeth Taylor's face is the centerpiece of a movie. The woman can act, but I have yet to meet anyone who realizes that. Movies like this mirror her real life to me. She has to look beautiful, and if she doesn't, she isn't a whole person. She doesn't function properly. (Small wonder she's had so many personal problems. Being a beautiful goddess all the time has to be difficult.) To me, Barbara Sawyer is a bit like Elizabeth Taylor. Her face seems to be her fortune, and she gets quite distressed if something happens to it. It seems unfortunate that Barbara (and possibly Ms. Taylor) place so much store by looking good. "My husband's leaving me. I'm not surprised, my hair looked awful today." That sounds unreal, but that is how Barbara acts. Even more unfortunate is how my whole review here is based on how she looks. Now I'm doing it. It just makes for a very pathetic individual, and maybe Barbara is supposed to be.
    3planktonrules

    I gained some respect for Liz Taylor when I saw her in this film, even though it's not a great film by any standard.

    The story begins in an exclusive clinic in Switzerland. Barbara (Elizabeth Taylor) is there to get 'the works', as she's older and hopes this will invigorate her stale marriage. The film then shows some pretty realistic surgery scenes as well as scenes of the post-surgery Barbara...complete with horrific bruises which come from the surgeries. She looks pretty awful in these scenes and I was impressed that the glamorous Taylor agreed to be made up to look this bad.

    Following her discharge, Barbara gets coiffed and buys a new wardrobe and awaits her husband in a nearby hotel...but it will be some time until Mark (Henry Fonda) arrives. And, given her new look and lease on life, Barbara finds herself drifting towards an affair with some younger stud. Clearly the surgery has had an effect on her psyche...but how will it affect Mark and the marriage? After all, he has no idea she was getting plastic surgery and expects an older looking woman to greet him.

    The notion of a woman getting plastic surgery and its effect (or lack of effect) on her life and marriage is an interesting one. However, the film managed to make it all very dull with too many scenes of Barbara walking about, eating dinner alone, etcetera...and many could have been eliminated or shortened. To put it bluntly, this portion of the movie is dull and glacially slow and it really shouldn't have been. Sadly, it seems to take forever for anything to happen...and I cannot understand this. Did it get better once the husband eventually arrived? Not especially.

    The bottom line is that the set up for the story should have resulted in something interesting but it didn't. I think the script and direction were major problems with "Ash Wednesday"....and I can understand why Taylor's husband at the time, Richard Burton, thought this was a poor film.
    7HotToastyRag

    Strong performance from Liz

    The start of Ash Wednesday might put some people off, but do what I did and just fast-forward about ten minutes. There's an actual filmed procedure of massive plastic surgery, to show what Elizabeth Taylor's character goes through. We first see her with gray hair, jowls, bags, sags, and extra fat. Next, she's bandaged up and recovering in a European hospital, until finally she's revealed to be the beautiful star we all know her to be.

    Why does she have such extensive surgery? Because, as we see through a series of photographs in the opening credits, she has grown old with her husband, Henry Fonda. In order to please him and rekindle their love, she thinks turning back time will help. While recuperating and waiting for him to see her anew, she spends time in a beautiful Swiss ski lodge and meets new people - including the much younger, handsome Helmut Berger (who thinks they're the same age). One of my favorite scenes in when she rebuffs his initial advances. He encroaches on her solitary dinner at their hotel, and at the end of the meal he doesn't object when she is brought the bill. She leans in close and seductively asks for his room number. Then, she triumphantly writes the number down on the bill to force him to act like a gentleman!

    You might not have heard of this 1970s drama, but if you're a Liz fan, try and find a copy. You'll find a very endearing performance from Ms. Taylor. This isn't her usual role, for even though she looks exquisitely gorgeous, she doesn't feel that way on the inside. She feels old, frumpy, and afraid of not being good enough. When she's confronted by her deepest fears and Henry Fonda is as cold as he usually is on the screen, she crumbles to pieces. It's a very strong piece of acting, and Liz, her costumes, and her snowy surroundings are lovely to look at.

    Kiddy Warning: Obviously, you have control over your own children. However, due to due to a graphic plastic surgery sequence, I wouldn't let my kids watch the beginning portion.
    4bkoganbing

    A nip here and a tuck there

    So I see Richard Burton hated this film. Well wouldn't go so far as to say I hated it. Still Ash Wednesday wil never rank as one of Elizabeth Taylor's best films.

    It plays a lot like The Roman Spring Of Mrs. Stone. Maybe if someone like Tennessee Williams had written this it would have been better known and acclaimed.

    Liz is in Switzerland for a little plastic surgery. A nip here, a tuck there and maybe some of that spark in her marriage to Henry Fonda will have some of that old time zip in it. She amuses herself in the meantime with both Keith Baxter and Helmut Berger.

    The results just aren't what she hoped for,

    Try as I may I just could not get interested in these rich people and their problems. Henry Fonda looked as bored as I was. At least he got a European vacation for his time.

    For fans of the sars only.

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    Storyline

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    Did you know

    Edit
    • Trivia
      Dame Elizabeth Taylor's husband at time, Richard Burton, thought this movie was horrible and damaging to his wife's career, according to letters released for auction in 2004. "I sit here vulgarized by the idea that my wife is doing; violently against my 'taste'; a f - - - lousy nothing bloody film", he wrote in a 1973 letter to two employees. He continued "(Taylor's) singular acceptance of this film is because she wants to remain a famous film star. What the stupid (occasionally) maniac doesn't realize is that she is already immortalized (as a film person) forever."
    • Quotes

      Mark Sawyer: We can't live on memories.

    • Connections
      Featured in AFI Life Achievement Award: A Tribute to Henry Fonda (1978)
    • Soundtracks
      Ruby
      Written by Heinz Roemheld and Mitchell Parish

      Performed by Ray Charles

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    FAQ

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    Details

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    • Release date
      • July 7, 1976 (France)
    • Countries of origin
      • Italy
      • United States
    • Language
      • English
    • Also known as
      • Miércoles de ceniza
    • Filming locations
      • Cortina d'Ampezzo, Belluno, Veneto, Italy
    • Production companies
      • New Gold Entertainment
      • Sagittarius Productions
    • See more company credits at IMDbPro

    Box office

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    • Gross US & Canada
      • $1,027,170
    See detailed box office info on IMDbPro

    Tech specs

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    • Runtime
      1 hour 39 minutes
    • Color
      • Color
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.85 : 1

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