The Tomorrow People

The first thing to note is the originality and creativity of the series' premise. A group of teenagers who have evolved above the rest and can communicate through telepathy and have the ability to teleport, this was a very advanced idea for the 70's where most of the fiction series focused on space travelers or invasions aliens The problem with the program was the small budget it had. The scenarios were made of painted cardboard, the FX extremely primitive, since it was not made in film format, these details were even more noticeable. In spite of everything, the production managed to do a lot with so little. The scripts were the strong point, with some really creative stories. A television show that today is outdated but can be seen anyway.

I would like by saying that if you are American (as per the only other review), you may indeed find this series hard going. Not because of the story lines, generally, but because of the woeful effects. By US standard, even at the time, TV and film was way ahead of the game and an effects budget of just £12,000 a series was never going to cut any mustard. However, look through this and let yourself get involved with the plots and story lines and you will find yourself being almost hypnotically drawn into it. For a kids show at this time, it was way ahead of the game and many of us older viewers who remember it did indeed rush home from school to see it. Perhaps because it made a distinction between Saps (Homo Sapiens) and The Tomorrow People (Homo Superior), thus any kid left out of the cruel grim schoolyard politics of the depressive early 70's felt that they were catered for by Tim, Stephen et al. Granted it is exceptionally British middle class, and the characters good and bad are perhaps a little unidentifiable to anyone from, say Pismo Beach CA, but its worth the journey and heres why. The ingredients are all here, dark, strong and at times brooding stories; good well rounded 'good guys', fantastically over the top 'bad guys', bad and laughable effects but again all part of the fun; editing and lighting errors and gaffs (that are still in by the way), a haunting, industrial theme tune and great credits. The Tomorrow People episodes have influenced many contemporary scifi TV pro grammes and the series has been resurrected twice (latest this year).

So I urge you to try the original UK series. Laugh if you must, and you probably will, but I would wager the experience will stay with you for quite a while after. You may even love it as I do, even though you might not know exactly why. The Tomorrow People then. A classic BECAUSE of the flaws.

The Tomorrow People is an unusual series about the next evolution of humanity. Children are being born with the abilities of telekinesis, teleportation, and telepathy, and call themselves Tomorrow People. They cannot kill anyone, and hide their abilities from the saps (homo sapiens, the normals) while getting drawn into adventures by aliens and time travelers determined to exploit their abilities.

It's a startling and refreshing take on kids shows at the time. The Tomorrow People are fully aware of what they are when they "break out" and gain control of their powers, and are aided by Tim, their biological computer. It's very much like a kid's version of Doctor Who but with less horror and nihilism. Good performances from the cast of children actors help as well.

There are problems though. The budget and production values are bad even for seventies television, most noticeable in any monster or spaceship shots. There's a weird homoeroticism to it as well, most noticeable in the story arc "The Medusa Strain" with a bit part from Star Wars actor David Prowse as a loincloth wearing android. Many of the early arcs are split among four or more episodes which lead to a lot of padding and wasted time.

The stories are still oriented towards a kids audience, so adults may find themselves wishing for more depth. While the plots are still fresh the show is dated fairly heavily now, and a lot of the impact is lost since many kids shows cover SF themes. Still, for those of us that watched it as kids on Nickelodeon in the late seventies/eighties, it was a mind-expanding experience, right down to the psychedelic opening sequence. Worth a rental if you like British SF or want to remember it if you watched again, but there are too many flaws to make it a classic.

This was the 3rd British SciFi series from the 70's/80's that we decided to introduce our daughter to during the Covid lockdowns via BritBox; although at the moment they only have the first 4 series rather than all 8.

This one is aimed more at the younger audiences than the other 2 (Blake's 7 and Sapphire & Steel) - and although I wasn't so keen on the 1st Series, it certainly seemed to find its feet after that, even although some of the plots do have the odd hole in them.

Despite being aimed at the younger audience we all enjoyed watching it - and I thought it was better than the attempted 2013 relaunch.

The Tomorrow People debuted in March 1973 and was mean't to be an answer to the BBC's Doctor Who but curiously was shown on a Monday instead of Doctor Who's Saturday. It followed the adventures of several teenagers who were the first to gain telepathic powers in the next stages of human evolution. Nicholas Young was cast as John and remained with the series until it ended in 1979. Peter Vaughan Clarke was also one of the first to join the series as well as their computer Tim, voiced by the late Philip Gilbert. Elizabeth Adare joined in Season 2 and she was certainly one of the finest characters in the series alongside John. The show became very popular and ran for 6 years with eight series being produced and shown on ITV. The series certainly has it's classics and the writing by Roger Price (also the series creator) was alway's very good. Strong episodes include 'The Blue and the Green' and 'Vanishing Earth' but to me the ultimate classic is the 1978 two parter 'The Living Skins' (also Nicholas Young's favourite) featuring the Bulboids. To me this story had everything. Good humour, excellent (if funny) aliens, but more importantly despite this it was still very menacing something which I felt earlier stories never maintained. Later 'Tomorrow People' include, Andrew Forbes, Mike (played by Flintlock Drummer Mike Holoway) and Hsui Tai (she tried bless her!) and the series went out on a high in 1979 with 'War of the Empires'. The Tomorrow People remains a science fiction classic which came number 8 of the top ten sci-fi programme on Channel4 in 2001. The series really disappeared apart from some video releases in 1991 until 2001 when DVD releases of the series began to be produced by Revelation films. The commentaries are truly excellent with the wonderfully cynical Nicholas Young providing a lot of laughs. Big Finish productions are now also making new 'Tomorrow People' audio dramas. In conclusion, although 'The Tomorrow People' was sometimes quite shallow and certainly not a patch on Doctor Who it did provide science fiction thirsty children with some excellent stories and perhaps more importantly a good laugh! The show was packed full of humour throughout it's six year run. Certainly a good series, and one among the science fiction greats.