A group of humans must explore a vast starship in order to find the controls to save it from destruction.A group of humans must explore a vast starship in order to find the controls to save it from destruction.A group of humans must explore a vast starship in order to find the controls to save it from destruction.
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I was in my my 20's when I saw the pilot episode in 1973 - a story about an Amish-style community, some of whose young inhabitants defy their elders then stumble upon a portal into a much bigger world. The reactionary little town turns out to be just one pod in a gigantic spaceship, built to save samples of the Earth's populations - a Noah's Ark to transport humans to another world when the Earth is threatened with extinction. The concept was completely unique and though I only saw only a few episodes the memories stayed with me over the years. I finally acquired the entire series (16 episodes) on DVD last week and watched it end-to-end.
I still find Harlan Ellison's concept intriguing, and that's what kept me watching a series that's been so maligned the bad press alone probably scares off most viewers. It's cheesy 1970's TV, all right, with the actors plopped down in the middle of colorful and completely artificial-looking chroma-key sets and all the buildings in the various life pods look like 18-inch-high models sitting on tables, but still I wanted to see what our 3 intrepid heroes Devin, Rachel and Garth would find in their efforts to save the giant ship.
Often the show looked like it was made for kids (each pod seemed to contain an evil dictator, who ruled over an "empire" consisting of about a dozen people), but I hung in there, all the time wondering what might have been with good writing and state-of-the-art technology. "The Starlost" still seems like a concept worth doing right - maybe even on the big screen.
One thing that troubled me was the simple lack of logic, even on the show's own terms. The premise of the series was that it was up to 3 young people to save the giant starship, who's control section and crew were long ago destroyed, putting the ship on a collision course with a star. If a way could be found to correct said course you'd think all would be well and the series could be concluded, right? Not so fast! In episode 14, 2 scientists help Devin, Rachel and Garth fix the reactor(s), enabling the Starlost to avoid its most imminent danger, a comet. At this crucial juncture, with the ability to change course at hand, does anyone, (scientists, heroes, producers or writers) say "hey, while we're avoiding the comet, let's just reset the course so we won't be heading for the star any more and SAVE THE SHIP?" Not with a contractual obligation to produce 2 more episodes they don't, so the series plods on through 2 more episodes then stops dead. I wonder if anyone realized they might have simply repodered the episodes to make #14 the last one and use it to wrap up the series.
To sum up, you may find this series campy fun, in spite of all its shortcomings - I did, but I had to make a lot of allowances ...... and swallow a lot of cheese.
I still find Harlan Ellison's concept intriguing, and that's what kept me watching a series that's been so maligned the bad press alone probably scares off most viewers. It's cheesy 1970's TV, all right, with the actors plopped down in the middle of colorful and completely artificial-looking chroma-key sets and all the buildings in the various life pods look like 18-inch-high models sitting on tables, but still I wanted to see what our 3 intrepid heroes Devin, Rachel and Garth would find in their efforts to save the giant ship.
Often the show looked like it was made for kids (each pod seemed to contain an evil dictator, who ruled over an "empire" consisting of about a dozen people), but I hung in there, all the time wondering what might have been with good writing and state-of-the-art technology. "The Starlost" still seems like a concept worth doing right - maybe even on the big screen.
One thing that troubled me was the simple lack of logic, even on the show's own terms. The premise of the series was that it was up to 3 young people to save the giant starship, who's control section and crew were long ago destroyed, putting the ship on a collision course with a star. If a way could be found to correct said course you'd think all would be well and the series could be concluded, right? Not so fast! In episode 14, 2 scientists help Devin, Rachel and Garth fix the reactor(s), enabling the Starlost to avoid its most imminent danger, a comet. At this crucial juncture, with the ability to change course at hand, does anyone, (scientists, heroes, producers or writers) say "hey, while we're avoiding the comet, let's just reset the course so we won't be heading for the star any more and SAVE THE SHIP?" Not with a contractual obligation to produce 2 more episodes they don't, so the series plods on through 2 more episodes then stops dead. I wonder if anyone realized they might have simply repodered the episodes to make #14 the last one and use it to wrap up the series.
To sum up, you may find this series campy fun, in spite of all its shortcomings - I did, but I had to make a lot of allowances ...... and swallow a lot of cheese.
Harlan Ellison's first and only attempt to create a science fiction television series, The Starlost was doomed to failure almost from the start. Ellison had his name removed from the series when the producers decided to make a number of knuckleheaded decisions about the show and its direction.
It's too bad as the series premise itself would make a fascinating weekly series or movie. Science fiction author Ben Bova wrote a parody of the situation that occurred to Ellison with a novel (I believe it's now out of print)entitled Starcrossed.
It's too bad as the series premise itself would make a fascinating weekly series or movie. Science fiction author Ben Bova wrote a parody of the situation that occurred to Ellison with a novel (I believe it's now out of print)entitled Starcrossed.
You know, I was just sleeping and having a dream about a huge generational spaceship, with separate hanging living complexes, which carries most of the population of Earth away to a distant world. Then I realized, I'd seen this concept before on TV, when I was a kid. Reaching through my own memory banks to the distant past, I could only come up with the words: "lost", "ark", and "Walter Koenig" (Chekov from Star Trek). Did the search for Koenig through IMDb, and sure enough found this entry. If I had instead done a search for "lost" and "ark", I'd have probably ended up in "Raiders of The Lost Ark", so it's a good thing I didn't do that search. :-)
Wow, now that I'm looking at the list of stars of this show, I am surprised by how many of them are well-known. Walter Koenig was just a guest star on it. I didn't realize that one of the stars was Keir Dullea, Dave from 2001: A Space Oddessy. Also Robin Ward, I remember he used to be a weatherman or something later on. Ah, ancient Canadian memories.
Koenig seems to have a knack for memorable guest appearances on sci-fi shows. He also had a memorable turn as Bester on Babylon 5.
Wow, now that I'm looking at the list of stars of this show, I am surprised by how many of them are well-known. Walter Koenig was just a guest star on it. I didn't realize that one of the stars was Keir Dullea, Dave from 2001: A Space Oddessy. Also Robin Ward, I remember he used to be a weatherman or something later on. Ah, ancient Canadian memories.
Koenig seems to have a knack for memorable guest appearances on sci-fi shows. He also had a memorable turn as Bester on Babylon 5.
OK, so everyone thinks the production values were terrible, then why after 35 years, does this series still exist as clear as a bell in my mind? It was amazingly thought out and the possibilities for plots were infinite like any good sci-fi series. Of particular interest were the "bounce tubes". A travel method that involved jumping into a tunnel that had no gravity and being sucked to the other end. I couldn't wait for each time the characters did that! The show was filled with "wow" moments like the view of the destroyed command center, and the view out the the window at the incredible length of the ship. Note: The ship in this series was recycled a few years later as the ship in the movie, "Silent Running".
I desperately hope that there is a television producer out there that is looking for an idea to remake. With modern computer animation and a cast of a few talented young stars this could easily be the Star Trek of the new century.
I desperately hope that there is a television producer out there that is looking for an idea to remake. With modern computer animation and a cast of a few talented young stars this could easily be the Star Trek of the new century.
IF the shot had used film instead of video tape, IF the supporting cast around Keir Dullea could act, and IF there had been some better scripts. The show had three good episodes; the first: "Voyage to Discovery", the second: "Lazarus frim the Mist", and one of the last "Farthins Comet". In all there were only 17 produced before the plug was yanked in the winter of 1973. I remeber how much I liked the show, and had it had a little more money spent on its prouction it might have lasted a bit longer. As it was shot on video tape, which degrades over time, I doubt any of the shows still exist. If they indeed still exist it would be great to see it on the Sci-Fi channel. I thought The Ark (the spaceship) was totally cool, and believable from the concept of the show. I read on the website devoted to the show that some one is trying to restore the Ark studio model back to as it originally existed!
Did you know
- TriviaIn an attempt to "liven up" the show, the producers tried to add an evil alien to the cast. It was played by Walter Koenig, wearing Go-Go boots.
- Alternate versionsSeveral TV movies have been shown, edited together from episodes of the series.
- ConnectionsEdited into The Starlost: The Beginning (1980)
- How many seasons does The Starlost have?Powered by Alexa
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