Scientists and technicians of five European powers gather 250,000 miles from Earth to probe secrets of the universe.Scientists and technicians of five European powers gather 250,000 miles from Earth to probe secrets of the universe.Scientists and technicians of five European powers gather 250,000 miles from Earth to probe secrets of the universe.
Browse episodes
Featured reviews
Very nearly lost forever as a result of the BBC's mass clear out of tapes in the 1970's, this gritty and claustrophobic sci fi series was only recently rediscovered in the vaults of a Canadian TV station.
This is a long forgotten example of how much more interesting sci fi used to be be pre George Lucas. The BBC never had the budget for whiz bang special effects and so concentrated on characters, story lines and heavyweight theatrical actors. Check out Blakes'7 or Star Cops for other more popular examples of this.
Moonbase 3 also contains that other classic BBC sci fi trait, realism, both in characters and settings.
The characters here are not Star Trek goody two shoes types who all get along and can be guaranteed to do whatever is morally right, their team includes a manic depressive, an egotist and many other fascinatingly real characters. Some are manipulative and many are suspicious and distrustful of each others motives.
The base itself is understaffed and under pressure to deliver value for money,as the base commander says "I can't produce the results without the funding but they won't give me the funding because I can't produce the results!"
This sort of bureaucratic nonsense is in stark contrast with the very real dangers and practical hardships faced with living on the moon.
In an enclosed society (of sometimes unstable personalities) living under the constant threats of a hostile environment, moonbase 3 is a powerfully written and tension filled sci fi series. Perhaps the most depressingly accurate glimpse into the future of space exploration
This is a long forgotten example of how much more interesting sci fi used to be be pre George Lucas. The BBC never had the budget for whiz bang special effects and so concentrated on characters, story lines and heavyweight theatrical actors. Check out Blakes'7 or Star Cops for other more popular examples of this.
Moonbase 3 also contains that other classic BBC sci fi trait, realism, both in characters and settings.
The characters here are not Star Trek goody two shoes types who all get along and can be guaranteed to do whatever is morally right, their team includes a manic depressive, an egotist and many other fascinatingly real characters. Some are manipulative and many are suspicious and distrustful of each others motives.
The base itself is understaffed and under pressure to deliver value for money,as the base commander says "I can't produce the results without the funding but they won't give me the funding because I can't produce the results!"
This sort of bureaucratic nonsense is in stark contrast with the very real dangers and practical hardships faced with living on the moon.
In an enclosed society (of sometimes unstable personalities) living under the constant threats of a hostile environment, moonbase 3 is a powerfully written and tension filled sci fi series. Perhaps the most depressingly accurate glimpse into the future of space exploration
When I write this review I try to take into account that the original Star Trek was produced 7 years earlier than this. In light of that fact and the studio awareness of what the then 'modern' viewer expected in their 'future' it falls VERY short in production values.
The acting is, as well, quite dreadful and the writing is no better.
The scenarios are childish and fit for audiences in the 50's.
All in all, it is what Britain was capable of producing at that time...given a few more years they went on to make some absolutely splendid shows but sadly, this is a poor throwback to the paper rockets of years ago.
Don't waste your time unless you want to see how they were UNABLE to reach the heights Star Trek met.
Moonbase 3 was an ambitious attempt by the BBC in 1973 to create a technically accurate science fiction program. It also followed the "New Wave" of science fiction writing then popular.
In traditional science fiction, larger-than-life heroes zoom across the galaxy, fight swashbuckling space battles with evil interplanetary despots, and woo beautiful alien women. On Moonbase 3, scientists and administrators attempt to conduct experiments while beset with budget cutbacks, equipment failures, work stress, personal isolation, and a heartless Earth bureaucracy.
The stories are often grim and depressing. The base is small and understaffed, the technology is unreliable, and everyone is under constant pressure to produce breakthroughs. Outer space is deadly and unforgiving; a tiny error in piloting your rocket can kill everyone aboard.
Small teams of researchers on a European moonbase are isolated for weeks at a time, leading to psychological stress and conflict. Many times in the series the researchers can only stand helplessly watching their experiments fail and their friends die. It's easy to see why the program was never an audience-pleaser.
However, the program has some extremely innovative themes which are never explored in other television or movie dramas. It shows how difficult, yet personally rewarding, scientific research is. It shows what a difference having a good manager makes. It shows how following the rules really can work, and how rule-bending seat-of-your-pants rocket jockeys can get everyone killed.
In traditional science fiction, larger-than-life heroes zoom across the galaxy, fight swashbuckling space battles with evil interplanetary despots, and woo beautiful alien women. On Moonbase 3, scientists and administrators attempt to conduct experiments while beset with budget cutbacks, equipment failures, work stress, personal isolation, and a heartless Earth bureaucracy.
The stories are often grim and depressing. The base is small and understaffed, the technology is unreliable, and everyone is under constant pressure to produce breakthroughs. Outer space is deadly and unforgiving; a tiny error in piloting your rocket can kill everyone aboard.
Small teams of researchers on a European moonbase are isolated for weeks at a time, leading to psychological stress and conflict. Many times in the series the researchers can only stand helplessly watching their experiments fail and their friends die. It's easy to see why the program was never an audience-pleaser.
However, the program has some extremely innovative themes which are never explored in other television or movie dramas. It shows how difficult, yet personally rewarding, scientific research is. It shows what a difference having a good manager makes. It shows how following the rules really can work, and how rule-bending seat-of-your-pants rocket jockeys can get everyone killed.
I watched this series on the sci-fi channel and it was quite a pleasant surprise. I'd never heard of this 70s sci-fi series before but it was british and done by some of the same people who also worked on Doctor Who. This series was most definitely influenced by Doctor Who and other films and tv series but it was unique in it's own vision of the future and man's future of the colonization of space. The series ended on a wonderful episode and should have been brought back for at least another. This is definitely a massively underestimated classic.
moon base 3 breaks one of the first rules of TV SF and at first I didn't spot it. I took me some time to work out what was so peculiar about this show. I knew, from a few minutes into the first episode, there was something profoundly odd going on but couldn't put my finger on it.
At first I thought it might have been the flashing "Artificial Gravity is ON" signs that seem to litter the corridors - They are there more a sop to the nit-pickers in the audience rather than serving any internal logic to the story - surely even the densest of Astronauts would be able to tell the difference between 1/6 and a full 1 G. (though, to be fair to the show, it DOES attempt to simulate 1/6 G whenever anyone stepped outside the base by use of slow motion filming and bouncy, slow motion "I'm in space" acting).
Then I thought it might be the ropey camera work: this show seems to have been performed like a stage show, the actors doing long scenes with 2 or three cameras shooting simultaneously; the editor then cutting between the various angles. Obviously, as in all live performances, people didn't hit their marks exactly and the cameramen have to re-frame constantly to get people's heads in. This looks pretty amateur by today's standards but I'm not a connoisseur of 70s TV so don't have much to compare it with - I guess at the time it must have looked OK.
Then it might have been the downright dodgy accents. The European's moon base is populated by RADA (Royal Academy of Dramatic Arts) trained actors assuming variable "French", "Spanish" and the standard "All purpose Eastern European" accents. Even Donal Houston's Welsh accent (and the man IS Welsh) sounds weirdly fake - (what is it by the way, that made the BBC at this time think the future would be populated by dynamic Welshmen? Blake of "Blake's Seven" was played by Welshman Gareth Thomas) - the only American on view (in at least the first 2 shows) has an accent that is totally bizarre: sort of constipated West Indian - sort of not.
Then I finally realised what it was that was so unsettling... the Door Handles! The doors on moon base 3 open like regular doors in houses! Hinged Doors in Space? Everyone knows that in the future all doors will slide into the wall as soon as anyone approaches them. Star Trek, Babylon 5, Space 1999, you name it, doors slide... ever since Buster Crabbe played "Buck Rodgers" way back in the 1930s, doors in the future slide... but not in the cash strapped BBC of the 1970s they didn't. Why pay 2 props guys to pull doors open when you've got an actor who will do it on cue for half the price?
All in all, this show is of historical interest but not worth getting excited over.
At first I thought it might have been the flashing "Artificial Gravity is ON" signs that seem to litter the corridors - They are there more a sop to the nit-pickers in the audience rather than serving any internal logic to the story - surely even the densest of Astronauts would be able to tell the difference between 1/6 and a full 1 G. (though, to be fair to the show, it DOES attempt to simulate 1/6 G whenever anyone stepped outside the base by use of slow motion filming and bouncy, slow motion "I'm in space" acting).
Then I thought it might be the ropey camera work: this show seems to have been performed like a stage show, the actors doing long scenes with 2 or three cameras shooting simultaneously; the editor then cutting between the various angles. Obviously, as in all live performances, people didn't hit their marks exactly and the cameramen have to re-frame constantly to get people's heads in. This looks pretty amateur by today's standards but I'm not a connoisseur of 70s TV so don't have much to compare it with - I guess at the time it must have looked OK.
Then it might have been the downright dodgy accents. The European's moon base is populated by RADA (Royal Academy of Dramatic Arts) trained actors assuming variable "French", "Spanish" and the standard "All purpose Eastern European" accents. Even Donal Houston's Welsh accent (and the man IS Welsh) sounds weirdly fake - (what is it by the way, that made the BBC at this time think the future would be populated by dynamic Welshmen? Blake of "Blake's Seven" was played by Welshman Gareth Thomas) - the only American on view (in at least the first 2 shows) has an accent that is totally bizarre: sort of constipated West Indian - sort of not.
Then I finally realised what it was that was so unsettling... the Door Handles! The doors on moon base 3 open like regular doors in houses! Hinged Doors in Space? Everyone knows that in the future all doors will slide into the wall as soon as anyone approaches them. Star Trek, Babylon 5, Space 1999, you name it, doors slide... ever since Buster Crabbe played "Buck Rodgers" way back in the 1930s, doors in the future slide... but not in the cash strapped BBC of the 1970s they didn't. Why pay 2 props guys to pull doors open when you've got an actor who will do it on cue for half the price?
All in all, this show is of historical interest but not worth getting excited over.
Did you know
- TriviaAfter the series ended, the BBC wiped the master tapes, common practice at the time. There were no known recordings of the show at all until 1993, when relatively low-quality NTSC copies of the episodes were found at an American TV affiliate (the show was a co-production between the BBC and the "Twentieth Century Fox Television Division in association with the ABC Owned Television Stations" and the latter had retained copies). All examples in existence of the programme are taken from these tapes.
- Quotes
Sir Benjamin Dyce: I've always held that the last words of mankind will not be the secret name of God, but "What is this knob for?"
- ConnectionsFeatured in Remembering Barry Letts (2011)
- SoundtracksMoonbase 3
Composed by Dudley Simpson
Realised by Dick Mills and the BBC Radiophonic Workshop
[series theme tune]
- How many seasons does Moonbase 3 have?Powered by Alexa
Details
Contribute to this page
Suggest an edit or add missing content