Father Brown

I've been listening to the BBC radio adaptations of the Father Brown stories with Andrew Sachs in the lead role. I have to say I much prefer Sachs' version of Father Brown, but this series is perfectly good with Kenneth More in the role. Considering when the series was made, the production is reasonably good, and the acting, while occasionally stiff, is fine overall. Some changes are made from the stories, which I have no problem with. Of the episodes I've seen so far, none have been damaged by the changes. It is important that Father Brown is a Catholic priest, and not just another amateur detective, and in this sense some of the religious reference seem to have been taken out of the stories. This subtracts from the distinctive flavor of the stories, but it plays fine on television.

You won't get the production values or the acting found in the later Christie series, but these are well worth trying if you favor British detective/mystery series. I'm certainly happy I found them, and I'll be watching them one per night until I've through the lot.

Interesting adaptation of Chestertons popular creation. the series looks its age now but is more faithful to the original books than the current BBC version. I have had this series in my archive for a number of years now and was moved to re-watch it agin after the finale of the 7th series of the current Mark Williams led series last week. Kenneth More was a fine actor and played Father Brown much closer to the book version than either Alec Guinness or Mark Williams. Less humourous than the other adaptations but still very entertining especially for fans of period dramas.

Recommended

Catholic Priest Father Brown is on hand to investigate all manner of crimes, including murder, often assisted by his old friend Flambeau.

I'm an Agatha Christie and Conan Doyle addict, I was late to The GK Chesterton party, and only found the works through The BBC reboot. I struggled with the pacing early on, but decided to first read the books, then watch them with fresh eyes, it was the right move.

Intelligent mysteries, Father Brown is often an observer, an onlooker, in a similar way to Miss Marple I guess, he's observant and perceive, he's clever, but he's not over the top or dynamic.

Oracle of The Dog and Curse of The Golden Cross were my favourite episodes, but every episode offers something. It surprised me how little Father Brown appeared in some of the novels, the changes that were made in this series work very well.

Kenneth More is excellent as Father Brown, when you read the books, he's exactly the character you see in your mind's eye, he fits the bill perfectly.

As much as I thoroughly enjoy The BBC reboot with Mark Williams, this is a much more authentic offering.

8/10.

If, like my wife and myself, you have run through the BBC's various Christie series, these are a good find. They are a bit dated, but I prefer a good story to a click production. More is an excellent Father Brown, soft-spoken, witty, but sharp and persistent.

These stories are from a bit earlier in the mystery genre than most adaptations, and this dates the series as much as the productions. Chesterfield's stories tend to be more "howdunit" than "whodunit", with the focus less on the characters than on the murder itself. This can be a problem, at times, but it can be very good, especially when combined with good characters.

G. K. Chesterton wrote after Conan Doyle invented Sherlock Holmes but (mostly) before Agatha Christie's reign. His detective Father Brown is an inoffensive little priest who knows a lot about crime, from years of hearing confessions. So he can see what others can't.

Here's an example (and since this story wasn't in the series it's not a spoiler). A headless man is found. His house is scattered with snuff; with clockwork like destroyed toys of the period; and with other bizarre things.

Father Brown (I won't give away how) figures out that the man left everything in the Will is scrupulously honest. He was left all the man's "gold." So he takes the man's collection of gold snuff boxes but not the snuff; he takes the man's gold watch-cases but not the watches; and as for beheading the man, since he was dead anyway it was easier to remove the man's gold teeth.

Chesterton's stories are less who-dun-its than puzzles to be solved. And they may have a theological point. Often this is said it's because Chesterton was such a strong Catholic, but his conversion to Catholicism came after he'd created Father Brown and had written most of his stories.

Whether Father Brown's stories could make a viable series like Brett's "Sherlock Holmes" or Suchet's "Poirot" or Hickson's "Miss Marple" is debatable. Some of Chesterton's Father Brown stories (which I love) are great while others are slight to plump out an hour apiece. And since Chesterton liked to serve everything up with a taste of humor he's often presented as a silly rather than a serous writer. Serious writers, it seems, shouldn't have a sense of humor. Baloney.

(Forget the Mark Williams reboot; all it has in common with Chesterton's stories is the main title).

This series has some poor production values and acting. Even the great Kenneth More appears miscast as Father Brown. A fine actor, More's performances have always been of characters who are sharp and smart, not low-key characters who appear silly on the outside, even if they are cleverer than everyone else on the inside. I've always appreciated Kenneth More's acting, but he's not that good at hiding his light under a bushel the Father Brown way.

When I first caught this in high school (fifteen years before I cared to read Chesterton, now one if my favorite authors) I was accustomed to British TV presentation with great actors performing in long takes on videotape on cheap-looking sets and with outdoors scenes on grainy film. Nowadays I'm more accustomed to slicker productions where the actors practically whisper. So the series looks old and creaky. Too bad. Chesterton deserves better.