The Victim

I first saw The Victim (aka Out Of Contention) well over 25 years ago when I was very young. Being a passionate fan of Bewitched since I was a child, I loved to watch anything that starred Elizabeth Montgomery. This movie was (and still is) a real treat - whether you are a fan of Miss Montgomery's work or not. Elizabeth always shines in her roles, such as her portrayal as the rape victim in A Case Of Rape and as the suspected murderess in The Legend Of Lizzie Borden. Her performance in The Victim as Kate, a terrified woman trapped in an isolated house during a storm, with a killer after her is brilliant. If you like exciting suspenseful thrillers than this is one movie that will keep you on the edge of your seat till the end. Another great performance well worth mentioning is that of Eileen Heckhart who plays the eerie and suspicious housekeeper. Unfortunately like most of Miss Montgomery's movies, The Victim is not available on DVD and I believe that although it was released on VHS some years ago, it is a rarity these days. I was lucky to have taped it when it was aired on television some ten years ago and so have a nice copy of this very good movie. A must see!

This relatively obscure "ABC movie of the Week" perhaps doesn't have the most groundbreaking or innovative plot ever penned down, and neither does it feature the most technologically advanced special effects, but Herschel Daugherty's "The Victim" does guarantee one majorly important thing, and that is good old-fashioned nail-biting suspense pretty much from the beginning until the very end! If I browse around and read the other user comments for this little gem, it seems as if many people originally saw the film on television when they were young, during its premiere in 1972 and still vividly remember how they were petrified. I can definitely relate to that, as "The Victim" features all the right ingredients to induce fear and disturbance: raging thunderstorms, power failures, cut off phone lines, unidentified footsteps upstairs, distressed damsels in remote countryside mansions, creepy old housekeepers and brief glimpses of dead bodies hidden in the basement! At home, in her luxurious apartment in San Francisco, Kate is terribly worried about her sister Susan. She lives far off in the country and announced that she was going to divorce her husband Ben. When she can't reach Susan on the phone, Kate decides to drive to her house even though there's a storm raging through the area. When she arrives at the house, Susan is missing and not even the nosy neighbor/housekeeper Mrs. Hawkes knows where she is. Now, the viewer already knows that Susan lies dead in the basement and that Kate is in great danger because her killer is still in the house. The storyline is thin and the climax is predictable, but that doesn't matter all that much because the atmosphere is non-stop unsettling and the acting performances are great. "The Victim" is basically a one-woman-show, with a stellar role for Elizabeth Montgomery in the lead. She's simultaneously strong and vulnerable, and her performance here is definitely on par with the terrific "The Legend of Lizzie Borden". There are also interesting supportive roles for the naturally creepy Eileen Heckart and Sue Ann Langdon (even though the latter only has two sequences and only has to talk into a phone).

After learning that her sister Susan is contemplating divorce, Kate decides to travel to the distraught woman's remote country home and spend some time with her. When Kate arrives, however, Susan is nowhere in sight. That's because someone has murdered her and stuffed the body in a trunk in the basement. As a storm rages outside, Kate tries to figure out where her sister could have gone and places her own life in great danger...the killer is still on the premises! In her first post-BEWITCHED vehicle, Elizabeth Montgomery gives a solid dramatic performance. Merwin Gerard's teleplay is based on a short story by McKnight Malmar. Malmar's tale was first brought to television in 1962 as an episode of Boris Karloff's THRILLER anthology series. THRILLER stuck very closely to the story, which is kind of a pity, for it could have used a little punching up. Granted Malmar wrote a moderately creepy number, but Gerard (creator of the ONE STEP BEYOND show) adds several clever ingredients that heighten the tension and suspense.

If not, why? Rather a number of them were high class suspense pictures. This is one of them.

Elizabeth Montgomery plays a lady who's going visiting her sister in an isolated upland cottage after learning that the sister is planning to divorce her husband. The sister is already murdered when Elizabeth arrives but she doesn't know that. Instead, there's a prolonged eerie cat-and-mouse sequence when she's searching for her and unexpectedly finds the half deaf old maid entering. The meeting with the maid is quite unsatisfactory and awkward. Then the sister's husband turns up and it's quite clear that he's hiding something...

Not to spoil the story, the set up is great and one wish that today's television could conceive originality of this kind.

I watched this for the first time since it was new yesterday, and, no matter how many times I replay that final scene, I can't make out Eileen Heckert's last line. She says, "Mr. Chapell, let her go," then something about calling the police. I can't help but think that line is critical in determining exactly which one killed her, or if they were in it together. Does anyone know exactly what she says? I remember when the networks all had the movie of the week. I sure wish they still did. I liked the comment about the eeriness without the graphic violence, and I agree that none of that is necessary. By the way, what are some other old favorites everyone has? Maybe I'll find one I don't remember seeing!