Les collines du plaisir

VIRGIN WITCH is about sisters, Christine and Betty (Ann and Vicki Michelle). While auditioning for a modeling job, Christine gets mixed up with the odd, leering Sybil Waite (Patricia Haines). This leads to a photo shoot for Christine, with Betty along for the experience.

Sybil takes them to a secluded estate, where the weirdness factor explodes exponentially. Of course, the title comes into play, and Sybil's eeevil plans are revealed.

VW is one of those early 1970's movies out of England, replete with one nude scene after another. Have no fear, no excuse to show naked females has been overlooked. This is one of those "art films" that our wily ancestors would have snuck off to see. Those raised on the internet will find little to see here that could possibly rise above quaint or tame. Still, it fits right in with other such films of its era.

REASONS TO WATCH: #1- There's much fun to be had in the quick camera zoom-ins to extreme facial closeups! #2- The out-of-nowhere, jazzy musical interlude at the Stag Room is actually pretty good! #3- Christine's initiation ceremony is a hoot! #4- The silliest head-flailing, body-twitching finale to any soft-core occult movie, ever! Ever!...

This is a nice piece of time-wasting British exploitation cinema with the delectable Michelle sisters becoming embroiled in witchcraft and various sexy shenanigans in a picturesque country-house setting ('filmed on location in Surrey, England').

There's a good score by Ted Dicks, including a rather seductive little tune called 'You go your way', performed by Helen Downing. And effective turns by old-hands like Neil Hallett (as the lecherous head of the coven) and Keith 'Excalibur' Buckley as the excitable investigative boyfriend. A highpoint is the scene-stealing performance by the lovely Patricia Haines ('The Night Caller') as the lesbian boss of a dodgy model agency. She, along with the sisters, disrobes in the hilarious 'initiation ritual' sequence.

Get hold of the 1993 Redempton VHS - a good, colourful print.

The difference between a British sleaze film of the 1970s and an American sleaze film of the 1970s is that the British film is well acted and features interesting locations. "Virgin Witch," quite possibly the quintessential sleaze film of the 1970s, manages both. It's not that the film is not exploitative and rather insulting to women, it's just that one would have to take it seriously to take offense. The film stars real-life sisters Ann and Vicki Michelle as an ambitious career woman (Ann) and a repressed virgin (Vicki) who leave their strict parents and come to London. On the way they meet Johnny (Keith Buckley), in one of those 1970s movie coincidences, and he develops a bone for Vicki. Meanwhile, Ann answers an advert for a model and is "auditioned" by lesbian agent Sybil Waite (Patricia Haines), who invites her up for the weekend at a manor house owned by Gerald Amberly (Neil Hallet), a sort of proper Hugh Hefner, who is (of course) also the leader of a coven of witches. Ann (character name "Christine") is all for it, even the attentions of Sybil, if that's what it takes to get ahead, but Vicki (Betty) is still repressed. Sex rites ensue. In fact, the coven really isn't much into black magic at all, just sex games. Suffice it to say that the film did not have much of a costume budget. It would be a lot easier to dismiss this film as so much trash if it were not decently acted, particularly by Haines and Hallet. Ann Michelle--a kind of road company Martine Beswick--also does well under the direction...at least under the camera pointing...of stuntman-turned-director Ray Austin. There's nothing scary about this "horror" film, and truth be told, even with the vast amount of nudity, there's nothing very erotic about it either. It's a time capsule of a particular era of very strange British thriller films, but a rather disarming one.

Watchable if only for the appearance of the delectable Patricia Haines (Mrs. Michael Caine as was), Virgin Witch also subverts some 70s clichés quite neatly.

Nice music and fairly attractive photography lift this from the mire as does the Surrey location.

Some passages and attitudes obviously grate a little with 21st Century sensibilities. Be disappointing if they didn't. But all in all a pleasant and (to this viewer at least) pretty sexy hour or so.

And who wouldn't want to wake up next to the unclad Ms Haines?

Or is it just me?

Hardly very 'extreme' but I have a soft spot for this. Anne Michelle stars (with her sister) and through the course of the film develops from a mini skirted dolly bird to a rather convincing coven priestess. The girls look great in their tiny skirts and without their clothes so the fact the plot line is not up to much barely matters, as it were. We get sex, lots of nudity, witchcraft scenes indoors and out and a girlie magazine shoot. That's about it really and there are slight threads involving the deposed priestess's lusting for young Anne and a young man's attempts at rescuing the younger sister from the Sabat. It's pretty, it's English and it moves along. Can't say fairer than that.