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IMDbPro

Tomorrow

  • 1972
  • Tous publics
  • 1h 43m
IMDb RATING
7.4/10
1.7K
YOUR RATING
Robert Duvall in Tomorrow (1972)
Drama

A lonely farmer takes in a pregnant woman and looks after her. After she gives birth, tragedy strikes.A lonely farmer takes in a pregnant woman and looks after her. After she gives birth, tragedy strikes.A lonely farmer takes in a pregnant woman and looks after her. After she gives birth, tragedy strikes.

  • Director
    • Joseph Anthony
  • Writers
    • William Faulkner
    • Horton Foote
  • Stars
    • Robert Duvall
    • Olga Bellin
    • Sudie Bond
  • See production info at IMDbPro
  • IMDb RATING
    7.4/10
    1.7K
    YOUR RATING
    • Director
      • Joseph Anthony
    • Writers
      • William Faulkner
      • Horton Foote
    • Stars
      • Robert Duvall
      • Olga Bellin
      • Sudie Bond
    • 37User reviews
    • 13Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos12

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    Top cast17

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    Robert Duvall
    Robert Duvall
    • Jackson Fentry
    Olga Bellin
    Olga Bellin
    • Sarah Eubanks
    Sudie Bond
    Sudie Bond
    • Mrs. Hulie
    Richard McConnell
    • Isham Russell
    Peter Masterson
    Peter Masterson
    • Lawyer Douglas
    William Hawley
    • Papa Fentry
    James Franks
    • Preacher Whitehead
    Johnny Mask
    • Jackson…
    Effie Green
    • Storekeeper
    Ken Lindley
    • Judge
    R.M. Weaver
    • Jury Foreman
    Dick Dougherty
    • Buck Thorpe
    Jeff Williams
    • H.T. Bookwright
    Jack Simley
    • Thorpe Brother
    Billy Summerford
    • Thorpe Brother
    Thomas C. Coggin
    • Thorpe Brother
    Robert Raglan
    Robert Raglan
      • Director
        • Joseph Anthony
      • Writers
        • William Faulkner
        • Horton Foote
      • All cast & crew
      • Production, box office & more at IMDbPro

      User reviews37

      7.41.7K
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      Featured reviews

      8cphoton

      A very nice character study.

      This is a very fine William Faulkner adaptation set in circa 1910 rural Mississippi. Duvall fans, like me, should be thrilled to see and hear his masterful piece of humble and unpretentious acting. I must say there is a level of disappointment in reading the few negative or cursory reviews. I think one of the most overlooked elements in this film is the outstanding acting by Olga Bellin (Sarah). Frequent commentary of being cast too old is unfounded. Women in rural environments of this depicted era were a little worn around the edges. Sarah is actually quite beautiful in close ups, and she dispels any age related bias in the subtleties of her great acting. Where Duvall is masterful in delivering rural and colloquial dialog, Bellin equals the performance with outstanding facial expressions and body language. It is like having a window to her heart and mind. Together, they compelled me to care about them. In some ways, a nice motif on opposites attract. As for the purported, slow pace of this movie, I might just say life in the woods of Mississippi for 103 minutes did not seem too deliberate for me. This film is a very good and focused character study on love and loyalty. The monochromatic cinematography is appropriate and adequate. The on location, props and screen captures are great. Cinophiles should appreciate it. Despite some critics perceived B-movie imagery at times, this film has 4-star acting and a meaningful story.
      Aniv

      Simply beautiful

      Robert Duvall has mentioned in several interviews that "Tomorrow" was one of his favorite movies that he worked on. He also mentioned that it was one of his most esoteric works. The movie disappeared from the theatres mostly because Duvall wasn't quite a marquee name at the time and furthermore, the actors weren't conventionally beautiful or handsome. And then there was that accent that Duvall affected... Anyway, this was based on a short story by Faulkner that was published in the Saturday Evening Post back when short stories could be published in anything other an anthology. It is also one of my favorite movies. The love story was touching and sweet. The ending had me bawling. And nobody was turned into a fish.
      9michaelsjmurphy

      Nobody does it like Duvall

      This movie predates some of Duvall's more critically acclaimed and popularly received turns, but in truth, this may be the finest acting job of his career. Duvall is this film, and he has made this kind of intense, honest character study his own (Tender Mercies, The Apostle, The Great Santini). The black and white cinematography is perfectly suited to the story and the acting. It works as a far more honest story-telling device than Spielberg's "Schindler's List." This is a must-see for Duvall fans and for fans of small, independent films as well.
      bransonk

      Beautiful movie

      Tomorrow is one of the finest movies I have seen. Duvall was excellent in this movie, and even he points back to this as his finest work in cinema (I read an article once in which Duvall said that this role was his "King Lear"). The story is simple but significant. The impact of it is substantial. It is not a movie for hard-hearted cynics. Although it is not sappy, and by no means is it over-the-top (understated is a much better description), the movie does require a man to peel back his macho veneer and and try to identify with a life situation many men may find almost ridiculous (or horrifying) in this day, i.e. a life of faithful love and service. As such, this film would not be a top pick of fans of "The Man Show", or anything on MTV, for that matter. It is a gutwrenching story of sacrifice and self-denial; in other words, it is a REAL love story that brings to mind the love of God for the unlovely.
      Austen-4

      If I could only own three videos, this would surely be one of the three I'd choose

      What a formula for a great movie, based on a Faulkner short story, screenplay by Horton Foote and Robert Duvall in the lead! I don't think any of the three has ever done better. If you want to know what is essential in this life and what you can do without I'd highly recommend this film. The last line of the film explains the title so beautifully, it is a film that has haunted me for years, always gives me courage to go on. Don't watch it if you are not a sensitive person, you'd waste your time and only sensitive hearts and minds should be blessed by watching this film.

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      Storyline

      Edit

      Did you know

      Edit
      • Trivia
        Robert Duvall based Jackson Fentry's unusual accent on a man he met once while walking the foothills of the Ozark Mountains. Duvall was so struck by the man's deep-voiced accent, he never forgot it.
      • Goofs
        The entire movie is filmed in the dead of winter. The cotton "harvesting" scene was shot in a bare field with tufts of cotton attached to a few bare, leafless, cotton plant stalks.
      • Quotes

        Jackson Fentry: I dunno why we met when we did, or why I found you when you was all wore out. I couldn't save you no matter how bad I wanted to. I dunno why you want me to raise this baby instead of your people. I dunno what they done to you to make you turn so on them. But I don't care, I promised ya I'd raise him, and I will. Like he was my own.

      • Connections
        Referenced in Siskel & Ebert & the Movies: Dinner For Schmucks/Charlie St. Cloud/The Extra Man/Get Low (2010)

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      FAQ14

      • How long is Tomorrow?Powered by Alexa

      Details

      Edit
      • Release date
        • September 16, 1992 (France)
      • Country of origin
        • United States
      • Language
        • English
      • Also known as
        • Ein neuer Morgen
      • Filming locations
        • Tupelo, Mississippi, USA
      • Production companies
        • Castle Hill Productions
        • Filmgroup Productions
      • See more company credits at IMDbPro

      Tech specs

      Edit
      • Runtime
        • 1h 43m(103 min)
      • Color
        • Black and White
      • Sound mix
        • Mono
      • Aspect ratio
        • 1.85 : 1

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