Stanley

The topic itself, a man getting vengeance with the use of his "pets," sounds very familiar to me, especially snakes. I have seen it before but more in the horror style, not psychotronic, as here. Director William Grefe was one of my favourites in the domain of exploitation features, destined to saturday evening audiences. Actually I above spoke of Bernie Kowalski's SSSNAKE, where it was also question of a young man involved with snakes, but the scheme in the way of showing them was not exactly the same though, it was not a matter of revenge. Anyway, I love this kind of indie productions, far from Hollywood industry and those producers who snoop around, seeking every dollar spent, the paper toilet you use each time you go to the men's room. Here, you are sure there is no director's cut, or maybe a very little. We are lucky that there were batches of them during the seventies. And as I said fifteen years ago on Imdb about another Grefe's film: JAWS OF DEATH, the director uses here the same scheme, but snakes instead of sharks. If you prefer, remember Daniel Mann's WILLARD. The lead used rats instead of....

Tim (Robinson), a returned service man clearly affected by his experiences in the Vietnam war elects to separate from his American Indian tribe and reside in a remote part of the Florida Everglades along with his slithering companions, Stanley (the snake) and Stanley's partner. Former TV actor Robinson and tough guy Rocco are perhaps the only recognizable faces in this cheap schlock horror, but while the supporting cast might be amateurish, they're committed performances. Avery is fantastically whacky as a pill-popping psychedelic poacher who goes crazy in Robinson's cabin, while buxom blonde Carroll offers mild excitement as Rocco's recalcitrant daughter and part-time rebellious tramp.

Director Grefe remade "Stanley" just four years later as "The Jaws of Death" with Richard Jaeckel in the Chris Robinson role, to cash-in on the success of "Jaws" at the time. Much of the cast and crew from this movie was transported into the remake. But where Jaeckel's character in the subsequent rendition imbued a sense of sympathy from the audience, Robinson's occasionally manic veteran is less likable. When he abducts Rocco's daughter (Carroll) she exposes his exploitative relationship and shambolic conservationist pretense as nothing more than a quirky condition of his mental instability.

Sets and location work is fitting, and there's plenty of eye catching scenery and quirky time pieces of the era that will emote a reminiscent gesture or two. Marcie Knight's washed-out exotic dance routine is a prominent plot diversion depicting the lurid struggles of the exotic cabaret business. Tim lends her snakes to use in her routines (she was a friend of his late father), but the friendship turns sour after he discovers her new "act". The "act" is quite shocking and unexpected and sure to become the immortal moment of this film. Despite some rather heavy handed moments, there is the occasional joke; the scene in which Tim describes the death of Stanley's 'partner' and the 'babies' to a shocked stage manager who thinks he's talking about people, is classic dry humour.

It's patently obvious that several creatures were harmed in the making of this picture, so it might offend.

Tim Ochopee (Chris Robinson), an embittered Vietnam veteran of Native American descent, retreats from society into the Florida Everglades and becomes inseparable companions with a pet rattlesnake (Stanley)... a pet he teaches to kill on command.

A happy light rock soundtrack about saving trees opens the film, giving it a hippie nature vibe that is hard to reconcile with the actual picture (though, I guess, in some ways it's a pro-snake and anti-hunting film).

At 106 minutes, it runs a bit long, but is oddly enjoyable. That's 106 minutes on the Mill Creek disc. From what I hear, the BCI disc is only 96 minutes and some versions are only 92. I cannot tell you what is cut on each one.

Gloria the dancer (Marcie Knight) says, "any kind of love is better than any kind of hate", echoing the Indian warning that Tim's hatred is a cancer on his soul. I think that must be the theme, though it's really hard to say for sure.

I suppose this film could be scary if you're terrified of snakes, but they aren't really presented in a scary manner. The acting is good, besides over-acting Susie Thomkins (Susan Carroll) ruining an otherwise talented cast. Oh, and the drunk guy in the burlesque house provided the ten seconds of comic relief I needed.

This film isn't terrible. In fact, I found myself staring at the screen quite a bit. I suspect it would be a good flick for a small group of friends and some beers, maybe Milwaukee's Best Ice.

Crap! Another bad killer snake movie. Actually, this movie is pretty much just "Willard" with snakes instead of rats. Chris Robinson plays a Vietnam Vet and a Seminole Indian (neither very convincingly) whose only friends are poisonous snakes. He uses these "friends" to take revenge on greedy developer and snakeskin dealer (Alex Rocco, who appeared in "The Godfather" the same year)who was also conveniently responsible for the death of his father, and on a skanky stripper who bites the heads off of snakes as part of her act (because, of course, THAT'S a real turn-on).

There are several problems with this movie. First, it is somewhat believable that rats might have affection for humans and do their bidding, but it is far less believable that snakes would (and the character here isn't given any special psychic powers over them a la Jennifer Connelly in "Phenomenon"). Second, poisonous snakes aren't very good at attacking people. Even when confronted with a large number of poisonous snakes, all the victims would have to do is run away--it's not like snakes are going to chase you. (The most ridiculous scene has Rocco's character attacked in his swimming pool by dozens of water moccasins). The movie really goes off the rails at the end though when Robinson suddenly falls in love with and kidnaps Rocco's sexy, bare-midriffed blonde daughter. After she spurns him, he tries to get the snakes to bite her, but they refuse, so he reacts in an unintentionally hilarious "Willard"-esque fashion and finally gets his just desserts.

On the plus side this movie was directed by Willam Grefe who would go on to do equally ridiculous but much more entertaining movies like "Impulse" with William Shatner. It's also certainly no worse than many other killer snake movies-"Jennifer, "Rattlers" , "Spasms", "Venom", or more recent CGI crap like "Boa", "Python" and "Anaconda". Maybe filmmakers should just give up on these killer snake movies.

Stanley is a rattlesnake ,the companion of Tim ,a Native American Vietnam veteran who lives in seclusion in the Everglades where he ekes out a precarious existence .He clashes with a local petty crime lord who wants to kill as many snakes as possible in order to turn their skins into boots ,belts , purses -anything in short that will turn a quick profit .Stanley's brood of baby rattlers are slaughtered and Tim strikes back by using the snake as his instrument of revenge even going so far as to kidnap his rival's teenage daughter an event which precipitates a bloody and fiery climax This is dreadful on every level and in every department -the acting is wooden ,the script simplistic and the pace funereal Not recommendable even to 70's monster movie completists or the most undemanding of spectators.