Solaris

Wow, what an experience my wife and I had tonight seeing "Solaris", based on a novel by one of my favorite science fiction writers, Stanislaw Lem. As we knew from reviews we had seen, it is a very long film at 165 minutes with many drawn-out but compelling scenes. Though it's a classic and has much to recommend it highly, I must admit that the first half I found a bit difficult to sit through - having just had a nice pasta dinner and some chocolate didn't help :-). It is such a complex film that it probably takes at least two or three viewings to feel that one has understood much of it.

The basic story is that a Russian spaceship in orbit around a planet has been sending back confusing status, and Kris Kelvin (Donatas Banionis) is sent to investigate. He finds out that the crew has been experimenting with sending pulses of radiation into the planet's vast ocean and are in turn manipulated by some sort of innate intelligence on the planet. "Guests" materialize on the ship, crafted from mental elements of the crews' minds.

The first night there, Kris himself wakes up to find his long-dead love Hari (Natalya Bondarchuk) by his side. The other two crew mates, scientists Dr. Snaut (Jüri Järvet) and Dr. Sartorius (Anatoli Solonitsyn) puncture any misconceptions that Kris may have by clarifying that "she" is not real, and invite Kris to try looking at a blood sample, which clearly is not human ("she" does "bleed" when hurt, but the "blood" can be easily wiped away). The scientists in fact want to experiment on sending an annihilation sacrificial pulse of radiation to the ocean below, and imply, it seems, an interest in using Hari for that purpose.

The film is unlike anything that I have seen before, and begs many philosophic questions about the nature of reality and existence, the meaning of love, time and timelessness, and much more. The sterile and very unnatural milieu of the spaceship, as well as the melancholic and minimalistic music and sound effects, make one despair for being in nature, and reflect on the early lakeside scenes. The ending (no spoilers here!) leaves room for interpretation and even understanding of just what happened. Hauntingly amazing.

It's now been some years since I last watched it. Still, I can't get rid of the impressions of emptiness, absurdity and impossibility to understand (the world, and the human mind) that this movie left into me. It can be violent to your mind, without showing a single violent image (by the way, I often see this movie as a counterpart to Clockwork Orange, even more than to 2001). It can stun you, with ten or twenty minutes of incomprehensible silence. It can deprive you of any certainty in the laws of nature - such as, people only die once - and thus leave you vulnerable and naked.

I know that many friends to whom I've shown this move did not understand it. So I'm not saying you'll like it. But this is possibly the best (non-action) sci-fi movie ever made.

Watch it at night, alone, when everything out of your home is dark, silent, and cold.

Shame on me for not realisng the 2002 film with George Clooney was essentially a remake of a Russian film made 30 years previously. I ought to have known, I am that sort of person.

So comes December 2009, and Film 4 show both Solaris films. I sat transfixed by the Russian film. Visually it is a thing of beauty, and it is a rare thing - a film which requires input from the viewer. This movie requires you to think for yourself...and some people find that difficult.

I enjoy a rip-snorting entertaining action movie as much as most people, but rare films like Solaris leave me feeling so much more fulfilled. There are ambiguities, not so much loose ends untied as dots which the viewer is required to connect for himself.

Try Solaris. If you find yourself twiddling your thumbs after 15 minutes then its probably not for you. If you find yourself glued to the screen then you know how I feel about this film.

I'm just starting out into the vast world of foreign film and having seen this film on many a video store shelf, and knowing that it was considered a sci-fi classic, I thought it would be a good way to spend an evening. Based on the case I was expecting something along the line of typical American sci-fi. Needless to say I was wrong.

I watched Solyaris twice in two days, because the first time I saw it I knew that I hadn't processed even a quarter of what I knew was there. I was taken completely aback. The second viewing was extremely rewarding.

It was unusual for me, raised as I was on the sledgehammer moralizing and we'll make our point so obvious that there's no way you can miss it because we have no respect for your intelligence way of American film. I'm a huge literature buff, and this was one of the very few films I've confronted that is thoughtful and has so many things to say yet does it in a literary or poetic fashion.

You will get out of this film what you bring to it. I've been to so many movies where the audience is not actually participating, it's being attacked. But true art is not domineering; it woos you.

So to sum up, I greatly appreciated Tarkovsky's unwillingness to manipulate the viewer. It showed that he had respect for me as a thinking soul, and it is this love and respect for humanity which makes this a truly great film.

Two truths drive this film: the inadequacy of human-kind to understand the Universe, and the inadequacy of human-kind to understand the human heart.

As such, using Lem's original idea, Tarkovsky successfully, explores these themes.

We are drawn in, through hauntingly beautiful imagery, to the internal struggles of Kris Kelvin as he attempts to understand feelings of love for his suicided wife, who has been mysteriously resurrected, presumably as an attempt by Solaris to communicate, or torture.

Of course Solaris is probably the most original alien ever concocted, (no phone-homes here) and as must be, utterly enigmatic and beyond communication.

Be warned, this film is very long, and sometimes slow, but for those who consider themselves science fiction addicts, it is a must view.

One of the top 5 sci-fi films of all time.