Solaris

Shame on me for not realisng the 2002 film with George Clooney was essentially a remake of a Russian film made 30 years previously. I ought to have known, I am that sort of person.

So comes December 2009, and Film 4 show both Solaris films. I sat transfixed by the Russian film. Visually it is a thing of beauty, and it is a rare thing - a film which requires input from the viewer. This movie requires you to think for yourself...and some people find that difficult.

I enjoy a rip-snorting entertaining action movie as much as most people, but rare films like Solaris leave me feeling so much more fulfilled. There are ambiguities, not so much loose ends untied as dots which the viewer is required to connect for himself.

Try Solaris. If you find yourself twiddling your thumbs after 15 minutes then its probably not for you. If you find yourself glued to the screen then you know how I feel about this film.

This has to be one of the best science fiction movies ever produced. Not because it's filled with gee-whiz gizmos or creepy aliens (it isn't) but because it actually gives you something to think about besides "I wonder how much they spent on *that* shot". When I was a kid, I used to love reading sci-fi because it stimulated my imagination, but as I grew up (especially once "Star Wars" came out), I found that it was harder and harder to find anything remotely resembling imagination or mystery in the genre.

Well, this movie has restored my faith in what is possible to achieve under the guise of "sci-fi" (obviously, it's older than "Star Wars", but I didn't see it until years later, when I had basically written off the whole idea of science fiction movies). I saw it 10-15 years ago when it was re-released in the USA and liked it then, but seeing it again recently has convinced me that this is an all-time classic. As I said, it actually stimulates thought (rare enough in most sci-fi movies), but on top of that, it has a real and profound emotional impact that's far beyond what you find in most "dramas", let alone "kid stuff" like sci-fi. If this movie is intended to be an "answer" to "2001" (I'm not convinced that it is), the main contrast is that "Solaris" concerns itself with real human emotions, whereas the most interesting character in "2001" is the computer.

For those who complain that it's boring, just go see something else. You'll obviously never get it. If the opening shot of water and plant life didn't tip you off to the fact that this movie is intentionally paced a little bit more deliberately than, say, "Buckaroo Banzai", then you should go out and try to get some sort of clue before watching this movie. It's not boring... it's SLOW. It's *meant* to be slow. Some of the scenes exist solely to set a mood, not to advance the plot. If you can't handle that, then this isn't the movie or you. But if you're able to sit still for 3 hours without squirming, and if you're able to enjoy a movie without having every idea spelled out in giant neon letters, then you just might like "Solaris", and find that it haunts you for years to come.

It's tough to come into a film like "Solaris" without tremendous expectations after having heard for so long about its greatness. If you don't immediately feel like it's one of the best movies you've ever seen -- after hearing so many say it is -- you're either tempted to overcompensate and exaggerate how overrated it is out of a sense of defensiveness, or think something's wrong with you for being the only one not to "get it."

As with most movies that have been saddled with the word "greatness," I understand why "Solaris" is considered to be such a watershed movie and so revered by so many, but I have to admit that I didn't personally feel myself responding to it all that much. Maybe I would on a second (or third or fourth) viewing, but I can't say I'm very compelled to watch it again. It's cerebral and philosophical, which I expected, and a bit cold and emotionally uninvolving despite the fact that it's about almost nothing but human emotions and how we react to life's biggest mysteries. I didn't warm much to the characters or ever really think of them as individual human beings so much as necessary conduits for communicating the film's philosophical ruminations. Despite being set in the vast reaches of space, it's a claustrophobic movie, which I think is intentional. We never see space, only the cramped interiors of a spaceship, and that feels right, since the movie is more about the vast universe contained within Man's head than it is about the great physical universe beyond our solar system's borders.

What I liked most about "Solaris" is that it suggests that Man isn't really developed enough to handle breakthroughs in our understanding of the larger universe. Given the chance to explore space and engage with elements beyond our comprehension, the characters in the movie instead spend all of their time ruminating over and regretting the people they left behind on Earth and the mistakes they made there. It's almost like Mankind turns to solving giant huge mysteries as a distraction from the fact that we're not capable of cracking the lesser, more mundane mysteries of everyday life, like love, commitment, and dependence on one another.

"Solaris" does have one chilling and memorable ending, I'll give it that. If we go poking around in what we don't understand, it seems to say, we may very well find ourselves unable to return to what we do.

Grade: A-

This line from Dr Zhivago says all you have to know about Tarkovsky. He was a thinker and a poet. An artist who's work was at once smart, engaging and aesthetically beautiful! Solaris is a world that materialized thoughts and absorbs creatures into its own consciousness. "Solaris" is an allegory on man's place in the universe, the twisted concept of reality, the meaning of love, grief and - ultimately - life. Psychiatrist Kris Kelvin goes to the station orbiting the planet-entity to assess whether the madness of it's occupants means all exploration should be discontinued. What he finds there are all the demons he has brought with him. You the viewer shall experience the same thing, for Solaris is an inviting and questioning but never manipulative film. What you'll get out of it depends on what you bring with you.

Solaris is often accused of being slow. This is a common misinterpretation: Solaris makes you anxious, and willingly so. Too many segments are like mirrors that invite your mind to venture off into many uncomfortable a place (the traffic scene comes to mind: an allegory for the space voyage but also for fading life and powerlessness). Solaris also makes you fear, with a sense that something isn't quite right and as with the best horror films, what you dread often isn't even on screen. Solaris makes you heart ache on several occasions as well. It makes you miss loved ones and it makes you feel homesick. every additional minute that separates you from the gorgeous opening shots of nature makes you long for Earth.

Solaris is many things but above all it is simply more than entertainment: it is a voyage for the senses, like a favorite song that binds countless disconnected feelings and thoughts. It is a poem.

Two truths drive this film: the inadequacy of human-kind to understand the Universe, and the inadequacy of human-kind to understand the human heart.

As such, using Lem's original idea, Tarkovsky successfully, explores these themes.

We are drawn in, through hauntingly beautiful imagery, to the internal struggles of Kris Kelvin as he attempts to understand feelings of love for his suicided wife, who has been mysteriously resurrected, presumably as an attempt by Solaris to communicate, or torture.

Of course Solaris is probably the most original alien ever concocted, (no phone-homes here) and as must be, utterly enigmatic and beyond communication.

Be warned, this film is very long, and sometimes slow, but for those who consider themselves science fiction addicts, it is a must view.

One of the top 5 sci-fi films of all time.