Two roomates at a prep school in New England during World War II come to grips with the war, jealousy and betrayal. Based on a novel by John Knowles.Two roomates at a prep school in New England during World War II come to grips with the war, jealousy and betrayal. Based on a novel by John Knowles.Two roomates at a prep school in New England during World War II come to grips with the war, jealousy and betrayal. Based on a novel by John Knowles.
Falko Schilling
- Student
- (uncredited)
Steve Walker
- Student
- (uncredited)
- Director
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As with many film adaptations, fans of the book can't but feel that they've been slightly cheated by the movie. The 1972 adaptation's faithfulness to the book can be commended, but it comes at a heavy price. The movie is so faithful that it was filmed at the boarding school, "Phillips Exeter Academy," that John Knowles attended and drew inspiration for the book from. The movie goes as far as to fill the cast, with the exception of Gene, with students and alumni who participated in the Academy's drama club. The actors' lack of experience shines throughout the movie and viewers are left with the notion to laugh. Lines, taken from the book, are delivered blandly and lack any emotion.
On positive thing that the movie brings to the table is the setting, being filmed at the boarding school where the book was "set" everything seems right. When they introduce the tree, you can't help but wonder if the novel's story is closer to non-fiction rather than fiction.
The movie makes an attempt to convey the symbolism found in the book, but without Gene's constant narration a viewer who hasn't read the book would find it very hard to grasp.
Although the movie makes an earnest attempt at greatness, the inexperienced cast, and low budget get in the way to frequently.
On positive thing that the movie brings to the table is the setting, being filmed at the boarding school where the book was "set" everything seems right. When they introduce the tree, you can't help but wonder if the novel's story is closer to non-fiction rather than fiction.
The movie makes an attempt to convey the symbolism found in the book, but without Gene's constant narration a viewer who hasn't read the book would find it very hard to grasp.
Although the movie makes an earnest attempt at greatness, the inexperienced cast, and low budget get in the way to frequently.
I went to a boarding school and this was the greatest book I ever read about boarding schools. However this movie is very weak version of the book. I wish they would make it again with a better cast. It just doesn't capture the magic of Knowles' writing.
The many negative comments on this elegant tale of the rites of adolescent angst insisted I watch again to see what they are talking about. These are teenagers so their actions aren't obliged to make sense. The pregnant pauses and alleged poor acting is awkward emotional teenage behavior mildly obscured because they're bright, articulate kids with lots of rivalries - but there is more going on here.
No one has even mentioned the emotional range of the very powerful snow-shoveling scene euphoria to unutterable sadness, screaming to silence: terrified kids. While the war is symbolic for the emotional swings of the children throughout the film it is very much less important as an influence.
Thematically what no reviewer seems to see here is the love story which foments the jealous, insecure, blind, ignorant savage underneath', illogical urge to strike out. When you don't know what else to do somebody's going to get hurt: these are scared, hormonal, vulnerable, lonely, forty's boys and coming out just isn't done.
Worse still - it may be unrequited love - even though it's just you and me buddy', and I'm good for you' and the beach is where you don't just come with anybody' and Finny's got himself and Gene undressed down to their underwear every chance he gets. Confusion reigns supreme afterward in the dorm when Gene - hasn't been the same since the beach' - and he's worried about something' unrevealed. And again later when he's wearing Finny's clothes and then again when he's stuttering on the phone.
Consider the reaction devastation when Finny thinks Gene might enlist and the ode to friendship that is the Winter Carnival where Gene wins all the gold - after training for the Olympics'. These boys are experiencing feelings which are strong and bubbling over all the time and they have no experience to cope with them.
The confession deals marvelously with the ethical problem of the selfish, sociopathic moment the stupid impulse the temporary insanity, when everything was changed forever, but in tears stops just short of Gene telling Finny he loves him. Then again in the hospital - a confession and forgiveness, but no relief from what the lad cannot express: there is no unraveling, no spilling his guts and no moment of truth.
Years later, all the fear and anger returned' - there is no peace, ever.
No one has even mentioned the emotional range of the very powerful snow-shoveling scene euphoria to unutterable sadness, screaming to silence: terrified kids. While the war is symbolic for the emotional swings of the children throughout the film it is very much less important as an influence.
Thematically what no reviewer seems to see here is the love story which foments the jealous, insecure, blind, ignorant savage underneath', illogical urge to strike out. When you don't know what else to do somebody's going to get hurt: these are scared, hormonal, vulnerable, lonely, forty's boys and coming out just isn't done.
Worse still - it may be unrequited love - even though it's just you and me buddy', and I'm good for you' and the beach is where you don't just come with anybody' and Finny's got himself and Gene undressed down to their underwear every chance he gets. Confusion reigns supreme afterward in the dorm when Gene - hasn't been the same since the beach' - and he's worried about something' unrevealed. And again later when he's wearing Finny's clothes and then again when he's stuttering on the phone.
Consider the reaction devastation when Finny thinks Gene might enlist and the ode to friendship that is the Winter Carnival where Gene wins all the gold - after training for the Olympics'. These boys are experiencing feelings which are strong and bubbling over all the time and they have no experience to cope with them.
The confession deals marvelously with the ethical problem of the selfish, sociopathic moment the stupid impulse the temporary insanity, when everything was changed forever, but in tears stops just short of Gene telling Finny he loves him. Then again in the hospital - a confession and forgiveness, but no relief from what the lad cannot express: there is no unraveling, no spilling his guts and no moment of truth.
Years later, all the fear and anger returned' - there is no peace, ever.
"A Separate Peace," in novel form, is a nicely paced story filled with deep, sometimes complex metaphors and symbols. It is not for the reader who prefers the path of least resistance; the majority of enjoyment in reading the book is in the process of decoding the story. But that's what book-to-film renditions are for, right? "A Separate Peace," in movie form, is not such a far cry from the book as far as storyline goes. Instead, it follows the key points of the story while ignoring additional details that would create depth within the novel. In essence, streamlining the content of the novel. Much like in Peter Jackson's "Lord of the Rings Trilogy" adaptation, "A Separate Peace" is short, sweet, and to the point.
Being from the early 70's, this movie should not be expected to have the "best" visuals. For what it is, the cinematography does a fantastic job of illustrating what was conjured into my mind as I read the book. As does the acting, which is remarkable- actual Devon (the school in which the story is set) students and faculty were casted for leading and supporting roles in the movie.
I personally found this movie both entertaining and well adapted in relation to the novel. I'd say that it is definitely worth watching for anybody who has read, is currently reading, or plans to read "A Separate Peace".
Being from the early 70's, this movie should not be expected to have the "best" visuals. For what it is, the cinematography does a fantastic job of illustrating what was conjured into my mind as I read the book. As does the acting, which is remarkable- actual Devon (the school in which the story is set) students and faculty were casted for leading and supporting roles in the movie.
I personally found this movie both entertaining and well adapted in relation to the novel. I'd say that it is definitely worth watching for anybody who has read, is currently reading, or plans to read "A Separate Peace".
The novel A SEPARATE PEACE is one of the benchmarks of American adolescent literature, second only to CATCHER IN THE RYE in terms of an accurate portrayal of 20th century young adult angst. The novel is a complex, ambivalent portrayal of friendship between two dissimalar friends at a stuffy New England boys' school during the opening years of WWII. The film version captures to a great extent the feel of the era and the New England setting, yet fails to really convey the conflicted feelings of Gene, the narrator in the book. The all-important scene in the tree is rendered in a murky manner; one not famililar with the book would be confused as to what had happened. And the confrontation scene in Phinney's house is poorly staged and interpreted. It's interesting to note that, with the exception of Parker Stevenson, none of these actors seem to have made good in their respective careers. Begs for a quality remake.
Did you know
- TriviaThe scene where the boys all suddenly start singing "Hitler has only got one ball" was unscripted. Director Larry Peerce continued filming to see how it played out, with the scene ending up in the final cut.
- How long is A Separate Peace?Powered by Alexa
Details
Box office
- Gross US & Canada
- $921,268
- Runtime
- 1h 44m(104 min)
- Sound mix
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