Count Dracula's pregnant granddaughter arrives at his castle, along with her husband, who is not a vampire. While she prepares to give birth to a new member of the Dracula line, her husband ... Read allCount Dracula's pregnant granddaughter arrives at his castle, along with her husband, who is not a vampire. While she prepares to give birth to a new member of the Dracula line, her husband secretly launches into a series of affairs with the Count's resident "brides."Count Dracula's pregnant granddaughter arrives at his castle, along with her husband, who is not a vampire. While she prepares to give birth to a new member of the Dracula line, her husband secretly launches into a series of affairs with the Count's resident "brides."
Tina Sáinz
- Berta
- (as Tina Sainz)
María Kosty
- Xenia
- (as Maria Kosti)
Heinrich Starhemberg
- Dr. Karl
- (as Henry Gregor)
Mimí Muñoz
- Sra. Petrescu
- (as Mimi Muñoz)
Betsabé Ruiz
- Stilla
- (as Betsabe Ruiz)
Ramón Centenero
- Tuerto
- (as Ramon Centenero)
José Riesgo
- Alguacil
- (as Pepe Riesgo)
Narciso Ibáñez Menta
- Conde Drácula
- (as Narciso Ibañez Menta)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This movie sure is awful. Despite spending $8.99 on it, I threw it in the trash, rather than watch it again.
The first 60 minutes or so isn't totally bad. There's a few creepy chills worked up over some vampires, who sometimes work their way up to the level of almost being scary. The female ones who decided to be nude got my attention, but even that enjoyment fluttered away quickly.
Things really go downhill when we meet Dracula, living in a castle with his 'family.' Dracula doesn't like biting people anymore, apparently, and just drinks blood out of wine glasses. And you thought bargain wines from the supermarket were bad.
The ending is so darn awful it defies description. If I'd been the producer and known it would end so poorly, I never would have let one frame be shot to begin with. The lead actress was good prior to this, but not even she could make the end believable - or tolerable - for one second.
Some directors of low-budget movies realize when their script calls for things their budget can't succeed at. This ending badly needed that wisdom, along with restoring Dracula to someone who preys and bites, not some old dude who drinks wine. You can find someone like that at almost any bar. Some of them are even scarier than Dracula is here.
Boo. As in hiss, not scary boo.
The first 60 minutes or so isn't totally bad. There's a few creepy chills worked up over some vampires, who sometimes work their way up to the level of almost being scary. The female ones who decided to be nude got my attention, but even that enjoyment fluttered away quickly.
Things really go downhill when we meet Dracula, living in a castle with his 'family.' Dracula doesn't like biting people anymore, apparently, and just drinks blood out of wine glasses. And you thought bargain wines from the supermarket were bad.
The ending is so darn awful it defies description. If I'd been the producer and known it would end so poorly, I never would have let one frame be shot to begin with. The lead actress was good prior to this, but not even she could make the end believable - or tolerable - for one second.
Some directors of low-budget movies realize when their script calls for things their budget can't succeed at. This ending badly needed that wisdom, along with restoring Dracula to someone who preys and bites, not some old dude who drinks wine. You can find someone like that at almost any bar. Some of them are even scarier than Dracula is here.
Boo. As in hiss, not scary boo.
This is another film I had never heard of until recently; being a devotee' of both the vampire subgenre and the "Euro-Cult" style I was instantly intrigued, especially since the copy I came across promised to be of a reasonably high quality, having been released on DVD through BCI – unfortunately, though, I had to make do with the substandard English-dubbing since the original Spanish version carried no accompanying subtitles! I was nonetheless rather disappointed by the end result, even if I should have been forewarned of this via the other titles I had watched from the director involved!; the fact that only one member of the cast (the ever-luscious Helga Line') was familiar to me did not help matters.
Incidentally, the general goofiness on display reminded me I had a number of vintage Mexi-Horror efforts still to catch up with; indeed, the film starts off with a truly weird scene in which the heroine (a descendant of the Draculas) dreams she is being literally menaced by a bat-man! There are several more scenes in this vein: one where it seems that all the inhabitants of a village are impaired in some way (hunchbacked, lame, half-blind, etc.), not to mention the presence of Dracula Jr. as a horrific Cyclops with webbed fingers! Bafflingly, while the seemingly obtuse villagers keep commending the Dracula family to the new arrival, they are surprised by this outburst of vampire attacks...duh!
For this reason, the entire family looks upon the heroine as the last hope of the vampire bloodline (even if she is not one herself), since the girl is pregnant by her lanky blond husband; when the couple finally arrive at Castle Dracula, she asks the keeper to show her the tomb of her grandmother where the coffins of the current members of the family are also plainly in sight, which she obviously finds not a little odd! Despite the expected emphasis on nudity (this was probably yet another example of an "International Version") and ghoulishness (with the color scheme intentionally on the dreary side), the film is both plodding (feeling much longer than it actually is) and slapdash (though intermittent 'filmed-through-a-gauze' shots seem at the very least to be intentional, albeit superfluous, or else inherent in the negative!).
Ultimately, one regrets the film not being somewhat better than it is, as the script appeared to be striving for something more than the usual blood-sucking fare: the whole ROSEMARY'S BABY (1968)-like subplot, the melancholic/philosophical tone adopted by the atypically elderly Count (though he reverts to camp at the very end when his disembodied head breaks up into laughter!), not to mention a climax in which the leading lady goes berserk and becomes the axe-wielding executioner of her own brood (even if she is herself mortally wounded in the massacre) though it all contrives to keep the Dracula name alive (after all) by feeding the infant with the dripping blood of its own mother!
Incidentally, the general goofiness on display reminded me I had a number of vintage Mexi-Horror efforts still to catch up with; indeed, the film starts off with a truly weird scene in which the heroine (a descendant of the Draculas) dreams she is being literally menaced by a bat-man! There are several more scenes in this vein: one where it seems that all the inhabitants of a village are impaired in some way (hunchbacked, lame, half-blind, etc.), not to mention the presence of Dracula Jr. as a horrific Cyclops with webbed fingers! Bafflingly, while the seemingly obtuse villagers keep commending the Dracula family to the new arrival, they are surprised by this outburst of vampire attacks...duh!
For this reason, the entire family looks upon the heroine as the last hope of the vampire bloodline (even if she is not one herself), since the girl is pregnant by her lanky blond husband; when the couple finally arrive at Castle Dracula, she asks the keeper to show her the tomb of her grandmother where the coffins of the current members of the family are also plainly in sight, which she obviously finds not a little odd! Despite the expected emphasis on nudity (this was probably yet another example of an "International Version") and ghoulishness (with the color scheme intentionally on the dreary side), the film is both plodding (feeling much longer than it actually is) and slapdash (though intermittent 'filmed-through-a-gauze' shots seem at the very least to be intentional, albeit superfluous, or else inherent in the negative!).
Ultimately, one regrets the film not being somewhat better than it is, as the script appeared to be striving for something more than the usual blood-sucking fare: the whole ROSEMARY'S BABY (1968)-like subplot, the melancholic/philosophical tone adopted by the atypically elderly Count (though he reverts to camp at the very end when his disembodied head breaks up into laughter!), not to mention a climax in which the leading lady goes berserk and becomes the axe-wielding executioner of her own brood (even if she is herself mortally wounded in the massacre) though it all contrives to keep the Dracula name alive (after all) by feeding the infant with the dripping blood of its own mother!
There are a lot of Dracula movies made around this time that were great . And this is not one them. This Dracula sequel unlike most Dracula sequels is not scary. It is badly written. Badly acted. It has an awful ending. Don't wast your money. Don't wast your time. Don't see this movie. It is about Dracula trying find his descendants who don't know he his a vampire. He trying to turn them into vampires. This could have been a good movie. If it was not so badly acted. So badly written and had such an awful ending. Pooh pooh, pooh pooh, pooh pooh, pooh pooh, and pee pee to. Don't see this movie. Don't see it. Don't see it Don't see it.
Euro-cult auteur, León Klimovsky hybridizes the bloodthirsty Bram Stoker legend with an appropriately giddy screamplay by writer, Lazarus Kaplan. Along with the original classic, Kaplan references further-flung flourishes of eastern European mythology, the tyrannical Transylvanian terror scourge of the Ottoman Empire Vlad Tepes, the ferocious, flint-faced impaler! An age-old yarn of a neglected count and his no less corrupted clan of deathly pallid, blood-lusting vampires, whose quite literally ailing bloodline is in desperate need of some fresh revivifying blood! None fresher than the unborn son of estranged niece, Berta(Tina Sainz), her visit to the ancestral castle with youthfully virile husband Hans(Tony Isbert) provides the genetic boost their vilely degenerated clan craves! That said, pretty, unsullied Berta might not be quite so keen to prolong the diabolically decadent lineage of her gravely disturbed family!
Iconic slo-mo impresario Klimovsky's deliciously doomy 'The Dracula Saga'is stylishly steeped in crepuscular Gothic glamour, with all the dark grandeur of vintage Hammer Films, plus an additionally erotic frisson of the perfectly pale, punishingly pretty Helga Line! Line's exquisitely exotic beauty makes her a truly irresistible succubus, happy to bare more than her fangs in order to beguile her all too obliging prey! Perhaps not an especially original 'stake' on the vampire mythos, 'The Dracula Saga' nonetheless takes a buxom bite out of the Stoker legend with a terrifying climax that goes straight for the jugular vein! Alongside the eternal genius of J. Sebastian Bach, you also have the mod mood music, and ominous organ of, Daniel J. White & A. Ramirez Angel, right on!
Iconic slo-mo impresario Klimovsky's deliciously doomy 'The Dracula Saga'is stylishly steeped in crepuscular Gothic glamour, with all the dark grandeur of vintage Hammer Films, plus an additionally erotic frisson of the perfectly pale, punishingly pretty Helga Line! Line's exquisitely exotic beauty makes her a truly irresistible succubus, happy to bare more than her fangs in order to beguile her all too obliging prey! Perhaps not an especially original 'stake' on the vampire mythos, 'The Dracula Saga' nonetheless takes a buxom bite out of the Stoker legend with a terrifying climax that goes straight for the jugular vein! Alongside the eternal genius of J. Sebastian Bach, you also have the mod mood music, and ominous organ of, Daniel J. White & A. Ramirez Angel, right on!
Count Dracula's granddaughter and her husband are invited to visit Grampa Drac and the family. She is pregnant and he wants an heir to carry on the family and their vampire ways. Funnily she does not look very pregnant until further on into the film. Set in Eastern Europe but the Spanish locations look Spanish, although these plus the costumes and interior sets do make it a rather colourful, costume movie. There are several pretty females who easily shed their clothes (breasts only, plus one male bottom), plus some cheap looking gore.Dracula does already have a male heir in the castle but years of inbreeding has produced a freak, one of the film's most memorable features.
The Dracula Saga is no classic Dracula movie but to those who like Euro curiosities then it is worth a watch.
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- ConnectionsFeatured in Brainscan (1994)
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- 1h 32m(92 min)
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