La poursuite sauvage

At first glance this would seem to be just another violent western of the same class as "The Wild Bunch". Look more deeply into the characters and you will find several interesting changes over the course of the movie. Each character shows a human and sometimes frail side that belies the hard person that they have become.

Indians led by a renegade kill William Holden's family, so he rides from Colorado to Mexico to pick out violent prisoners to lead in a vengeful raid.

This western remake of THE DIRTY DOZEN has some fine performers in its ranks, including Ernest Borgnine (who overacts), Woody Strode, Arthur Hunnicutt and, in her final film role, Susan Hayward sporting an Irish accent. There's a nice bit of writing, involving points that the earlier, better known movie often slides over: here, the violent criminals are not team players. The ending may look like they ran out of money for the production, or as if Holden wanted to get back to drinking in Africa, but it's decently set-up, and there are plenty of explosions.

Cinematographer Gabriel Torres shoots springtime Mexico in a style that suggests the Hudson Valley school of painting as it evolved in the second half of the 20th Century.

The Revengers is directed by Daniel Mann and written by Wendell Mayes and Steven W. Carabatsos. It stars William Holden, Ernest Borgnine, Woody Strode, Roger Hanin, Reinhard Kolldehoff, Jorge Luke, Jorge Martínez de Hoyos, Susan Hayward and Arthur Hunnicutt. A De Luxe Color/Panavision production, music is by Pino Calvi and cinematography by Gabriel Torres.

Colorado rancher John Benedict (Holden) hires six chain-gang convicts to find the white comancheros who led an Indian raid that massacred his family and friends.

It is pretty much a Western Dirty Half Dozen, with Holden getting to play the Lee Marvin role and Borgnine, stripped of the weight he was carrying when The Dirty Dozen was made in 1967, getting the chance to be one of the crims on a mission instead of the cameo role of General Worden in Robert Aldrich's macho magnificence.

Nicely filmed out of various Mexican locations, film is essentially dealing with a man so hell bent on revenge he comes to resemble the criminals he now rides with. But even crims have codes and ethics as well! Director Daniel Mann never really gets to grips with the character dynamics, leaving hanging the themes of surrogate fatherhood and slave stoicism, while an interim part of the play that sees Hayward nurse Holden back to health actually bogs down the picture, coming off as an excuse to pitch the two great actors together again.

Oh the performances of the cast are enjoyable, especially Borgnine who is having fun as a sly old grizzler, and Holden is as stoic and sternly professional as always, but nothing ever advances beyond being a bunch of blokes traversing the landscapes in readiness for a siege. Is the anticipated siege worth the wait? Actually yes it is, and it goes some way to explaining why the film hasn't fallen into the trough of stinky waters never to be used to quench the Western lovers thirst. But then! Something happens to make you think the Production Code was back in boorish operation. Pah! I imagine Peckinpah and Aldrich shed a frustrated tear at this point... 6/10

Elements of "The Revengers" are very familiar, though the overall package is reasonably original and engaging.

The story begins with the writer telegraphing what will soon happen. After all, John Benedict (William Holden) is deliriously happy as he returns home to his family on their ranch. You just KNOW something bad will soon happen...and it does. While John is at another part of the property, bandits arrive and massacre his wife, his four kids and a friend. Soon John vows to spend his remaining days looking for the scum who murdered these innocent souls...and it soon becomes an obsession, like Gregory Peck's character in "The Bravados".

To get revenge, however, Benedict cannot go off half-cocked. After all, a gang of bandits and renegade Indians did this, and it's not like he alone can take on these thugs. So, much like "The Professionals", Benedict goes to round up expert killers to help in his quest...and settles on prisoners ("The Dirty Dozen"). But it won't be easy...these men ARE killers and sociopaths! What's next? See the film.

There are a few minor problems with the film, such as how quickly and easily the hired killers seem to reform and buy in to Benedict's quest. Also, the kill ratio seems to be about 100:1 in the film....as he and his men seem more like Terminators due to their abilities to defeat other hardened criminals with apparent ease! But still, it is entertaining and well done....and you get a chance to see Susan Hayward in her final film, as cancer would claim her only a bit after doing this movie.

Definitely a cut above the average B western this US/Mexico production holds interest and features good production values. Daniel Mann's direction is solid with fine looking cinematography from Gabriel Torres, Oscar nominee screenplay writer Wendell Mayes (Anatomy of a Murder '59) lifts the dialogue slightly above average. William Holden has an active role for his age as a ranch owner and family man, driven to seek revenge and is well supported by Woody Strode and Ernest Borgnine, with Susan Hayward coming out of retirement to join the cast - scenes with Hayward and Holden are particularly well done.

Maybe not a great Western, still, far better than many others of its kind. The film did not fare well but just looking at the original advertising poster would turn most people off (promoted like a cheap Italian/Spanish thing) should have been sold much better.