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IMDbPro

Retraite mortelle

Original title: Pulp
  • 1972
  • PG
  • 1h 35m
IMDb RATING
5.9/10
3.1K
YOUR RATING
Michael Caine and Al Lettieri in Retraite mortelle (1972)
Watch Official Trailer
Play trailer2:04
1 Video
27 Photos
ParodyComedyCrimeDramaMysteryThriller

A seedy writer of sleazy pulp novels is recruited by a quirky, reclusive ex-actor to help him write his biography at his house in Malta.A seedy writer of sleazy pulp novels is recruited by a quirky, reclusive ex-actor to help him write his biography at his house in Malta.A seedy writer of sleazy pulp novels is recruited by a quirky, reclusive ex-actor to help him write his biography at his house in Malta.

  • Director
    • Mike Hodges
  • Writer
    • Mike Hodges
  • Stars
    • Michael Caine
    • Mickey Rooney
    • Lionel Stander
  • See production info at IMDbPro
  • IMDb RATING
    5.9/10
    3.1K
    YOUR RATING
    • Director
      • Mike Hodges
    • Writer
      • Mike Hodges
    • Stars
      • Michael Caine
      • Mickey Rooney
      • Lionel Stander
    • 54User reviews
    • 39Critic reviews
  • See production info at IMDbPro
  • Videos1

    Official Trailer
    Trailer 2:04
    Official Trailer

    Photos27

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    Top cast37

    Edit
    Michael Caine
    Michael Caine
    • Mickey King
    Mickey Rooney
    Mickey Rooney
    • Preston Gilbert
    Lionel Stander
    Lionel Stander
    • Ben Dinuccio
    Lizabeth Scott
    Lizabeth Scott
    • Betty Cippola
    Nadia Cassini
    Nadia Cassini
    • Liz
    Dennis Price
    Dennis Price
    • The Englishman
    Al Lettieri
    Al Lettieri
    • Miller
    Leopoldo Trieste
    Leopoldo Trieste
    • Marcovic
    Amerigo Tot
    Amerigo Tot
    • Partisan
    Robert Sacchi
    Robert Sacchi
    • The Bogeyman
    • (as Roberto Sacchi)
    Giulio Donnini
    • Typing Pool Manager
    Joe Zammit Cordina
    Joe Zammit Cordina
    • The Beautiful Thing
    Luciano Pigozzi
    Luciano Pigozzi
    • Clairvoyant
    Maria Cumani Quasimodo
    Maria Cumani Quasimodo
    • Office Manageress
    • (as Maria Quasimodo)
    Liù Bosisio
    Liù Bosisio
    • 1st Typist
    • (as Liu Bosisio)
    Cristina Gaioni
    Cristina Gaioni
    • 2nd Typist
    Janet Agren
    Janet Agren
    • Publisher's Receptionist
    Irene Sophie Opperman
    • Coach Hostess
    • Director
      • Mike Hodges
    • Writer
      • Mike Hodges
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews54

    5.93K
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    Featured reviews

    david-697

    A quirky movie which deserves a wider audience.

    While Hodges and Caine's 'Get Carter' has long since become a classic movie, it's follow up, 'Pulp' has been largely forgotten about. This is a shame, as, on it's on its own terms, and 'Pulp' is as rich a film. Like the previous movie, 'Pulp' is influenced by such noir writers as Chandler, Hammett and MacDonald (all three are referenced during the film), however, the big difference lies is the amount of comedy used. The first half is full of comic moments and (even though it does turn darker) comedy is ever-present.

    Most obviously, it's in the way the movie parodies such clichés as voice overs (people who complain of it's over use are, I think, missing the point, as the tension between King's voice over and the actual events help give the movie it's kick).

    Michael Caine's 'Micky King', is light-years away from his role as the vengeful 'Jack Carter', slightly pathetic, constantly trying to keep up with the plot, is an enjoyable performance, as is Mickey Rooney's over the hill movie star.

    The 'Loaded' generation who took 'Carter' into their hearts are never, ever going to understand this movie, but in its own quirky way, it's up there with such key 'seventies movies as 'The Long Goodbye' or 'Chinatown'.
    6WelshFilmCraze

    Rather bizarre comedy thriller.

    PULP re-teamed Actor Michael Caine and Director Mike Hodges just a year after their Box-Office hit and Modern Classic GET CARTER (1971)

    Anyone hoping for a Film that is up there with GET CARTER will be sorely disappointed as PULP fails to match the success and quality of the former.

    PULP has Michael Caine playing Mickey King a rather seedy Author of trashy Pulp Fiction who is hired by a reclusive and quirky former Actor Preston Gilbert (played with huge enthusiasm by Mickey Rooney) to ghostwrite his Autobiography.

    PULP was a big flop on its original release back in '72 and to a large extent I can understand why, very little actually happens in the Film and Caine's sarcastically witty narration - although funny - has to carry the entire Film - and it ends very suddenly which makes you think 'Oh, that's it then?' which is never a good sign.

    Filmed on the beautiful surroundings of Malta and Co-starring Lionel Stander and 40/50's star Lizabeth Scott with a rather pointless role played by Dennis Price (in one of his last roles) - PULP is worth watching, but it's never as good as it probably should have been and isn't a patch on GET CARTER.
    7richaud-2

    Memories of the film being made

    I was an extra in this film.. We had an hilarious time in Malta and the whole cast was great fun.. (I'm the blonde girl - tallest of them all - in the scene when they check in at the hotel..

    The whole film team was living at a hotel called the PRELUNA in Malta - fantastic place still. and someone managed to use a euro-plug in the British style sockets and short-circuited the whole hotel.. Everyone pretended not to know who!!

    The plot is weak but Rooney was great and Michael Caine is and will always be just Michael Caine.. He is good.. It's a pity you can't see this film on TV any more.. I have a real OLD video copy,.,,
    7jacegaffney

    I like it better than GET CARTER and here is why

    Mike Hodges' GET CARTER (1971) is, supposedly, a realistic gangster flick about a hit man, played by Michael Caine, who murders without demur and, indiscriminately, screws every bird in sight; yet, wells up at the thought that - is it his niece? - has been snatched up by a porno-movie ring. He systematically knocks off mob kingpins and we are invited to watch him do it - with cold-blooded relish.

    PULP is gangster related too, but pure Lewis Carroll in narrative plausibility; nevertheless, Caine's Mickey King is amusingly credible in the manner in which he drinks in the dream world that happens to him.

    PULP pulls off something that few films (including SUNSET BLVD., with the marvelous William Holden) are able to do. It makes an author its central character and you believe, from start to finish, that he is, in fact, a man of curiosity and invention, who makes his living by the employment of words.

    Among Hodges' other films, CROUPIER (1998) is closer to PULP than GET CARTER is because its protagonist's literary pretensions resemble King's habit of describing a shady milieu which operates in moral twilight. Both pictures suffer from direction too tightly melded to intriguing fictional conceits. However, the phlegmatic understatement of Caine's voice-over commentary (written by Hodges) is maintained impressively, the Malta locations and surprising russet colors - not to mention the freak-show supporting cast of Mickey Rooney, Lionel Stander, Lizabeth Scott, Dennis Price, Nadia Cassini's mile-long legs and, Bogart look-a-like, Robert Sacchi make it a must for connoisseurs of the truly offbeat.

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    bob the moo

    An OK idea falls flat long before end

    Mickey King is a jobbing writer, spitting out lurid gangster novels under various fake names with the usual mix of violence and sex making them sell. He is approached to ghost write for an unnamed Hollywood "legend" and, pocketing a nice advance for his troubles, he agrees. He travels by coach to meet his subject and meets several strange characters along the way. One of them ends up dead and King steps into the background to let the police find the body but keep himself out of it – however when the body seemingly disappears he is at a loss to explain it and unable to report it.

    A misfire this one but one that does have some reasonable ideas within it. The gimmick of king's narration versus what is happening and the simple view of his books versus the complex unfairness of reality is a nice idea but it does not translate into a good film. Those that really like the film (both of them) claim that this is not given enough credit because the majority of viewers don't "get" it but I beg to differ – I think it is rating "average" and remembered as such because of the film itself being just that – average. The gimmick wears thin when you realise that there is nothing else than a poorly delivered mystery. Towards the end there are themes and things of interest that vaguely start to drift out but by then it is too little too late. Comparing it to things like Chinatown is a joke and those that have suggested this have offered nothing by way of justification.

    The cast are mixed. Caine plays to play into his character and indeed he does get some moments of interest with his essentially harmless character, but as the material thins so does his performance. Rooney is interesting for playing an unusual character but offers little more than novelty value. The rest of the cast fill in around the edges in strange turns here and there. Malta as a setting is filmed with a real lack of interest and comes over as dry and colourless – a visual impression that does not help the material one little bit.

    Overall then an OK idea falls flat as it brings nothing else of interest to the room. Caine tires of it long before the end so it should be of no surprise if you the viewer do as well.

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Michael Caine writes in his autobiography that Lizabeth Scott was very insecure because, as she said to him, it was her first film in fifteen years.
    • Goofs
      In his narration, Michael Caine claims that five people were in their graves, as a result of the proceedings of the movie, but there were actually six: Preston Gilbert; the singer at Preston's banquet; the accordionist at the banquet; the servant at the poolside shooting ("the projectionist," according to Nadia Cassini); the old Italian who directed Caine to the beach; and of course, Jack Miller.
    • Quotes

      Mickey King: [voice-over] I am famous for such books as "My Gun is Long". I have many aliases. I am authors Susan Eager and Paul S. Coming. I am those and others. I am Paul Strong, Gary Rough and Les B. Han.

    • Crazy credits
      The words "The End" are 'incorrectly' typed and appear as "The Enf1/2".
    • Connections
      Featured in Assassin (1973)
    • Soundtracks
      Primitive People
      (uncredited)

      Music by Hugo de Groot

      De Wolfe Music Ltd

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    FAQ14

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    Details

    Edit
    • Release date
      • August 18, 1972 (United Kingdom)
    • Country of origin
      • United Kingdom
    • Languages
      • English
      • Italian
      • German
    • Also known as
      • Memoirs of a Ghostwriter
    • Filming locations
      • Malta
    • Production company
      • Three Michaels Film Productions
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 35m(95 min)
    • Color
      • Color
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.66 : 1

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