IMDb RATING
5.7/10
1.2K
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A Chinese immigrant, recently arrived in America, fights to free Mexican slaves from their cruel master.A Chinese immigrant, recently arrived in America, fights to free Mexican slaves from their cruel master.A Chinese immigrant, recently arrived in America, fights to free Mexican slaves from their cruel master.
Federico Boido
- Slim
- (as Rick Boyd)
Featured reviews
Shanghai Joe is just a regular Chinese guy who has moved to America to get a good job and live the dream. Sadly for Joe everyone he comes across is a racist moron who don't want Joe to get anywhere. Sadly for them Joe tends to lose his rag and beat everyone who crosses him into submission.
This film is a lot of fun. A lot of fun. For the first half of the film Joe just goes from job to job being harassed and doling out justice, but then he crosses the wrong guy (a slave trader) and from then on the heat is on, in the form of ugly Gordon Mitchell and uglier Klaus Kinski! Basically just one action set piece after another, this film does not disappoint. Its a nice merging of spaghetti western and martial arts and Mario Caiano isn't daft, as he gives us loads of both in an overtly violent way.
Honestly, for a spaghetti western this one is really high on violence. Wrists are broken and bones protrude, folk are drowned in boiling water, hands are cut off, torsos punctured by fists and Joe even manually removes a guy's eyeball! Entertaining stuff.
I had this in my collection for years and now wish I'd watched it sooner. It's on YouTube if you don't own it.
Also - Joe screams Eeeeeaaaaeeaagh before braining someone. Watch out for that.
This film is a lot of fun. A lot of fun. For the first half of the film Joe just goes from job to job being harassed and doling out justice, but then he crosses the wrong guy (a slave trader) and from then on the heat is on, in the form of ugly Gordon Mitchell and uglier Klaus Kinski! Basically just one action set piece after another, this film does not disappoint. Its a nice merging of spaghetti western and martial arts and Mario Caiano isn't daft, as he gives us loads of both in an overtly violent way.
Honestly, for a spaghetti western this one is really high on violence. Wrists are broken and bones protrude, folk are drowned in boiling water, hands are cut off, torsos punctured by fists and Joe even manually removes a guy's eyeball! Entertaining stuff.
I had this in my collection for years and now wish I'd watched it sooner. It's on YouTube if you don't own it.
Also - Joe screams Eeeeeaaaaeeaagh before braining someone. Watch out for that.
Shanghai Joe is a Chinese martial arts master who somehow finds himself in the racist Old West. Of course, Joe is pushed to his breaking point by them racist white folk, so he starts kicking honky ass left and right. Fast-paced and incredibly violent, 'The Fighting Fists of Shanghai Joe' is the kind of mindless entertainment that Spaghetti Western fans love. Klaus Kinski shows up to get his ass handed to him and add some star power to the proceedings...well, star power in our minds. Bruno Nicolai rips off his score to 'Have a Good Funeral, My Friend' but it's so good you won't care.
This one is a real oddity, a martial arts western, with a small role for the ever evil Klaus Kinski as the bounty hunter set to go and kill our Hero Joe.
Joe arrives in San Francisco, and instead of meeting the people of the land of the free he meets the land of the racists, and his troubles only just start to begin.
Joe is far to nice for his own good, polite and well-mannered, thats until he needs to defend his life and then his fists of fury unleash some retribution.
A lot of fun.
Joe arrives in San Francisco, and instead of meeting the people of the land of the free he meets the land of the racists, and his troubles only just start to begin.
Joe is far to nice for his own good, polite and well-mannered, thats until he needs to defend his life and then his fists of fury unleash some retribution.
A lot of fun.
"The Fight Fists of Shanghai Joe" (1973) sounds like one of those awful genre bending films that repeatedly crop up over the years; however this kung-fu Spaghetti Western is actually pretty decent and has certain similarities with the television series "Kung Fu" with David Carradine. It is directed by Mario Caiano, who made a number of Spaghetti Westerns, and stars Chen Lee as the eponymous Shanghai Joe.
The story is straightforward, almost verging on the simplistic. Joe is a recent immigrant from China to San Francisco, where, in search of work, he heads to Texas. Here he gets on the wrong side of a powerful, racist rancher, Stanley Spencer (Piero Lulli), after he witnesses the massacre of Mexican slave labourers.
This Western tries to say some interesting things about the West, and how Chinese immigrants helped do a lot of the "dirty" jobs that Whites wouldn't do. Sadly, most of this is drowned under its comic book style and some pretty bad kung-fu. Yet it does have some good parts: most of the action scenes come with Peckinpah-esque slow motion and exploding, bloody squids. Some of the violence is pretty strong too, with Lee pulling a bad guy's eyes out on screen. But due to its light-hearted mode, it never feels dark or repellent. In fact, it is all rather comic, lacking the seriousness as "Django Kill, If You Live, Shoot!" (1967) has from its strong violence.
Acting wise, Chen Lee is probably as wooden as his martial arts, but Piero Lulli makes a fine villain and Klaus Kinski's virtually cameo-like role is memorable. The scene where the Mexicans are killed is well-directed, as are a number of other action scenes, sufficient enough to make sure that the Western is at least fast paced.
It isn't a brilliant piece of cinema, but as the Spaghetti Western genre went down the drains, it is refreshingly old fashioned in a way, occasionally recalling the past Golden Era of the late sixties that makes it worth checking out for the Spaghetti Western enthusiast.
The story is straightforward, almost verging on the simplistic. Joe is a recent immigrant from China to San Francisco, where, in search of work, he heads to Texas. Here he gets on the wrong side of a powerful, racist rancher, Stanley Spencer (Piero Lulli), after he witnesses the massacre of Mexican slave labourers.
This Western tries to say some interesting things about the West, and how Chinese immigrants helped do a lot of the "dirty" jobs that Whites wouldn't do. Sadly, most of this is drowned under its comic book style and some pretty bad kung-fu. Yet it does have some good parts: most of the action scenes come with Peckinpah-esque slow motion and exploding, bloody squids. Some of the violence is pretty strong too, with Lee pulling a bad guy's eyes out on screen. But due to its light-hearted mode, it never feels dark or repellent. In fact, it is all rather comic, lacking the seriousness as "Django Kill, If You Live, Shoot!" (1967) has from its strong violence.
Acting wise, Chen Lee is probably as wooden as his martial arts, but Piero Lulli makes a fine villain and Klaus Kinski's virtually cameo-like role is memorable. The scene where the Mexicans are killed is well-directed, as are a number of other action scenes, sufficient enough to make sure that the Western is at least fast paced.
It isn't a brilliant piece of cinema, but as the Spaghetti Western genre went down the drains, it is refreshingly old fashioned in a way, occasionally recalling the past Golden Era of the late sixties that makes it worth checking out for the Spaghetti Western enthusiast.
Minor, enjoyable and surprisingly violent Spaghetti Western, one of a clutch of such efforts embellished with an Oriental touch in the form of a martial-arts exponent hero (as can be gathered from the title). The film was enough of a success to boast a sequel THE RETURN OF SHANGAI JOE (1975).
Chen Lee is the typical meek Oriental who becomes deadly when provoked; we're given plenty of opportunity to see him at work here, particularly after he falls foul of a slave trader. The latter despatches four ruthless assassins to exterminate the Chinaman three of whom are played by well-known actors and popular Euro-Cult figures of the era: Gordon Mitchell, Giacomo Rossi-Stuart and Klaus Kinski, the other by Robert Hundar (ill-fated hero of CUT-THROATS NINE [1972], which actually preceded this viewing!). Kinski receives second-billing but his contribution lasts all of 7 minutes (and he only turns up 68 minutes into the film!).
Eventually, we learn that the title character is one of only two masters of a specific martial arts technique so, naturally, the boss eventually calls on his equal to fight the hero! The most violent moments occur when Joe gouges the eye of one of the hired killers a scene which surely must have inspired Quentin Tarantino for his KILL BILL (2003/4) saga and the confrontation between the two Orientals, which involves dismembered limbs and busted torsos! As usual for films of this genre, the music score is a notable asset which is here provided by Bruno Nicolai.
Chen Lee is the typical meek Oriental who becomes deadly when provoked; we're given plenty of opportunity to see him at work here, particularly after he falls foul of a slave trader. The latter despatches four ruthless assassins to exterminate the Chinaman three of whom are played by well-known actors and popular Euro-Cult figures of the era: Gordon Mitchell, Giacomo Rossi-Stuart and Klaus Kinski, the other by Robert Hundar (ill-fated hero of CUT-THROATS NINE [1972], which actually preceded this viewing!). Kinski receives second-billing but his contribution lasts all of 7 minutes (and he only turns up 68 minutes into the film!).
Eventually, we learn that the title character is one of only two masters of a specific martial arts technique so, naturally, the boss eventually calls on his equal to fight the hero! The most violent moments occur when Joe gouges the eye of one of the hired killers a scene which surely must have inspired Quentin Tarantino for his KILL BILL (2003/4) saga and the confrontation between the two Orientals, which involves dismembered limbs and busted torsos! As usual for films of this genre, the music score is a notable asset which is here provided by Bruno Nicolai.
Did you know
- TriviaThe scene in which Gordon Mitchell's character sings "Chin-Chin Chinaman" while carrying a shovel was improvised on the spot by Mitchell. He also created the song.
- GoofsIn the scene where Shangai Joe is in the bullfighting arena, at one point a red cape for attracting the bull's attention is visible.
- Quotes
Scalper Jack: Do you know who I am?
Doctor: Yes I know and I wish I didn't.
- ConnectionsFeatured in Car ils sont sans pitié (2006)
- How long is The Dragon Strikes Back?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Shanghai Joe
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 37m(97 min)
- Sound mix
- Aspect ratio
- 2.35 : 1
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