Je suis un monstre

This movie is a version of Dr Jekyll and Mr Hyde as done in a full-on horror treatment by Amicus, in a decade when other versions of the tale appeared (Dr Jekyll and Sister Hyde, Dr Heckyl and Mr Hype ...)

Christopher Lee plays the two-sided character with his usual manic energy, while Peter Cushing is his nemesis, sent to rid the world of the unwelcome evil spirit.

Set in dark corners and oppressive places, the story is given a welcome facelift with the new horror slant. The result is engrossing and enjoyable; this is a good film and a good version of a much-filmed piece.

This is an enjoyable as well as lurid chiller , including a fine portrayal of the notorious double-identity , very authentic-seeming Victorian settings , savoir faire performances and results to be a pretty nice rendition . Dr Marlowe (Christopher Lee who tackles a double role of the title character , and gives one of his best acting) is obsessed with Freudian theories , the nature of the id , the ego and the superego and whether they can be separated within an individual . Marlowe uses his experiments with intravenous drugs that are supposed to release inner inhibitions , causing Pulfrich effect , it leads to his metamorphosis development , some good and evil sides to his personality . He transforms into Mr. Blake (Christopher Lee) who prowls the seedy slums of Victorian London -Soho- to satisfy his dark instincts and nasty desires . Then his friend Frederick Utterson (Peter Cushing) suspects when take place grisly killings .

This is a largely faithful reworking of Robert Stevenson's classic story , tiring at times , though . The character names may have changed but this is still ¨Dr Jekyll and Mr Hyde¨. Although given the source novel, it is unclear why the names of the central character have been changed . Very good acting by Christopher Lee as Dr Marlowe who injects himself with his secret formula and is transformed into Mr Blake . Lee gives one of the best interpretations that the cinema of horror has offered him in a 60-year career . Frequent co-protagonist Peter Cushing is top-notch as usual , playing as his colleague and friend . Adequate and atmospheric cinematography , filmed in Shepperton studios , originally in 3D , some clever camera work and choreography that keeps the foreground moving to the right and the background moving left makes this possible. Thrilling and atmospheric musical score by Carl Davis . The film was efficiently produced by Max J. Rosenberg and Milton Subotsky from Amicus factory , they were usual producers of terror genre .

The motion picture was well directed by Stephen Weeks , though Peter Duffell refused the offer to direct this project . Weeks was one of two young British directors to emerge in the terror field in the late sixties , the other , Michael Reeves died at 25 . He began his professional film career at age 17, directing a series of short films . He made his film cinema short film, 'Moods of a Victorian Church' (1967) at age 19, and his first cinema drama, a film set in the First World War in France '1917' . Dr Jekyll and Mr Hyde was Stephen's second picture at age of 22 and he realized other horror films such as ¨Madhouse mansion¨ or ¨Ghost story¨(1979) and adventure movie such as ¨Gawain and the Green Knight¨ (1973) and its remake ¨Sword of the valiant¨ (1983) also with Peter Cushing . Rating : 6,5/10 . Well worth watching for Christopher Lee and Peter Cushing fans .

Other pictures based or inspired on ¨Dr Jekyll and Mr Hyde¨ novel are the followings : 1920 silent retelling and first American one by John Robertson with John Barrymore ; 1932 retelling by Robert Mamoulian with Frederic March , Miriam Hopkins ; 1941 version by Victor Fleming with Spencer Tracy , Ingrid Bergman , Lana Turner , Donald Crisp ; 1968 TV take on by Charles Jarrott with Jack Palance , Denholm Elliott , Oscar Homolka ; 1973 adaptation by David Winters with Kirk Douglas , Donald Pleasence , Michael Redgrave , Susan George ; 1971 ¨Dr Jekyll and sister Hyde¨ by Roy Ward Baker with Ralph Bates and Martine Beswick ; 1971 ¨Dr Jekyll and Wolfman¨ by Leon Klimovsky with Paul Naschy , Shirley Corrigan , Jack Taylor ¨Edge of sanity¨(1989) by Gérard Kikoïne with Anthony Perkins , Glynis Barber and most latter-day recounting as 1995 ¨Dr Jekyll and Miss Hyde¨ by David Price with Timothy Daly , Sean Young , Lysette Anthony and ¨Mary Reilly¨ (1996) by Stephen Frears with John Malkovich , Julia Roberts , Michael Gambon . Furthermore , comical films such as ¨The Nutty Professor¨(1963) with Jerry Lewis and Stella Stevens ; ¨The nutty professor¨ (1996) by Tom Shadyac with Eddie Murphy and Jada Pinkett Smith and ¨Nutty Professor II: The Klumps¨(2000) by Peter Segal with Eddie Murphy and Janet Jackson .

In the Nineteenth Century, in London, the psychologist Charles Marlowe (Christopher Lee) researches a new drug capable to release inhibitions and uses his patients as guinea pigs. He discusses the principles of Freud with his friend Dr. Lanyon (Richard Hurndall) and decides to experiment his drug in himself. He becomes the ugly and evil Edward Blake and his friend and lawyer Frederik Utterson (Peter Cuhsing) believes Blake is another person that might be blackmailing Charles. Meanwhile Charles loses control of his transformation.

"I, Monster" is another version of the classic story of Dr. Jekyll & Mr. Hyde. The art direction is very beautiful and the great attractions are certainly Christopher Lee and Peter Cushing. My vote is six.

Title (Brazil): "O Soro Maldito" ("The Damned Serum")

I, MONSTER is Amicus Studios' version of Robert Louis Stevenson's Dr. Jekyll And Mr. Hyde.

Dr. Marlowe (Christopher Lee) is working on a serum that will bring out the dark side of human nature. Using Freud as his guide, Marlowe uses his concoction on a female test subject, turning her from prim and proper to the exact opposite thereof. After another successful test on an ill-tempered man, Marlowe tries the serum out on himself.

Needless to say, the effects are dramatic, transforming the mild-mannered Marlowe into an id-driven maniac with only base desires on his mind. He heads for the seedier part of town where he can do as he pleases without regard or remorse.

As in the original tale, no good comes of this, as Marlowe slides ever deeper into the abyss. Not even children's lives are spared. A colleague (Peter Cushing) suspects Marlowe and sets out to stop him.

Lee and Cushing are always good together and this is no exception. This fairly faithful take on the source material highlights both men's strengths. Definitely one of Amicus' better movies...

With this feature, Amicus Studios (a British production company founded merely to cash in on the huge success of contemporary competitor Hammer, though with lower budgets and mainly specializing in anthology films) attempted to present its very own adaptation of the legendary and numerously retold novel "Dr. Jekyll and Mr. Hyde", by Robert Louis Stevenson. However, "I, Monster" turned out to be a rather curious movie and I honestly can't say for sure what it was that Amicus wanted to achieve and whether or not they succeeded in their effort. At first I assumed "I, Monster" was going to be only loosely inspired by the classic story, since there already are so many reminiscent versions available on the market and even more so because the screenplay changes the names of the protagonist from Dr. Jekyll and Mr. Hyde into Dr. Marlowe and Mr. Blake. But then it rapidly becomes obvious that this is actually one of the faithful adaptations of Stevenson's story, so that can't be an option. On a slightly off-topic note, in case you are looking for an offbeat and extremely loose interpretation of the same story, you can turn to the aforementioned Hammer again and check out "Dr. Jekyll and Sister Hyde". Maybe the original mission was to make the very first 3-D version of "Jekyll and Hyde", but that idea got abandoned in a fairly early stage as well and it's only still noticeable in some minor visual and cinematographic details. So, basically, all that remains is another redundant but nevertheless worthwhile re-enactment of a fantastic tale, once more pairing two of the greatest horror actors ever (Peter Cushing and Christopher Lee) and competently directed by one of the youngest filmmakers of that time. Stephen Weeks was still in his early twenties in 1971. I bet it must be a truly unique experience to give Lee and Cushing instructions on a film set on that age...

Lee and Cushing don't deliver their greatest performances here (far from it actually), but even at their most mediocre they nonetheless remain a joy to behold. Lee stars as Dr. Marlowe, a successful psychiatrist and devoted disciple of Sigmund Freud's theories. He firmly believes that mental illnesses can be caused by the repression of the true human nature (which is vile, mean and aggressive) and that both sides of the personality can easily be separated. He develops a drug, experiments on himself and gradually turns into a more relentless and incurable monster after each injection. His friends, including Peter Cushing as his attorney, want to help Dr. Marlowe but they automatically assume this mysterious Mr. Blake is an entirely different persona. The overall story is commonly known and this version doesn't feature any noteworthy differences. The doctor's transformations - mentally as well as physically - grow more monstrous, but the remarkable thing is he is the scariest during the earliest phases! Near the film's climax, Christopher Lee looks unrecognizable and heavily deformed but after the first couple of drug dosages he simply puts on a menacing and genuinely unsettling Joker-type of smile. Can you imagine Christopher Lee with a big smile like that? Now, THAT is scary stuff!