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5.6/10
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A group of experienced archeologists are searching for an old and mystic Phoenician treasure when they are surprised by a series of mysterious murders...A group of experienced archeologists are searching for an old and mystic Phoenician treasure when they are surprised by a series of mysterious murders...A group of experienced archeologists are searching for an old and mystic Phoenician treasure when they are surprised by a series of mysterious murders...
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Take my word on this
Tower of Evil is a MUST SEE if you're an admirer of raw, vicious and undiscovered horror. This film is so much fun I can't believe I just found out about it now! It's cheap and nasty, but very imaginative and spirited! Tower of Evil is appropriately set on a deserted island, carrying many secrets. After discovering the mutilated corpses of 3 teenagers and one severely traumatized survivor, an expedition team is sent to the island. An older sailor and a young handsome stud, both obviously keeping a few secrets hidden, guide the team. But the members of the expedition are more dealing with sexual intrigues and relational problems anyway. They encounter a savage caveman, severely decomposed human leftovers and authentic hidden treasures! Yay!! Horror with a twitch of adventure! The plot of `Tower of Evil' isn't exactly solid or logical, but director O'Connolly manages to create suspense nonetheless. Due to the isolated and raw location of the Snape Island, you feel trapped there along with the main characters. For the fans of typical 70's horror, there are several gruesome moments to enjoy as well as some ultra-sexy sleaziness. For example, one of the main actresses constantly wears a bikini-top, which ranks as one of the hottest ones since Raquel Welsh's in `One Billion Years B.C.'. `Tower of Evil' is a true gem of the ignored horror vaults and real fans can't afford to miss it!
To me, this seemed like a bloody episode of Scooby Doo-really! It has funky swinging 70s styles, spooky, misty locations, and lots of plot twists. But, the flick is also loaded with gory murders done with a funky type machete. Three teens are found hacked up on Snape Island. Did their friend Penny do it, or did someone else? Some people go to explore the quiet, mysterious island only to be stalked and chopped up one by one. Really scary and sick, with some great surprises. Jill Haworth and Anna Palk are good-looking chicks, and the murderer in this movie was genuinely frightening. Despite cruddy picture and ok sound, this is a definite winner. Too bad I don't own the DVD yet. I only own one of the old video versions. Just hunt this movie down, and see it!
This is a movie for anyone who loves English horror films from the early 70's--and that should mean you!! A fog enshrouded island, a derelict lighthouse, plenty of blood, sex and dated slang--oh yeah it's here in abundance!! Don't listen to the other reviewers when they say this film would have been better if it had been made with today's effects and a larger budget. This film becomes better because it was made on a tighter budget, when the crew had to come up with inventive ways to create atmosphere, menace and a sustained mood. All of these things drip from every frame of this film and the cast is actually very good and even features George Couloris (of Citizen Kane fame) in a short but blood filled cameo at the start of the film and Jill Haworth, who had prior to this film starred in such acclaimed flicks as "Exodus" and the Broadway version of "Cabaret". Forget those films though this is the highlight of her career--everything else was just practice for this baby!! Some might say I'm going too far but that would be wrong. The twists in this film are truly fun and surprising and the musical score adds a real sense of unease to the well directed carnage and misty vistas (hats off to Jim O'Connolly!) So what are you waiting for--this is now out on DVD and looks crisp and vivid. Get it and see how good horror films were not all that long ago!
It's flower power in the tower, as four swingin' hippies land on Snape island in order to get their groove on. Oh no! All mellows are harshed as a mad killer arises to bum their collective trip.
Later, a team of archaeologists arrives on the scene. Can they get to the bottom of the mystery massacre, or will they too be slaughtered by the hideous, giggling inhabitant of Snape island?
TOWER OF EVIL is a magnificent opus of longhairs, murder, and gratuitous nudity. Co-stars Brian Jones / Mick Jagger hybrid, Robin Askwith as Des. A delirious delight...
Later, a team of archaeologists arrives on the scene. Can they get to the bottom of the mystery massacre, or will they too be slaughtered by the hideous, giggling inhabitant of Snape island?
TOWER OF EVIL is a magnificent opus of longhairs, murder, and gratuitous nudity. Co-stars Brian Jones / Mick Jagger hybrid, Robin Askwith as Des. A delirious delight...
TOWER OF EVIL
Aspect ratio: 1.85:1
Sound format: Mono
Whilst searching for ancient treasure on a lighthouse-island off the British coastline, an archaeological expedition becomes isolated from the mainland and is stalked by a monstrous assassin.
A trash classic from the heyday of British exploitation, TOWER OF EVIL was helmed and written by Jim O'Connolly, a journeyman director whose career peaked several years earlier with THE VALLEY OF GWANGI (1968), one of Ray Harryhausen's best films. Thrown together on a microscopic budget, and based on a script by novelist George Baxt (responsible for such memorable British thrillers as CIRCUS OF HORRORS, THE CITY OF THE DEAD and NIGHT OF THE EAGLE), "Tower..." hedges its commercial bets by emphasizing a couple of high profile cameos (Dennis Price and Anthony Valentine) and foregrounding liberal doses of self-conscious nudity and gore. The opening scenes - in which crusty sea dogs Jack Watson and George Coulouris visit the eponymous lighthouse and stumble on a series of mutilated corpses - sets the tone for much of what follows, and while the main cast are pretty colorless, their mutual antagonism (borne from a convoluted history of infidelity) adds much-needed shading to the basic narrative outline.
Mounted on sparse but effective studio sets (designed by THE Italian JOB's Disley Jones), and photographed by veteran cinematographer Desmond Dickinson - a major player in the glory days of British cinema, whose resumé includes everything from Olivier's HAMLET (1948) to THE IMPORTANCE OF BEING EARNEST (1952), HORRORS OF THE BLACK MUSEUM (1959) and A STUDY IN TERROR (1965) - the film is cheapened at every turn by amateurish dialogue and threadbare visual effects (no attempt is made to disguise back-projected elements during scenes on the 'open sea', for instance), but these cut-price elements have simply contributed to the film's enduring appeal. Besides, the movie makes few pretensions to 'Art', and O'Connolly stages the major set-pieces with real technical savvy, culminating in a 'twist' ending which seems to have inspired a similar plot development in Tom De Simone's superior HELL NIGHT (1981).
The cast is toplined by Bryant Haliday (a favorite of producer Richard Gordon), former Broadway actress Jill Haworth (THE HAUNTED HOUSE OF HORROR), Mark Edwards (BLOOD FROM THE MUMMY'S TOMB) and Derek Fowlds (TV's "Yes, Minister"), while the younger players include Robin Askwith (already a movie veteran, long before his appearance in the "Confessions..." films), physique model John Hamill (a familiar face in UK exploitation movies of the 1970's, and later the co-writer of Bob Clark's TURK 182!), Candace Glendenning (SATAN'S SLAVE) and the late Anna Palk (in her last screen appearance), all of whom are featured in various states of undress. The film was originally screened in the US as HORROR ON SNAPE ISLAND, and later reissued as BEYOND THE FOG.
NB. Interested viewers should check out Simon Hunter's LIGHTHOUSE (1999) - originally released in the US as DEAD OF NIGHT - an outstanding British shocker which covers the same territory, but to much greater effect.
Aspect ratio: 1.85:1
Sound format: Mono
Whilst searching for ancient treasure on a lighthouse-island off the British coastline, an archaeological expedition becomes isolated from the mainland and is stalked by a monstrous assassin.
A trash classic from the heyday of British exploitation, TOWER OF EVIL was helmed and written by Jim O'Connolly, a journeyman director whose career peaked several years earlier with THE VALLEY OF GWANGI (1968), one of Ray Harryhausen's best films. Thrown together on a microscopic budget, and based on a script by novelist George Baxt (responsible for such memorable British thrillers as CIRCUS OF HORRORS, THE CITY OF THE DEAD and NIGHT OF THE EAGLE), "Tower..." hedges its commercial bets by emphasizing a couple of high profile cameos (Dennis Price and Anthony Valentine) and foregrounding liberal doses of self-conscious nudity and gore. The opening scenes - in which crusty sea dogs Jack Watson and George Coulouris visit the eponymous lighthouse and stumble on a series of mutilated corpses - sets the tone for much of what follows, and while the main cast are pretty colorless, their mutual antagonism (borne from a convoluted history of infidelity) adds much-needed shading to the basic narrative outline.
Mounted on sparse but effective studio sets (designed by THE Italian JOB's Disley Jones), and photographed by veteran cinematographer Desmond Dickinson - a major player in the glory days of British cinema, whose resumé includes everything from Olivier's HAMLET (1948) to THE IMPORTANCE OF BEING EARNEST (1952), HORRORS OF THE BLACK MUSEUM (1959) and A STUDY IN TERROR (1965) - the film is cheapened at every turn by amateurish dialogue and threadbare visual effects (no attempt is made to disguise back-projected elements during scenes on the 'open sea', for instance), but these cut-price elements have simply contributed to the film's enduring appeal. Besides, the movie makes few pretensions to 'Art', and O'Connolly stages the major set-pieces with real technical savvy, culminating in a 'twist' ending which seems to have inspired a similar plot development in Tom De Simone's superior HELL NIGHT (1981).
The cast is toplined by Bryant Haliday (a favorite of producer Richard Gordon), former Broadway actress Jill Haworth (THE HAUNTED HOUSE OF HORROR), Mark Edwards (BLOOD FROM THE MUMMY'S TOMB) and Derek Fowlds (TV's "Yes, Minister"), while the younger players include Robin Askwith (already a movie veteran, long before his appearance in the "Confessions..." films), physique model John Hamill (a familiar face in UK exploitation movies of the 1970's, and later the co-writer of Bob Clark's TURK 182!), Candace Glendenning (SATAN'S SLAVE) and the late Anna Palk (in her last screen appearance), all of whom are featured in various states of undress. The film was originally screened in the US as HORROR ON SNAPE ISLAND, and later reissued as BEYOND THE FOG.
NB. Interested viewers should check out Simon Hunter's LIGHTHOUSE (1999) - originally released in the US as DEAD OF NIGHT - an outstanding British shocker which covers the same territory, but to much greater effect.
Did you know
- TriviaThe film was re-released in the US under the title "Beyond the Fog" in 1980. The reason for the new title was an attempt to capitalize on the success of John Carpenter's hit horror film Fog (1980).
- GoofsUnder hypnosis, Penny "recalls" incidents from the island she did not witness.
- Quotes
Nora: Brom, do you think you could escort me to the bedroom, protect me from things that go bang in the night?
Rose Mason: What're you waiting for, an engraved invitation?
- Alternate versionsThe original UK cinema version was cut by the BBFC to heavily edit shots of stabbings, a lovemaking scene, and scenes of a man on fire. Later versions were uncut, though the 2005 DVD featured a re-edited print which had no censor cuts but gained/lost extra scenes through print damage and some restoration.
- ConnectionsFeatured in Mad Ron's Prevues from Hell (1987)
- How long is Tower of Evil?Powered by Alexa
Details
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- Country of origin
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- Also known as
- Le Vampire de l'île du diable
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Box office
- Budget
- $400,000 (estimated)
- Runtime
- 1h 29m(89 min)
- Sound mix
- Aspect ratio
- 1.85 : 1
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