Requiem pour un espion

Lamont Johnson worked a lot in television but he also directed some interesting films that should be better known; A Covenant with Death, The McKenzie Break, The Last American Hero, You'll Like My Mother and Lipstick. (Even Spacehunter: Adventures in the Forbidden Zone has its felicities!) The Groundstar Conspiracy is a low budget but fast moving thriller with a few twists and turns until the tense ending. All the elements of music, photography and dialogue are pulled together neatly to serve the narrative's momentum.

The plot may strain a little at the edges but the film is helped along by some good acting. Michael Sarrazin as the accused man is convincing. You can feel his terror and his bewilderment. Sarrazin's face helps, it looks beat about and haunted. George Peppard as the government man gives one of his best performances. A real hard case, driven almost by paranoia, single minded and ready to do anything to keep the state secure. Christine Belford and Cliff Potts are good too. It's a good little film.

A super secret space research plant is blown up with all its six responsible members of the team, but one manages to get out of the inferno alive, although there is not much left of him, least of all a face. The story of John Welles, played by Michael Sarrazin, is intriguing indeed, as he finds himself without identity and memory as he is returned to life by extreme surgical efforts supervised by George Peppard as the man in charge of the investigation of the disastrous sabotage. As Michael is the sole survivor and the only one left who could have known about the secrets of the plant and why it was blown up (for the purpose of selling its secrets abroad), George Peppard has every reason to be extremely concerned about his case and bringing not only the survivor back to life but also and above all his memory. This proves more or less impossible.

This is the beginning of the plot, which leads into an abyss of mysteries and thickening intrigue unto the very last moment, when everything clears. It's an ingenious story, and although the environment of the film is dreadful, bunker prisons of mammoth overwhelmingness, it is nevertheless highly recommendable, and there is Christine Belford to add some necessary softer touch to the dreadfulness and inhumanity, which unfortunately is the dominating element of the film; and when Michael finally gets even with George Peppard, even that infallible dictator must admit that he deserved it.

This is the best Peppard performance. Is that saying much? Probably not, but he's fairly mesmerizing as an incredibly ruthless investigator whose superiors "only talk to God." Think "Banacek" without one shred of charm and you'll be about halfway there. The film shows its cheapjack TV movie origins in many ways, but the script is tight and the supporting cast (especially Belford doing a nice Rita Hayworth impression) is way above average. It's always been fashionable to hate Sarrazin, but today he'd be Keanu Reeves. Think about it.

This is truly one of my all time favourites. I hadn't written a review of it until now because I had been concentrating on newer films, but I just got through watching it again with my Dad. I had almost forgotten how awesome it was. I was VERY fortunate to score the Anchor Bay DVD just before it went OOP. Hard to believe that now it is going for over $70 used, if you can find it.

Anyway, George Peppard has always been one of the coolest guys, at least in his Pre-A Team days, and especially early on (check out some of the Banacek episodes if you have a chance. The Pilot is particularly good. And YES... I do have both the Pilot and 2 seasons : )

Michael Sarrazin has always been pretty slick too, and he is good here. But, it is primarily the great story that REALLY makes this film special. Also, I think the director did a particularly good job in keeping the pace and action very tight and the mood suspenseful and involving. I personally feel that it was one of THE very best Thrillers made around that time. It is much better than it's current rating of 6.x in my lowly and wretched opinion. I easily give it a strong '8'

HIGHLY RECOMMENDED! (if you can ever get your hands on it : )

A super secret government space program laboratory known as Groundstar gets blown up while a woman, (Christine Belford) whose parents have recently died and is also recently divorced tries to find some solace for her shattered life in the summer house she was left in the will which just happens to be in the direct vicinity of the above mentioned lab. The lone "survivor" of the explosion stumbles to her house with a disfigured face followed by government security guru George Peppard and his crew who take him away to a high security hospital. Was he responsible for the explosion? The next time we see him, he turns out to be Michael Sarrazin. And what follows is a moderately intriguing story that delves into some of then, today's, and for all times big issues, such as unchecked government surveillance, brutal interrogation techniques, and brainwashing. The deft intermingling of personal elements with the government security apparatus and some political and public relations angles makes for a fairly sophisticated and complex movie.