Les Crapauds

While it's pretty obvious that this film was done on a low budget (i.e. the same shots are repeated over and over and over) this is a pretty effective horror movie and deserves a look. The death scenes are well executed (and the end is quite chilling), the music is appropriate (it's sounds almost like an "angry swamp"), and the locations are put to good use. It's definitely a b-movie and is not at all "great cinema", but it's still a minor classic and should have some kind of cult status.

The 1970s was the era of disco, blaxploitation, and eco-horror (aka nature's vengeance). George McCowan's "Frogs" is considered the first eco-horror flick. A young Sam Elliott (more recently known as the narrator in "The Big Lebowski") plays a photographer who visits a southern estate where the patriarch (Ray Milland) refuses to live in harmony with nature. The old man sprays chemicals all over the swamp with absolutely no regard for the plants or animals. So it only makes sense that the frogs -- in collaboration with the snakes, alligators, spiders, etc. -- are out to dispense some justice! On the plot's value alone, there's no reason to interpret "Frogs" as any kind of high-quality movie. We could interpret it as a warning about messing with the Earth (when you battle nature, you ALWAYS lose), or we could just view it as a plain old fun movie. Whatever the case, it's a pretty enjoyable flick, silly though it may be.

All in all, just be a little more respectful the next time that you meet any plant or animal, especially an amphibian of the order Anura.

Millionaire patriarch Ray Milland and his extended family gather together at his private island mansion to celebrate the 4th of July and have much more to worry about than photographer and ecologist Sam Elliott snooping around getting material for a magazine layout on pollution. You see, Elliott isn't the only one who's fed up with Milland's environmental poisoning, as a horde of frogs wise up and lead their swampland buddies (alligators, snakes, lizards, turtles, birds, leeches, spiders and more) in a violent revolt.

Thanks to the piercing sounds of Les Baxter's score and sheer variety of creepy crawlers on display, you are likely to cringe somewhere along the line in this ridiculous and often awkwardly directed, but nonetheless entertaining effort.

Actually had good actors in it, but I think the directors of the early 1970's were just taking too many drugs.

So a decent ecology journalist scoring extra Politically Correct points is taking pictures in a swamp in Florida when he falls in with a family of rich industrialists browbeaten into obedience by a wheelchair bound Ray Milland.

A bunch of menacing frog direct reptiles to engage in a series of attacks requiring a lot of ineptitude by the character actors who are picked off. I don't think the frogs actually kill anyone, they just keep looking menacing... maybe they were co-ordinating the operation as the other reptiles did all the hard work.

Bonus point.. Joan van Ark in a tight-one piece showing a lot of leg.

The plot here is little more than: "Help! We're surrounded by hostile creatures!" Yet there's something about this movie that lodges in the memory and it's probably its heavy, humid atmosphere -- like a hot summer day where nothing's happening yet you know there must be a storm brewing just over the horizon. The eclectic cast is headed by Ray Milland but the star here is Sam Elliott who makes his first real impression in the movies. His let-me-strip-off-my-sweaty-shirt-and-display-my-hairy-chest scenes were SO impressive that they landed him the lead role in that piece of beefcake-nirvana called "Lifeguard."

(June 2009 update: Note how this movie finds echoes, seven years later, in another Sam Elliott movie: "The Legacy." In both movies Elliott plays a young man who, because of a transportation accident, winds up as a reluctant guest at a mansion located in an isolated spot in the country. The mansion is owned, in both cases, by a distinguished older gentleman who suffers from a physical disability. There are other guests at the mansion and during the course of Elliott's stay, these guests are killed off, one by one -- in a variety of bizarre fashions -- by a mysterious force. In both movies, Elliott performs "beefcake" scenes which have a gratuitous quality. In "Frogs," he appears twice without his shirt and in "The Legacy" he has a rear-view nude scene.)