Six minutes pour mourir

Now, I know that action/adventure movies based on Alistair MacLean novels usually require a large portion of suspension of disbelief, but "Fear is the Key" is extra far-fetched! A grieving man stages an entire criminal career, including a spectacularly violent escape from the court room with murder and hostage-taking, only so that he can infiltrate as a salvage expert into a gangster squad that wants to retrieve a valuable loot from a sunken airplane. Don't worry if it sounds too convoluted or incomprehensible, as the film is easy to follow and very entertaining.

There are three main reasons why "Fear is the Key" is a class above the vast majority of contemporary adventure/mystery thrillers. #1: the chase. A film that features a nearly 20-minutes-long car chase with, behind the wheel, Barry Newman, the same cult-movie stunt driver as in the legendary "Vanishing Point"? Yes, please! Excellent Louisianan filming locations, too. #2: the cast. The aforementioned Barry Newman is cool, as always, but particularly the bad guys impress. Sure, he's typecast, but nobody depicts a loathsome villain like John Vernon does. The film also stars a young Ben Kingsley, and he's truly awesome as a silent but deadly menacing hired killer. #3: the climax. I guarantee that "Fear is the Key" has one of the most intense, captivating and edge-of-the-seat suspenseful endings you'll ever see.

FEAR IS THE KEY is an unusual and somewhat low key thriller of the 1970s. It's based on a novel by Alistair MacLean that I should imagine few people have heard of, and it stars Barry Newman of VANISHING POINT fame. I was surprised to find out that this is a UK production because you wouldn't be able to tell from watching it. The fact that it was a flop on release means that I'd never heard of it before I saw it showing on TV.

The film begins with an electrifying opening, full of twists, sudden violence, and high speed action. Then we get a lengthy, well-shot car chase clearly included to capitalise on Newman's reputation as a 'car chase' actor, before the movie settles into a rather bogged-down, if not confusing, storyline. However, there seem to be sudden eruptions of violence around every corner, so it's never less than watchable.

Eventually, though, it all makes sense, leading to a climax with an interesting setting. Newman is an acceptable hero but I was particularly excited to see Euro-starlet Suzy Kendall's (THE BIRD WITH THE CRYSTAL PLUMAGE) appearance. The by rote villain duties are provided by John Vernon, but the real standout is an incredibly youthful Ben Kingsley - yes, complete with his own head of hair - as a henchman. By the end of its running time, FEAR IS THE KEY has offered up plentiful action, some convoluted plotting, and just a few decent twists, and I thought it passed the time well for what it is.

It's aged well. I hadn't seen it in 30 years but thoroughly enjoyed this movie. A very youthful Ben Kingsley and Suzie Kendal support Barry Newman in one of his best known roles.

Good story by Alastair Maclean and screenplay is well crafted to give a satisfying 90 minutes entertainment.

This is one of my favourite movies of the 70's and in my opinion , very underrated. I certainly think it has the best car chase , ie; when the car is dented , it remains so in the next shot , not back to showroom condition ! ( the one in Bullitt is perhaps the coolest , but how many times does McQueen pass that green Beetle ! ) along with the great Roy Budd soundtrack. Barry Newman is great in the lead role , and although the plot is a bit far-fetched in places, it is great entertainment and has a good twist at the end , but I do think the underwater scenes looked a bit like the bottom of a goldfish pond ! One of those great movies nobody has heard of ! This is available on DVD in Scandinavian countries so grab a copy.

Fine actioner based on Alistair MacLean's novel holds a few surprises for those lucky enough to catch this underrated gem. An unorthodox and at times bitty script is held together by an amiable cast including a young Ben Kingsley (debuting with a full head of hair) surprisingly in his only film before his Oscar winning performance of 'Ghandi' ten years later.

The screenplay is a crafty one, with Barry Newman ploughing through the first half of the film seemingly out of control and playing a role hauntingly similar to his one in 'Vanishing Point' but this time in a Ford Gran Torino, keeping the viewer guessing what's going to happen next and why. After a slightly boggy, espionage filled middle act the film coolly builds to a dramatic nail-biting finale and it is only here in the film's dying moments do you actually discover the truth. Though the ending may not quite reach some viewers expectations, it does wrap things up succinctly, making the thrills on the way (including a fine car chase that bursts from a courthouse breakout) all the more worthwhile.