IMDb RATING
5.7/10
1.9K
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A drifter with fast fists and a gunfighter-pimp with fast guns help a child claim his inheritance.A drifter with fast fists and a gunfighter-pimp with fast guns help a child claim his inheritance.A drifter with fast fists and a gunfighter-pimp with fast guns help a child claim his inheritance.
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Dante Cleri
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- (as Cleri Dante)
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This is a funny spoof about several Spaghetti clichés with relentless comedy and parodying usual Western events that sometimes becomes stale . This is a good entertaining juvenile for Bud Spencer fans , as he's delightful in a fraternal story . It packs action, fist-play, sniping, slapdash , humor with tongue-and-cheek and is quite amusing . It deals with Coburn (Bud Spencer or Carlo Perdesoli) an insouciant , bumbling drifter who breaks out from prison and attempts to right wrongs . He embarks on his getaway and he gets stuck a ten years old little boy (Renato) . The boy's uncle dies, leaving a house , useless land to the child but is actually plenty of petroleum that is coveted by a priest-sheriff-judge (Francisco Rabal) and his hoodlums (Salvatore Borghese , Riccardo Pizzuti) . Hiram Coburn oblivious to risks and hopeless odds endure mishaps adventures and he join forces with the child to rout nasty gunmen . Meanwhile, the gunfighter Sonny Bronston (Jack Palance) going out the chase of Coburn to marry his sister (Dany Saval) and the baddies want to take the rich lands.
This release has some cool and several hilarious moments , though the Terence Hill-Bud Spencer duo films are much better , such as ¨They call me trinity¨, ¨Trinity is still my name¨ and ¨Truoblemakers¨ . Good for laughs as well as lots of shootouts and fist-play . The film isn't always good , sometimes is fresh and diverting and on a couple of memorable occasions , it's frankly delicious . The flick belong to the sub-genre that Bud Spencer played in which he has as partners some sympathetic children , as ¨Supersheriff¨, ¨Banana Joe¨, ¨Flatfoot¨ and ¨Aladdin¨. The film displays a wide plethora of secondary actors usually seen in Spaghetti genre as Sal Borghese , Luciano Pigozzi or Alan Collins , Robert Camardiel as an old drunk and Ricardo Pizzuti , the latter usual in Hill-Spencer flicks . The movie displays innumerable jokes , laughter , and slapstick , though relies heavily about the continuous relationship between the tired gunslinger and the orphaned boy . Enjoyable but silly screenplay Ernesto Gastaldi and Rafael Azcona . Catching musical score with noisy songs by Luis Enrique Bacalov who subsequently would win Oscar for ¨The postman¨ . This motion picture was professionally directed by Maurizio Luzidi . Although Maurizio couldn't be deemed an "A"-list director, his movies had a professionalism and a verve that many of those made by his fellow B directors lacked . He was a fine editor and also filmed detective thrillers , Giallo , comedy and even a horror film or two . He directed two Western more as ¨La grand Rapina del West¨ with George Hilton and Jack Betts and ¨Pecos¨ with Robert Woods , and even made films with international cast as ¨Sweet people¨ with Roger Moore and Stacy Keach and ¨The last chance¨ with Elli Wallach and Ursula Andress . His greatest conquest was the edition of ¨Don Quijote¨ by Orson Welles . Rating : 5,5 . Acceptable , passable but average . It is a middling Western story in which gibing the Spaghetti genre , plenty of fights and shoot'em up . As the director Mauricio Lucidi is uninspired and the ending is pretty predictable .
This release has some cool and several hilarious moments , though the Terence Hill-Bud Spencer duo films are much better , such as ¨They call me trinity¨, ¨Trinity is still my name¨ and ¨Truoblemakers¨ . Good for laughs as well as lots of shootouts and fist-play . The film isn't always good , sometimes is fresh and diverting and on a couple of memorable occasions , it's frankly delicious . The flick belong to the sub-genre that Bud Spencer played in which he has as partners some sympathetic children , as ¨Supersheriff¨, ¨Banana Joe¨, ¨Flatfoot¨ and ¨Aladdin¨. The film displays a wide plethora of secondary actors usually seen in Spaghetti genre as Sal Borghese , Luciano Pigozzi or Alan Collins , Robert Camardiel as an old drunk and Ricardo Pizzuti , the latter usual in Hill-Spencer flicks . The movie displays innumerable jokes , laughter , and slapstick , though relies heavily about the continuous relationship between the tired gunslinger and the orphaned boy . Enjoyable but silly screenplay Ernesto Gastaldi and Rafael Azcona . Catching musical score with noisy songs by Luis Enrique Bacalov who subsequently would win Oscar for ¨The postman¨ . This motion picture was professionally directed by Maurizio Luzidi . Although Maurizio couldn't be deemed an "A"-list director, his movies had a professionalism and a verve that many of those made by his fellow B directors lacked . He was a fine editor and also filmed detective thrillers , Giallo , comedy and even a horror film or two . He directed two Western more as ¨La grand Rapina del West¨ with George Hilton and Jack Betts and ¨Pecos¨ with Robert Woods , and even made films with international cast as ¨Sweet people¨ with Roger Moore and Stacy Keach and ¨The last chance¨ with Elli Wallach and Ursula Andress . His greatest conquest was the edition of ¨Don Quijote¨ by Orson Welles . Rating : 5,5 . Acceptable , passable but average . It is a middling Western story in which gibing the Spaghetti genre , plenty of fights and shoot'em up . As the director Mauricio Lucidi is uninspired and the ending is pretty predictable .
Hiram Coburn is not the typical spaghetti western protagonist. He doesn't use a gun, instead opting to pound his opponents silly with his fists, and although he is as powerful as an ox, he is mellow and laid back to an annoying degree. He takes some getting used to, but by the end of the film I found myself liking this character. Jack Palance plays Sonny, an eccentric gunslinger (what Palance does best). He is very entertaining, and I would have liked to have seen more of him in the film. The weirdest thing about him is that his accent keeps changing. Sometimes he sounds like he is from the southeastern US, other times he sounds Mexican, and other times he sounds like he's from Chicago or something. I don't know if this is intentional or not, but it sure is odd, and odd is a good thing in a spaghetti western.
The music score by Bacalov is excellent. It reminds me of some of Morricone's work, which is pretty much the best compliment one could give.
The story is great, and just about the most original one I've ever seen in a spaghetti western. The movie is a comedy, but not to the extent that it becomes completely unbelievable. I may have given this movie a higher rating if I saw it in a more complete, widescreen version. The version I saw, which I assume is the most commonly available, is approximately 98 minutes long if I remember correctly, and it feels like it's been edited somewhat to shorten its length.
All in all, this one's a must-have if you are a spaghetti western nut like me.
The music score by Bacalov is excellent. It reminds me of some of Morricone's work, which is pretty much the best compliment one could give.
The story is great, and just about the most original one I've ever seen in a spaghetti western. The movie is a comedy, but not to the extent that it becomes completely unbelievable. I may have given this movie a higher rating if I saw it in a more complete, widescreen version. The version I saw, which I assume is the most commonly available, is approximately 98 minutes long if I remember correctly, and it feels like it's been edited somewhat to shorten its length.
All in all, this one's a must-have if you are a spaghetti western nut like me.
One of Bud Spencer's star vehicles without his partner Terence Hill takes him back to familiar Spaghetti Western territory. Despite a good cast (Jack Palance, Francisco Rabal, Luciano Pigozzi) and crew (screenwriters Rafael Azcona and Ernesto Gastaldi, cinematographer Aldo Tonti and composer Luis Enriquez Bacalov), the film rambles amiably along without ever becoming sufficiently memorable.
Spencer seduces Palance's virginal sister (having mistook her in the dark for another dance-hall girl) and flees from her pursuing pistolero/showman brother until he meets an abandoned child in the desert whom he takes under his wing (shades of two films Bud would later make with CLOSE ENCOUNTERS OF THE THIRD KIND [1977]'s Cary Guffey); as it turns out, the boy is the proprietor of a dilapidated wellspring which turns out to be rich in oil but they soon fall foul of outwardly harmless sheriff/judge/preacher Rabal. Spencer indulges himself in several of his typical fist-fights and even "Paco" Rabal gets to taste his trademark hammer-blow to the head; amusingly, he puts on his glasses before a fight so that he can think more clearly! Palance scores best as Spencer's laid-back, black-clad, pursuer-cum-partner and brother-in-law to-be. The title song is an agreeable one although it's only played during the opening and closing credits sequences.
I have missed out on this one several times on Italian TV over the years but I did catch the free-for-all finale once; since the quality of the DVD I watched was quite terrible not just pan-and-scanned but extremely washed out as to lapse into practically black and white at various points!; although it was nice to hear Palance and Rabal's own voices in English, I'll make it a point to tape this one when it's shown again on one of the major Italian TV channels.
Spencer seduces Palance's virginal sister (having mistook her in the dark for another dance-hall girl) and flees from her pursuing pistolero/showman brother until he meets an abandoned child in the desert whom he takes under his wing (shades of two films Bud would later make with CLOSE ENCOUNTERS OF THE THIRD KIND [1977]'s Cary Guffey); as it turns out, the boy is the proprietor of a dilapidated wellspring which turns out to be rich in oil but they soon fall foul of outwardly harmless sheriff/judge/preacher Rabal. Spencer indulges himself in several of his typical fist-fights and even "Paco" Rabal gets to taste his trademark hammer-blow to the head; amusingly, he puts on his glasses before a fight so that he can think more clearly! Palance scores best as Spencer's laid-back, black-clad, pursuer-cum-partner and brother-in-law to-be. The title song is an agreeable one although it's only played during the opening and closing credits sequences.
I have missed out on this one several times on Italian TV over the years but I did catch the free-for-all finale once; since the quality of the DVD I watched was quite terrible not just pan-and-scanned but extremely washed out as to lapse into practically black and white at various points!; although it was nice to hear Palance and Rabal's own voices in English, I'll make it a point to tape this one when it's shown again on one of the major Italian TV channels.
Ivan Coburn (Spencer) deflowered the sister of the fastest gun around, Sonny.(Jack Palance) Sonny wants Coburn to marry his sister so she wont live in shame, and then Sonny wants to kill Coburn. During all this Coburn has to take care of a small boy named Chip Anderson whos uncle died from a gun shot. I laughed alot during this movie....many fights and one liners....This movie was much better than I thought it would be. I think it's for Terence Hill and Bud Spencer fans only...or if you like the whole sphagetti western thing. There is something unusal in this film....there's a guy who pays 2 dollars for a bucket if dirt..and then he eats it!!??? (he's looking for soil with oil in it.) The start to this is also funny.....Coburn complains to his horse through the whole credits because it wont move, but when he sees a man with a gun the horse jumps to it's feet!
My vote is 6/10. A good movie for people who like "They call me Trinity" style movies!
My vote is 6/10. A good movie for people who like "They call me Trinity" style movies!
I like spaghetti westerns, and I also like Bud Spencer movies. So I thought I would like this spaghetti western starring Bud Spencer (as well as Jack Palance.) Unfortunately, I have to report that even if you like spaghetti westerns and/or Bud Spencer, chances are you'll find this movie a bore like I did. The movie has very little story, and it moves at an unbelievably slow crawl. The comedy is mostly lame, though Bud's instant charisma lifts the humor from level zero, even though Bud seems to be doing this movie in his sleep. Jack Palance gnashes his teeth so much that he seems to be in pain doing this movie. And the director often shoots the actors so that the tops of their heads are cut off at the top of the screen! (The pan-and-scan presentation of the movie makes things even worse.) Not recommended.
Did you know
- TriviaThe film was shot on the same set that was the McBain ranch from Sergio Leone's Once Upon A Time In The West. In that movie the railroad was supposed to run through the ranch because there was a well on the property. At one point in this movie Bud Spencer even says, 'so this is the famous well.'
- GoofsThe incomplete rail ends of the lines going east and west are the same shot, as can be seen by the stones on the ground.
- Quotes
[first lines]
Hiram Coburn: How the hell did I ever get stuck with a loser like you?
- Alternate versionsThe 1980 West German re-release features a new "comedy" dub and is cut by approx. 15 minutes.
- ConnectionsEdited into Ninja the Mission Force: They Call Him Bruce (2013)
- SoundtracksCan Be Done
Written by Sergio Bardotti (as Bardotti) and Luis Bacalov (as Enriquez)
Sung by Rocky Roberts
- How long is It Can Be Done Amigo?Powered by Alexa
Details
- Runtime
- 1h 49m(109 min)
- Sound mix
- Aspect ratio
- 2.35 : 1
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