Deadhead Miles

Distinct lack of plot to this movie.

Its the story of a truck driver who is the worst imaginable and his sane passenger and a truck. There is not much else in there. Did I mention the truck? A lovely Peterbilt and reefer trailer combination with lots of that grunty Cummins Diesel sound.

The real star of this movie is Alan Arkin. He gives a hilarious performance in one of my favourite B movies ever.

I have never seen the end of this movie. I taped it off TV several years ago and about 4/5 in to the movie there was a power cut so I never got the end of the movie. Can't buy it anywhere and never know when its going to be shown on TV again.

Cameo appearances by Ida Lupino and George Raft who had appeared in a trucking movie called They Drive by Night also starring a young H Bogart.

This movie begins with three men hijacking a semi-truck and then taking it to a chop shop where it is repainted and subsequently driven off. It's then that one of the thieves named "Cooper" (Alan Arkin) double-crosses his colleagues and sets off in the truck on his own. Along the way he picks up a hitchhiker (played by Paul Benedict) and together they head on down the highway stealing what they can and looking for odd jobs hauling cargo here and there. However, it soon becomes obvious that Cooper has no respect for convention and this leads the two of them into one strange event after the other with no logical objective in sight. Now rather than reveal any more I will just say that for a "Trucker Movie" this film turned out to be a rather bizarre mess which was barely salvaged by the acting of Alan Arkin. That said, although I don't consider this to be a particularly good movie by any means, I suppose it's worth a look for those viewers who might be interested in a film of this type and I have rated it accordingly. Average.

Truly weird and whacked out.

Watch it for Arkin's great over-the-top acting. Watch it just to hear the Dave Dudley soundtrack. Watch it for the great New Mexico scenery. Watch it for that beautiful Peterbuilt. Watch it for the scene where Arkin throws bottles out of his cab at various objects along the road.

Why this movie isn't a cult flick is most likely only due to fact that it's so hard to find. It's virtually unrentable, and it's never on tv anymore.

A quirky (and hard to find) comedy who's script seems to be right out of a Dave ("Six Days on the Road") Dudley's truckers' song. Filmed in the unadorned, late-'60s/early-'70s low-budget, realist style (like 'Easy Rider', 'Two Lane Blacktop' or 'Five Easy Pieces'), this little cult movie is a strange pop-art odyssey through roadside America circa-1971. It is the story of an oddball trucker's last ride as told through Cooper (Alan Arkin) and his new but stolen Peterbilt 359 big-rig. The plot (?) is a lean one. The story unfolds to us by our observing the conversations and adventures of Cooper and his unexpected hitchhiker (Paul Benedict). Together they attempt to earn some cash by hustling up some short-haul jobs while dodging the authorities. Arkin performs some eccentric scenes and delivers some quotable lines. Is Cooper fresh out of the nut-house or is he just a sad little character trying to give his dream one last try? Music is by Dave Dudley. Cameos abound with actors from the past (Bruce Bennett, George Raft, Ida Lupino) and the future (Loretta Swit, Charles Durning, Hector Elizondo, Richard Kiel). Written by Terrence Malick. This film will not impress everyone. I would recommend it to anyone who considers himself an "eng-ine man" AND is into small, quirky cult films.

Cross Joseph Minion and Hunter S. Thompson and you will have some idea what to expect from this fantastic, rare, criminally under seen, barely released gonzo trucker film written by Terrence Malick before writing and directing "Badlands" a year later. Shelved by the studio and never really released; for rumor has it, being too uncommerical. Alan Arkin (who is fantastic), dressed like a sea captain, aimlessly sails the American highways in his 18 wheeler mumbling manic, southern accented non sequiturs (maybe imitating Malick himself); carnivalizing roadside stops and happenstance towns while out-weirding cops and weigh stations with his new cryptic, overcoated hitchhiker buddy (Paul Benedict).

Malick seems to have that rarified talent for illuminating and surfacing, without pretension, that hard to reach, truthful undercurrent of illogic and neurosis that permeates inside the human something (usually funneled thru American southern idiosyncrasies; and not necessarily simply trivial or humorous but often darkly honest and more viscerally sublimely truthful about the feelings of this existence, at least for me, than any other kind of stab at something pure (Joseph Minion is the organic crown prince of this; team this film up with "Vampire's Kiss" (1989) or "Motorama" (1991) (more externally thematically similar because it's also a "road movie") and you'll see what I mean), which I think is often more evident in his earlier only scripted works (this film, "The Dion Brothers" (aka The Gravy Train) (1974), and "Pocket Money" (1972) and still later in his self-directed works (most noticeable in "Badlands"), is often overshadowed by a reputation for dramatic cinematic poetics (but we true Malick fans know that he isn't that simple). "Deadhead Miles", I gather, is a trucker's term for driving a semi with no load in the trailer; hence Arkin's character and not necessarily his truck. Hilarious and sublime; I loved it. Highly Recommended.