A couple uses extremely black comedy to survive taking care of a daughter who is nearly completely brain-dead. They take turns doing the daughter's voice and stare into the eyes of death and... Read allA couple uses extremely black comedy to survive taking care of a daughter who is nearly completely brain-dead. They take turns doing the daughter's voice and stare into the eyes of death and emotional trauma with a humor that hides their pain.A couple uses extremely black comedy to survive taking care of a daughter who is nearly completely brain-dead. They take turns doing the daughter's voice and stare into the eyes of death and emotional trauma with a humor that hides their pain.
- Nominated for 1 BAFTA Award
- 3 nominations total
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Its such a shame that an important film like this is virtually unknown.
I don't think Alan Bates has done a better film than this.
Its never shown on television. The only time I can recall it being shown on British TV was in the summer of 1998. I have it on tape but sadly the quality isn't great due to a dodgy aerial at the time...
I remember wanting to see this film for some time before it appeared on TV. It was shown on Channel 4 in the early hours of the morning, thereby ensuring that it still remained unseen except for a very small audience.
I was living in Bristol at the time and it was ironic that, when I finally saw the film, I realised that I had walked past the VERY house where it was filmed several times before!! The film treads a fine line; a married couple attempting to make light of their tragic predicament of coping with their severely mentally handicapped daughter by laughing about it and even involving the child in their jokes.
The direction and the acting are so superb that the film is always compassionate and moving and is never in danger of lapsing into bad taste.
A couple of years ago I saw a clip of the filmed theatre production with Eddie Izzard in the role of Bri and Victoria Hamilton playing Sheila.
It showed Izzard improvising and larking about and Hamilton jokingly telling the audience to ignore him when he's being like this.
I maybe taking this out of context as I only saw a brief clip but having read the play and seen the film this is clearly such a delicate subject that such an approach is both insensitive and disrespectful.
Izzard was praised for his performance but I felt uncomfortable with what I saw.
It is perhaps surprising that such a successful play failed to find an audience when it was finally filmed.
This is one of the best British films of the 70s and hopefully it will be released on DVD one day.
I don't think Alan Bates has done a better film than this.
Its never shown on television. The only time I can recall it being shown on British TV was in the summer of 1998. I have it on tape but sadly the quality isn't great due to a dodgy aerial at the time...
I remember wanting to see this film for some time before it appeared on TV. It was shown on Channel 4 in the early hours of the morning, thereby ensuring that it still remained unseen except for a very small audience.
I was living in Bristol at the time and it was ironic that, when I finally saw the film, I realised that I had walked past the VERY house where it was filmed several times before!! The film treads a fine line; a married couple attempting to make light of their tragic predicament of coping with their severely mentally handicapped daughter by laughing about it and even involving the child in their jokes.
The direction and the acting are so superb that the film is always compassionate and moving and is never in danger of lapsing into bad taste.
A couple of years ago I saw a clip of the filmed theatre production with Eddie Izzard in the role of Bri and Victoria Hamilton playing Sheila.
It showed Izzard improvising and larking about and Hamilton jokingly telling the audience to ignore him when he's being like this.
I maybe taking this out of context as I only saw a brief clip but having read the play and seen the film this is clearly such a delicate subject that such an approach is both insensitive and disrespectful.
Izzard was praised for his performance but I felt uncomfortable with what I saw.
It is perhaps surprising that such a successful play failed to find an audience when it was finally filmed.
This is one of the best British films of the 70s and hopefully it will be released on DVD one day.
I have sen many plays that deal with black comedy, but Joe Egg seems to be at the top of a very short list for me.
It deals with REAL issues that cover death, life, love, ambition and reality in a way that really gets you involved!
I new version is available staring Eddie Izzard where the writing comedy of the acting REALLY stands out!
If your not into plays but want a foot old into the genre... then watch this!
It is worth the time! and you will never forget some of the issues!
It deals with REAL issues that cover death, life, love, ambition and reality in a way that really gets you involved!
I new version is available staring Eddie Izzard where the writing comedy of the acting REALLY stands out!
If your not into plays but want a foot old into the genre... then watch this!
It is worth the time! and you will never forget some of the issues!
This is a challenging film but with wonderful performances from both Alan Bates and Janet Suzman plus the stunningly heartfelt and comedic writing of Peter Nichols and solid direction of Peter Medak, not quite as challenging as doing justice to it in a just a few words. Glowingly received as a stage play in the 60s, the film never had the same success and has, indeed, been little seen since its delayed release in 1972. At the centre is the near lifeless, severely mentally disabled, eleven year-old, affectionately referred to by the parents as 'Joe Egg'. Central to the events but also peripheral in the sense that this is more about the seeming imminent collapse of a marriage as the couple, understandably, have to spend more time caring and not contemplating euthanasia than on their own life together. Instead a fantasy world of characters and events is created, shades of 'Who's Afraid of Virginia Woolf', that at least gives the viewer the spectrum of humour through which to take on some of the issues raised and reduce the impact of the potentially terrifying reality being presented and the limited options seemingly available. Not a bundle of fun, but very funny nevertheless.
Long before Terri Schiavo brought the issue of living as a "vegetable" to the public view, "A Day in the Death of Joe Egg" dealt with it. Alan Bates plays Bri, a schoolteacher whose daughter is almost completely brindled. He and his wife Sheila (Janet Suzman) try all sorts of dark humor to try and get on with their lives, but they can't escape the facts. At one point, they even consider euthanasia. The question circling them and their friends is: what will ever become of this predicament?
With this movie, Alan Bates continued his streak of really good movies, preceded by "Zorba the Greek", "The King of Hearts" and "The Fixer". We can safely say that he will be sadly missed.
With this movie, Alan Bates continued his streak of really good movies, preceded by "Zorba the Greek", "The King of Hearts" and "The Fixer". We can safely say that he will be sadly missed.
10jimi99
Another masterpiece that needs a DVD release but some libraries have the VHS and well worth seeking out. Just a brilliant play about many things, foremost being euthanasia, "respectability", religion, and fundamental human relationships. The script effectively uses intelligent humor not only to cope with an issue like a severely disabled child, but to bind the parents in their love for "Jo" and each other. As the couple, Alan Bates and Janet Suzman are perfectly matched both in acting virtuosity and in bringing their deep, intelligent characters to life.
I've recently seen Bates' brilliant performance in "Butley" which was released as a film a couple years after "Joe Egg" and he plays a teacher in both, cynical, intellectual, and funny, although Butley is much darker than his character of Bry here. If you throw in such great performances in "The Go-Between", "Women in Love", "Whistle Down the Wind", "The Caretaker" and "Georgy Girl," not to mention the more obvious "King of Hearts" and "Zorba the Greek", and I'd say that Alan Bates had a career comparable to Peter O'Toole, Albert Finney, and the other great British actors of his era.
Director Peter Medak also had one of my all-time favorites "The Ruling Class" released the same year (1972) as "Joe Egg", which comprises a career year in anybody's book. He's had kind of a spotty filmography("The Krays" was another highlight), but these two gems will mark him as a great director.
I've recently seen Bates' brilliant performance in "Butley" which was released as a film a couple years after "Joe Egg" and he plays a teacher in both, cynical, intellectual, and funny, although Butley is much darker than his character of Bry here. If you throw in such great performances in "The Go-Between", "Women in Love", "Whistle Down the Wind", "The Caretaker" and "Georgy Girl," not to mention the more obvious "King of Hearts" and "Zorba the Greek", and I'd say that Alan Bates had a career comparable to Peter O'Toole, Albert Finney, and the other great British actors of his era.
Director Peter Medak also had one of my all-time favorites "The Ruling Class" released the same year (1972) as "Joe Egg", which comprises a career year in anybody's book. He's had kind of a spotty filmography("The Krays" was another highlight), but these two gems will mark him as a great director.
Did you know
- TriviaJanet Suzman (Sheila) said of this movie at the time, "We had to learn the simple business of how to cope with a child. How to open its mouth and feed it, how to lift it, how to bathe it. We had a medical advisor on the film, a woman doctor who has been very successful in that field, and she told us whenever we went wrong. (Sir) Alan (Bates (Bri)) and I were both dreading going to the hospital, because we didn't know what to expect. But when you get over that selfish reaction, you begin to appreciate what is being done. You ruffle a little head and you are rewarded with a mindless smile of such joy. It is almost an affirmation of faith, if you want to think in those terms. All the arguments for mercy killings go overboard because in the end, it's a choice between life and death. This is a living human being. It's your child, and you love it."
- ConnectionsReferenced in The Ghost of Peter Sellers (2018)
- SoundtracksAnimal Crackers In My Soup
Music by Ray Henderson, lyrics by Irving Caesar and Ted Koehler
Sung by Alan Bates as he dances
Details
- Release date
- Country of origin
- Language
- Also known as
- Joe Egg
- Filming locations
- Weston-super-Mare, UK(Beach Walk with pushchair)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 46m(106 min)
- Sound mix
- Aspect ratio
- 1.66 : 1
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