La dame rouge tua 7 fois

In THE RED QUEEN KILLS SEVEN TIMES, a family curse puts everyone at risk every one hundred years, when the titular entity apparently goes on a killing spree. This is to avenge the Queen's own untimely demise at the hand of her sister. At least, that's how the legend goes.

Now, the Wildenbruck family -some of whom have dark secrets to hide- has gathered for the reading of their patriarch's will. Very quickly, people are stalked and killed by a laughing, red-cloaked maniac. Has the Red Queen returned once more to seek her vengeance? As the murders continue, Kitty Wildenbruck (Barbara Bouchet) grows increasingly concerned, and for good reason.

TRQK7x is a masterful giallo with a lot of gothic horror overtones. Co-stars the magnificent Sybil Danning as Lulu Palm...

This was the second giallo Emilio Miraglia directed after the previous year's The Night Evelyn Came Out Of The Grave. In fact it was the last movie he ever directed. On the evidence of this film that is a criminal waste because The Red Queen Kills 7 Times really is a terrific giallo. Like its predecessor, this one mixes the giallo format with neo-Gothic elements; in this case an old castle replete with a crypt populated with rats and bats, as well as a legend about an evil supernatural killer. This Gothic material is combined with a super-chic contemporary setting, where we have a fashion house populated with a selection of gorgeous girls. This set-up gives the movie a slightly different angle to most others in the genre and Miraglia makes full use of both the Gothic and the giallo conventions.

The plot is as complex as you should expect from these flicks. It is basically about two sisters who grow up in a castle. An old painting shows two other warring sisters, the evil one being the dark haired Red Queen -a girl who returns from the dead every hundred years on murderous rampages. Of course the little girls grow up and the Red Queen mysteriously appears and starts a series of killings.

It has to be said that this film has a truly awesome killer. The Red Queen has to be one of the greatest cinematic serial killers ever conceived. This sexy black haired woman in flowing red gown and scary voice is a very inspired creation indeed. She commits a series of murders of course. They aren't the most graphic of killings but they are very varied. Most original being death by fence pole, while the scene where someone is dragged through the streets by car was repeated several years later in Dario Argento's Deep Red. Aside from this, the cinematography is as lovely as you may expect from a film like this, with great widescreen compositions that make full use of both the Gothic locations as well as the modern interiors. And last but certainly not least there is an assortment of gorgeous Euro actresses to savour. Barbara Bouchet leads the picture and, as always, is phenomenal; sexy and sympathetic, she truly was one of the very best actresses working in Italy in the 70's. Also of particular note is Sybil Danning as a bad girl femme fatale.

For Euro cult viewers you just cannot go wrong here. It's definitely a very memorable entry in the giallo sub-genre.

The Red Queen Kills Seven Times is a vintage 1970's thriller about a family curse, in which there are 7 murders every 100 years, committed by one of two sisters, who picks off 6 victims and the eventually kills the other sister. Which is a bit of a convoluted legend. But anyway, Barbara Bouchet plays Kitty, the leading lady in peril, who feels that her missing and deranged sister is replaying out the legend and killing multiple people, so she soon fears that she will become the 7th victim.

The whole movie is a bit of a jumble of plot and events, as people close to or somehow linked to Kitty start to die horribly. The movie does look good, thanks to the lovely actresses who appear in it, and there are some great shots of the "Red Queen" killer (in a long red cape, black hair and white face) dashing about the place. There's also a fairly spectacular castle setting with suitable creepy rooms and dungeons. The explanation is almost impossible to piece together, but at least it's something you couldn't really figure out!

The prologue is also important as it shows how Kitty (as a child) first learned about the legend, and we get to hear the improbable story, as well as see a ridiculously gory painting which the family have deemed suitable to be hung in full view on a wall! Sadly, what doesn't work is the English dub, which is dreadful and it especially hampers this prologue, because the only thing worse than bad dubbing is bad dubbing of children, and here it's excruciating. There is a fair bit of gore, but the blood looks like tomato soup and there are no really good effects to be seen. However it's all energetic and well paced, and there is a lot of topless female nudity to keep the male audience members entertained. Worth a look.

Sometimes confusing plot about two beautiful sisters, a German castle, an inheritance & a series of grisly murders being committed by a mysterious killer cloaked in a red cloak. As always mentioned the plot does get confusing at times, but then that's not unusual for giallo movies (repeated viewings can be beneficial).These films are often more concerned with the look & this one does not disappoint. Nicely & stylish filmed, great soundtrack, beautiful women & some gruesome murders, though they aren't as gory as some other giallos. What I really liked was that it added a lot of gothic horror - much of it takes place inside the castle - and also that there is less emphasis on the police investigation, which I feel can drag some films down. There are better giallo movies, there are also worse but this is a good example & well worth watching.

This interesting Giallo boosts a typical but still thrilling plot and a really sadistic killer that obviously likes to hunt his victims down before murdering them in gory ways.

Directed by Emilio P. Miraglia who, one year earlier, also made the very interesting "La Notte che Evelyn Usci della Tomba" (see also my comment on that one), the film starts off a little slow, but all in all, no time is wasted with unnecessary sub plots or sequences.

This film is a German-Italian coproduction, but it was released in Germany on video only in a version trimmed by 15 minutes of plot under the stupid title "Horror House". At least the murder scenes, which will satisfy every gorehound, are fully intact, and the viewer still gets the killer's motive at the end. But the Italian version containing all the footage is still the one to look for, of course.

A convincing Giallo with obligatory twists and red herrings, "La Dama Rossa Uccide Sette Volte" is highly recommended to Giallo fans and slightly superior to Miraglia's above mentioned other thriller.