Les diablesses

A ravenous beast alllegedly slaughters people in a small Scottish village. And at a nearby castle appear more murdered bodies, and suspects fall upon the inhabitants. At the mysterious castle arrives a young student, Jane Birkin, to find her mother. As the strange residents are haunted by a bizarre curse involving a rare cat and a killer gorilla. Who is the murderer.. ...perhaps a suspicious servant : Luciano Pigozzi nicknamed Allan Collins or the Italian Peter Lorre, a strange young : Hiram Keller, a lecherous doctor : Anton Driffing , a priest : Franco Ressel, a beautiful girl : Doris Kunstmann, or Lady Alicia : Dana Ghia, or Father Robertson : Venantino Venantini. Later on, a police inspector, Serge Gainsbourgh-in real life married to Jane Birkin- investigates the weird deeds. Death means nothing to the beast with nine lives.This flick reveals a little known fact about felines.

Terror movie based on a novel by Peter Bryan, in which mingles ordinary Italian Giallo with Gothic horror, taking parts here and there of these genres. Creepy movie packs thrils, chills, eerie details , baroque scenarios , gore and blood. The plot is plain and simple, in a small Scottish village terrible killed corpses keep showing up, and suspicion falls on the residents of a nearby chateau. This is a very dark tale of killings with a fantastic horror backdrop and so-so filmmaking from Anthony M Dawson. It stars the beautiful Jane Birkin, she is well-suited for the role of a young girl who finds horrible happenings. Adequate cinematography by Carlo Carlini, shot on location in Castello Massimo Arsoli, Rome and Incir de Paolis, Rome, Lazio. And frightening and thrilling musical score by the prolific Riz Ortalani.

The motion picture was professionally directed by terror expert Antonio Margheritti, though it displays some failures and flaws. Antonio often used pseudonym Anthony M Dawson, he was born in Italy 1930 and passed away in 2002 . Italian writer director of horror and exploitation films, a former university engineering student who began shooting in 1956. Antonio directs with ordinary aplomb and being especially known for films as Yor, Virus and Horror castle. He was specialist in model-making, optical effects , FX, miniature as floods, scale models and explosions . He directed all kinds of genres such as wartime :The last hunter, Tornado, Codename Wild geese, Der Commander, Command Leopard . SCIFi :War of planets , Planet of the prowl, Criminal of the galaxy, Yor the hunter from the future, Treasure planet . Spaghetti Western as Joko, Dynamite Joe, The stranger and the gunfighter, Take a hard ride, Ghosts go west, Joe implacable, God said to Cain. Terror as Virgin of Nuremberg, Cannibal Apocalypse, Alien from deep, Flesh for Frankenstein. Action :Operation Goldman, Indio, The squeeze, Cyberflic. Rating :5.5/10. Acceptable and passable.

Like any decent Italian director of good old times, Antonio Margheriti made movies of every genre imaginable: war movies, horror movies, crime/giallo movies, sword and sandal movies (Ursus!), spy and sci-fi movies, Spaghetti westerns. Surprisingly, I realized these days that I do know mostly his works he did under his pseudonym Anthony M. Dawson. As Mr. Dawson he directed some fine cheesy action pieces and pleasures of my youth like Commando Leopard, The Commander and Code Name: Wild Geese, and a fine B-movie Spaghetti western starring Lee Van Cleef - Take a Hard Ride.

With La morte negli occhi del gatto aka Seven Deaths in the Cat's Eyes Mr. Margheriti put his feet on the ground of Gothic horror and giallo movies - one could dare to say that the movie is mostly a mix of both genres. The strongest feature of Seven Deaths in the Cat's Eyes are for sure the visuals - the setting is a fine looking Gothic castle/manor, housing a greedy and half-mad plotting family, on top we get Jane Birkin shining in all her beauty. What else? The cast works solid, here and there we get a shot of erotic quality and a little murdering business is done too. Sounds not too bad? Sadly, the movie does not reach its full potential, and I guess mostly to blame is the timing/composition of the story unfolding: somehow the movie never gets in full steam mode and just bobs along. Some detours fragment the plot without adding any good, not sculpted to the point, so to say. In short: the story can't keep up with the visual qualities and acting of the cast and is without doubt the weakest link in the chain. With the same production and cast but with a better composed script this could have been a fine movie, maybe even a classic. Final verdict: all in all not too bad, but for sure no must-watch. The best I can say about Seven Deaths in the Cat's Eyes is that it got eye-candy quality and provides some nostalgia - so if you are in the mood or need for some Gothic vibes you may give this one a try.

This Gothic horror/Giallo hybrid doesn't seem to be all that well-regarded but, having read a couple of reviews before actually viewing it (I had by-passed the Blue Underground DVD because of the absence of the Italian-language track but managed to acquire the film regardless through other sources), I became quite intrigued by some of the bizarre elements incorporated into the script. To get back to the language factor for a bit: actually, the print on display was mostly in English (which, to be fair, is fitting – given the Scottish setting of the tale) but it reverted to Italian for four brief scenes which, presumably, were omitted from export versions.

Having watched the film for myself, I must say that I liked it quite a bit: Margheriti was perhaps the most erratic of the triumvirate of directors who gave the genre an identity in Italy (the others being, of course, Riccardo Freda and Mario Bava) – however, this turned out to be a pretty solid effort all round. For one thing, it's an absolute treat for the eyes – the Gothic atmosphere is really laid on thick here (when it comes to both interiors and exteriors), and the whole is accompanied by a moodily effective score from the ever-reliable Riz Ortolani. Peter Bryan wrote the novel on which the film was based: having himself contributed to a number of scripts for Hammer horror titles, it doesn't take much to visualize this as one of their own products – since that famed genre brand-name alternated between Gothic-styled fare and modern thrillers (usually with a similar attempt to prevent the heroine from laying her hands on a family inheritance at its center) – albeit with a more adult approach typical of the country and the era.

Margheriti managed to assemble a splendid international cast: British Jane Birkin as the lovely heroine Corringa (also the name of the source novel), American Hiram Keller (as the current and predictably mad lord), Germans Anton Diffring and Doris Kunstmann (as, respectively, the shady doctor and luscious teacher ostensibly employed for Keller's rehabilitation), French Serge Gainsbourg (Birkin's former husband and frequent collaborator, as the somewhat eccentric police inspector looking into the titular murders) and Italians Venantino Venantini (as the new parish priest) and Luciano Pigozzi (as the custodian of the castle grounds). Some of the more unusual plot points involve: Diffring being romantically involved with both Keller's mother and the French teacher (though the film's erotic quotient is disappointingly mild); Kunstmann is actually a bisexual and, at one point, attempts to seduce Birkin – unsurprisingly, this proved to be one of the 'deleted' scenes (though the fling is over before it has even begun!); Birkin and Keller, then, start off on the wrong foot but end up bonding – and, eventually, lovers (despite being first cousins)!

Gore is present via images of corpses being devoured by rats and a succession of throat-slashings, while the identity of the killer turns out to be quite a revelation. The narrative does, however, feature a couple of red herrings in the rather unconvincing element of vampirism (via a family legend which 'afflicts' Birkin's deceased mother – though, for good measure, the heroine herself runs into a clutch of bats while inspecting the castle dungeons) and the even more baffling presence of an ape in the house, with which very little is actually done after all! On the other hand, the titular furry feline is very cute and agreeably enigmatic – contriving somehow to be present at the scene of each and every murder, hence SEVEN DEATHS IN THE CAT'S EYE.

Atmospheric and with some decent performances but this gets lost in it's own complicated Ten Little Indians story. Nice touch with the creepy looking cat arriving to herald each killing but it's not enough. It's all rather slow and uninvolving (till the end) but it's interesting to see a young Birkin and I'm sure I've never seen Serge to looking so young. Inconsistent to say the least, this seems to drag because there is not enough to hold the attention. Not unlike a lesser Hammer production in this respect which to some extent it does resemble. Musical score all over the place too and this doesn't help. So, very average, great poster though reproduced on the DVD cover!

"Seven Deaths in the Cat's Eye" is a great giallo from the director of "School Girl Killer"(1968)and "The Virgin of Nuremberg"(1963),among others.A series of savage and gory killings take place in a Scottish castle...all watched,with a lazy eye,by a cat.A young schoolgirl Corringa(Jane Birkin)tries to discover some of the castle's secrets.Antonio Margheriti adapted this Gothic chiller from a novel by Peter Bryan.The film is very atmospheric and there's enough suspense to make fans of Italian horror happy.There are some stylish cut throat razor killings and plenty of Gothic elements(everything from hidden doors leading to bat infested,cobwebbed corridors to family curses).Check it out.Highly recommended.