IMDb RATING
5.2/10
5.3K
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Six friends in a theatrical troupe dig up a corpse on an abandoned island to use in a mock Satanic rite. It backfires with deadly consequences.Six friends in a theatrical troupe dig up a corpse on an abandoned island to use in a mock Satanic rite. It backfires with deadly consequences.Six friends in a theatrical troupe dig up a corpse on an abandoned island to use in a mock Satanic rite. It backfires with deadly consequences.
Jeff Gillen
- Jeff
- (as Jeffrey Gillen)
Bob Sherman
- Ghoul
- (as Robert Sherman)
William R. 'Bob' Smedley
- Tallest Dead Thing
- (as Robert Smedley)
- Director
- Writers
- All cast & crew
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I first encountered this movie as a kid. The ad in the paper with Alan, a corpse and the guy with the beanie...it was speaking to me in ways that I wouldn't understand for years--black humor! I first saw it on t.v. as a teen, long before I'd seen "Night Of The Living Dead," and it spoke to me again. It was scary...but it was funny and sort of "wicked" too. It went places I knew instinctively most movies did not, and I loved it for that, as well as the fact that I knew others would NOT like it.
The story is nothing remarkable--a bunch of hippy actors invade an island, raise the flesh-eating dead, and die horribly. What is memorable about this movie is the execution. The characters are all wonderfully obnoxious actors. They spit campy, bitchy, memorable dialog and are all generally hateful and selfish. It comes off as phony, but most actors I know really talk and behave like the characters in this movie, as though they are "in a movie." The actors did a great job. You have a sense all the characters are going to die in great pain, especially the beautifully hateful, snivelling director of the theater company with the stripey bell-bottoms, and the anticipation of this is wonderful. When the zombies finally enact their revenge it's extremely satisfying.
The effects are cheap, but then, I've never had a problem with cheap zombie effects. It's the idea of a zombie that is so frightening, not the make-up necessarily. They are irrational and unrelenting, even if it's a rubber mask they're wearing. But the zombies in this movie are, for all that, fairly effective. They come late, but by then you've been nudged into believing the whole movie is just a lark, so they're all the more effective. When they hit, they hit as hard as "NOTLD." The music score is eerie and effective, as well as the locale. You can almost feel the fog creeping up on you.
Where this one really distinguishes itself, however, is the "weirdo" factor. It flirts with gay stereotypes and necrophilia, Satan worship, Jewish humor and seriously bad 70's hair and clothing. It's a lot smarter than it appears, or most would think, and smart isn't what most people want (or get) with their cheap exploitation horror. It's surprisingly grisly for a PG and far too tame for an R. It's too funny for horror and too creepy for comedy. In other words, it's perfect! I'm sorry to hear they intend to remake it, but hopefully with it's original creator at the helm it'll be watchable at least. Bob Clark is an oddity, to be sure--he went from this to another wonderful cheap-o zombie film ("Dead Of Night," aka about 40,000 other titles) and "Black Christmas," to..."A Christmas Story"?? "Porky's"?? "Baby Geniuses 2?" Hmm. Well, it almost makes me respect him more for defying description.
Here's a tip of that hat to a great, original film from one of it's many "children..."
The story is nothing remarkable--a bunch of hippy actors invade an island, raise the flesh-eating dead, and die horribly. What is memorable about this movie is the execution. The characters are all wonderfully obnoxious actors. They spit campy, bitchy, memorable dialog and are all generally hateful and selfish. It comes off as phony, but most actors I know really talk and behave like the characters in this movie, as though they are "in a movie." The actors did a great job. You have a sense all the characters are going to die in great pain, especially the beautifully hateful, snivelling director of the theater company with the stripey bell-bottoms, and the anticipation of this is wonderful. When the zombies finally enact their revenge it's extremely satisfying.
The effects are cheap, but then, I've never had a problem with cheap zombie effects. It's the idea of a zombie that is so frightening, not the make-up necessarily. They are irrational and unrelenting, even if it's a rubber mask they're wearing. But the zombies in this movie are, for all that, fairly effective. They come late, but by then you've been nudged into believing the whole movie is just a lark, so they're all the more effective. When they hit, they hit as hard as "NOTLD." The music score is eerie and effective, as well as the locale. You can almost feel the fog creeping up on you.
Where this one really distinguishes itself, however, is the "weirdo" factor. It flirts with gay stereotypes and necrophilia, Satan worship, Jewish humor and seriously bad 70's hair and clothing. It's a lot smarter than it appears, or most would think, and smart isn't what most people want (or get) with their cheap exploitation horror. It's surprisingly grisly for a PG and far too tame for an R. It's too funny for horror and too creepy for comedy. In other words, it's perfect! I'm sorry to hear they intend to remake it, but hopefully with it's original creator at the helm it'll be watchable at least. Bob Clark is an oddity, to be sure--he went from this to another wonderful cheap-o zombie film ("Dead Of Night," aka about 40,000 other titles) and "Black Christmas," to..."A Christmas Story"?? "Porky's"?? "Baby Geniuses 2?" Hmm. Well, it almost makes me respect him more for defying description.
Here's a tip of that hat to a great, original film from one of it's many "children..."
This is how they should do horror movies nowadays. This one is not as good as other zombie movies like "Dawn Of The Dead" or "Zombie Flesheaters" but it has it´s potential. A group of people come to a remote island and start to do satanic rituals to wake up the dead. The whole satanic ritual thing seems to fail but who knows what awaits them. The whole movie is dark and scary. This is how i would like to see movies being made today. What about the ending??? Yessssssss i like it very much. He he he he.........
This campy, offbeat Night of the Living Dead variant (on a far smaller budget) is creative and truly frightening. Alan Ormsby is a flamboyant, tryannical director who drags his rep company to an island for mean-spirited pranks in the cemetary. The actors, wishing to keep their jobs, play along. The "fun" climaxes when Alan uses an unearthed corpse named Orville in a mock Satanic ritual to raise the dead. What starts as an amusing (if slightly unfocused) comedy makes the transition into dark character study, revealing the truly dysfunctional relationship between Alan and his actors. He drops any pretense of fun and starts badgering, berating, and abusing the troupe--who, employment or no employment, are pushed to the breaking point. But the night isn't over yet. It seems that the ritual actually worked, and in a truly breathtaking sequence, the dead rise from their graves and close in on the living.
I saw CSPWDT on videotape, alone, as dusk melted into night. When it ended, I was shivering. This is true nightmare material. Though not as graphic as some, it's a strong PG, with surprising bursts of gore and implied necrophilia. The performances are thoroughly convincing--though subtlety may not be the actors' strong suit--with standout turns from Anya Ormsby (Alan's wife, resembling a demented Lynn Lowry) and sarcastic Valerie Mamches. The grainy, unpolished photography and claustrophobic atmosphere make it all the more effective. A deserved cult classic, this is perfect for Halloween and a must-see. Kill the lights and find out why Children Shouldn't Play with Dead Things.
I saw CSPWDT on videotape, alone, as dusk melted into night. When it ended, I was shivering. This is true nightmare material. Though not as graphic as some, it's a strong PG, with surprising bursts of gore and implied necrophilia. The performances are thoroughly convincing--though subtlety may not be the actors' strong suit--with standout turns from Anya Ormsby (Alan's wife, resembling a demented Lynn Lowry) and sarcastic Valerie Mamches. The grainy, unpolished photography and claustrophobic atmosphere make it all the more effective. A deserved cult classic, this is perfect for Halloween and a must-see. Kill the lights and find out why Children Shouldn't Play with Dead Things.
Anyone looking for a gory action-packed zombie movie will need to look elsewhere. This movie has more of a "Night of the Living Dead" feel, with an added wry sense of humor that's distinctly 70's. This movie might bore you at first, but I dare anyone to watch it late at night alone (with the lights out). The ghoulish concoction of forest sounds, the dissonant harmonies of animals of the night, and crickets make up the soundtrack to this movie. Coupled with this aural effect are the setting and eerie darkness (all of it takes place at night in a cemetery). There are no Hollywood big budget type music in the background to diffuse the morbid aura this movie exudes, as you are forced to experience the claustrophobic despair along with the movie's characters. Your patience will certainly pay off in the end as this seemingly innocuous film builds to a heart-stopping, frighteningly realistic climax.
For the hardcore B-horror movie junkie, I thought I'd pass along some interesting trivia related to this movies promotional scheme. This flick came to my town on the drive-in circuit and somehow managed to talk several area restaurants into offering a special menu for kids (!) that hawked the movie and simultaneously grossed out parents. The menu featured the individual restaurants usual fair, but with new titles... blood shake.. flesh strips (french fries)... brain delight (jello). The half rotten skull visage on the cover of the menu was enough to send most parents into fits. I wish I had kept it. Talk about a collectible! It's a great film, though. Enough tongue in cheek to make its sick theme tolerable. That menu made it impossible for me to see it. Had to wait until I found it on video many years later.
Did you know
- GoofsOrville is misspelled "Oruille " in the film's closing credits.
- Crazy creditsThe zombies get into the boat and sail to the city throughout the course of the film's closing credits.
- Alternate versionsAlthough the UK theatrical release of the film was uncut by the BBFC, the 2005 UK Anchor Bay Entertainment DVD release of it was missing about seven minutes of dialogue scenes for unknown reasons. The earlier Exploited Video DVD release of it, however, was completely uncut.
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- Budget
- $70,000 (estimated)
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