Ciao! Manhattan

Ciao! Manhattan is an underground film starring former Warhol Superstar Edie Sedgwick. Edie was one of those troubled rich girls who died young because they only found solace in drugs and booze. Certainly an interesting individual. Of course, for me it is difficult to respect any "socialite" since the ones we've had the last two decades have given these people a bad name.

Ciao! Manhattan is a combination of two films: a black-and-white production made shortly after Sedgwick's exit from the Warhol Superstars from 1966-67 and color footage from 1970-71. Sedgwick plays herself, albeit with the name of Susan Superstar as she lives in a tent in the pool of her Mom's mansion, boozing and drugging herself to death while some drifter from Texas named Butch half-listens and half-dreams while she talks about her sordid life in New York.

I found the film to be 90 minutes of druggy dialogue. Ms. Sedgwick was clearly drugged up during the color segments. You needed subtitles to understand what she and Butch were saying. I also saw it as an overlong YouTube video where somebody is pleading for help. She's asking in vain for somebody to help her and the clowns who are supposed to listen to her cries for help are too busy screwing around.

Sadly for Edie, her entire 28 years were a total mess. I doubt even today you could save her. She was the Amy Winehouse of her day.

These people associated with Andy Warhol were quite an eclectic group and it is certainly worth watching any material you can find of them to see what the excesses of the 1960's did to them. I still wonder what happened to those drug addicts in the Roliing Stones' CS Blues but we already know what happened to Ms. Sedgwick.

Definitely an odd little time killer about Edie Sedgwick, an Andy Warhol fledgling who has fallen on hard times, and is living in a swimming pool in Beverly Hills. Very trippy strange little flick, more so pasted together with old clips of Edie in some early Warhol films. Would have served a better purpose as a documentary, but definitely worth checking out. Obviously this is not for all tastes.

This movie had a DVD release about 20 years ago and I highly recommend viewing this movie with the audio commentary because then it becomes a documentary about Edie Sedgwick. Without that commentary, you have a quasi drama(with a little sci fi) movie based around a fictionalized version of Edie Sedgwick. This character is burned out from the same setting but is living in an empty pool with a palace of pies owner for a mother. She recounts her life while showing off early breast implants much of the time. That's when the movie shifts to black and white archival footage. There's a rich and powerful shadowy figure stalking her. We never really know why. She has a love interest named America. Cant remember if that was Captain or Mr. A Jesus looking type character is the rich guy's henchman. The movie tries to be alot of things. Whatever plots they were trying to develop never really get resolved.

What we learn in the audio commentary is what the footage actually means regarding Edie Sedgwick. Roger Vadim has a role as a doctor because his mother was deeply enamored with Edie Sedgwick and wanted to be near her. Some footage from a gathering in '68 is significant because it shows Edie falling apart and this happened around the time she abandoned Andy Warhol for Bob Dylan. A betrayal Warhol never overcame.

Also they explain how much input Edie herself offers in the making of the film which is apparently alot including the filming of a real electroshock therapy session which she insisted be done.

We learn about other people always around Andy's Factory like Brigid Polk and other models. We also get more explanation of the story they were trying to tell.

I'd give this an 8 with audio commentary by the directors David Weissman and John Palmer and costar Wesley Hayes and a 6 without it. On its own, its just showing footage with a vague story tying it all together. I can see how so many viewers find the movie appalling given the fact that Edie died weeks after much of the later footage was shot but as they said in the commentary, making this movie kept her going. This was something she wanted to make and when it was just about finished, she was gone.

The thing I really love about the D.V.D. revolution of the last few years is that some of the strangest and most obscure movies are now readily available. No longer do you have to spend hours searching through the racks in out of the way video stores or resort to fourth generation bootleg copies. 'Ciao Manhattan' is a case in point. I'd been curious about this movie ever since reading Jean Stein's brilliant Edie Sedgwick bio 'Edie' back in the 1980s, and now here it is! The 30th Anniversary edition, with excellent picture commentary and deleted footage. The only people who seem more excited about seeing it again than me are the directors (John Palmer and David Weisman) themselves going by the chatty and informative commentary track they have made with 'Ciao Manhattan' co-star Wesley Hayes. For those who don't know Edie was "The Face of 1965", a beautiful socialite turned model and Warhol "superstar". At one point in the 1960s quite possible the coolest girl in the world. Very shortly thereafter she was almost forgotten, and died aged 28 after a drug overdose. 'Ciao Manhattan' is made up of black and white footage shot in 1967 originally intended for a never finished movie that almost accidentally starred Edie, and later colour footage filmed in an attempt to salvage the project. In the final version Edie plays a character called Susan, a former model and underground film star who has retreated to her mother's home for "treatment". She's a mess - has permanent brain damage and a drinking problem. Hayes plays Butch a young Texan drifter who picks Susan up while she is hitchhiking half naked down the highway. He returns her home and Susan's mother (Isabel Jewell) hires him to babysit her troubled daughter. The movie cuts between "now" and then, colour and black and white, documentary footage and paranoid sci fi fantasy. It's quite a trip! Anybody interested in Andy Warhol or The Velvet Underground will want to see this very strange, but watchable mess. Neither Warhol or The Velvets actually appear mind you, but Warhol scenesters like Paul America, Baby Jane Holzer, Brigid Berlin (Brigid Polk) and Viva do, as do Beat legend Allen Ginsberg (as himself, mostly naked) and 'Barbarella' director Roger Vadim (clothed, as Susan's doctor). If you watch the outtakes you also get to see Robert and Nena Thurman. Yes, Uma's folks. 'Ciao Manhattan' may not thrill everyone but for me it's essential viewing for anyone interested in 1960s pop culture, especially Warhol's Factory, which subsequently influenced almost every underground pop movement thereafter from punk on down.

Reportedly created from the salvaging of two unfinished film products, this portrait of model Edie Segwick is half documentary, half loosely inspired fiction. The two forms cut back and forth from each other, but are bound together by their commitment to Andy Warhol inspired cinema dada-ism. The documentary features some straighforward coverage on Segwick, and some fragmented pieces of movie performance art. The fictional part, in which Segwick plays a character inspired by herself, tells the story of a highway drifter who picks up the (half naked) hitchhiking Segwick and takes her home, where she lies topless in the deep end of an empty swimming pool and incoherently babbles about god knows what for the rest of the movie. It's amazing what passed for art back in the sixties, and this film is a prime example that will either leave you moved and inspired or (more likely) laughing your head off.