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Qui l'a vue mourir ?

Original title: Chi l'ha vista morire?
  • 1972
  • Not Rated
  • 1h 34m
IMDb RATING
6.4/10
3.3K
YOUR RATING
Qui l'a vue mourir ? (1972)
BEFORE DON'T LOOK NOW CAME WHO SAW HER DIE?
The mists that wreathe the eerie city of Venice become the hunting ground for a faceless child killer that seemingly cannot be stopped in the taut and brilliant thriller, Who Saw Her Die? directed by Aldo Lado (Night Train Murders).
When Franco (in a career-best performance by George Lazenby) loses his daughter to this shadowy elusive murderer he sets off on an unnerving journey of retribution that will bring him to the very edge of his sanity and quite possibly his life too.

Rigid with tense atmospheric style, this film bears an uncanny resemblance in mood to the classic Don't Look Now but was actually made a year before. Boasting starkly evocative cinematography by Franco Di Giacomo (Il Postino) and a score by Ennio Morricone, Who Say Her Die haunts the mind long after viewing it.

Who Saw Her Die? (cert. 18) is released uncut (for the first time in the UK) on DVD by Shameless Screen Entertainment. The film will be presented restored with missing footage and remastered in 2.35:1 with English 2.0 sound. Also included on the disc is a Shameless original trailer gallery.
Play trailer1:40
1 Video
82 Photos
GialloCrimeDramaMysteryThriller

A Venetian sculptor and his estranged wife pursue a mysterious, black veil-clad figure who has been murdering red-haired little girls - with the most recent victim being their daughter.A Venetian sculptor and his estranged wife pursue a mysterious, black veil-clad figure who has been murdering red-haired little girls - with the most recent victim being their daughter.A Venetian sculptor and his estranged wife pursue a mysterious, black veil-clad figure who has been murdering red-haired little girls - with the most recent victim being their daughter.

  • Director
    • Aldo Lado
  • Writers
    • Francesco Barilli
    • Massimo D'Avak
    • Aldo Lado
  • Stars
    • George Lazenby
    • Anita Strindberg
    • Adolfo Celi
  • See production info at IMDbPro
  • IMDb RATING
    6.4/10
    3.3K
    YOUR RATING
    • Director
      • Aldo Lado
    • Writers
      • Francesco Barilli
      • Massimo D'Avak
      • Aldo Lado
    • Stars
      • George Lazenby
      • Anita Strindberg
      • Adolfo Celi
    • 66User reviews
    • 83Critic reviews
  • See production info at IMDbPro
  • Videos1

    Who saw her die?
    Trailer 1:40
    Who saw her die?

    Photos82

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    Top cast19

    Edit
    George Lazenby
    George Lazenby
    • Franco Serpieri
    Anita Strindberg
    Anita Strindberg
    • Elizabeth Serpieri
    Adolfo Celi
    Adolfo Celi
    • Serafian
    Dominique Boschero
    Dominique Boschero
    • Ginevra Storelli
    Peter Chatel
    Peter Chatel
    • Philip Vernon
    Piero Vida
    Piero Vida
    • Journalist Cuman
    José Quaglio
    José Quaglio
    • Bonaiuti
    Alessandro Haber
    Alessandro Haber
    • Father James
    Nicoletta Elmi
    Nicoletta Elmi
    • Roberta Serpieri
    Rosemarie Lindt
    • Gabriella
    Giovanni Rosselli
    • François Roussel
    • (as Giovanni Forti Rosselli)
    Sandro Grinfan
    • Police Commissioner De Donato
    • (as Sandro Grinfa)
    Carlo Hollesch
    • The Man who plays Table Tennis
    George Willing
    • Andrea
    • (as Georg Willing)
    Vittorio Fanfoni
    • News Cameraman
    Luigi Antonio Guerra
    • News Reporter
    Angelo Casadei
    • Moviegoer
    • (uncredited)
    Lou Castel
    Lou Castel
    • Angry Moviegoer
    • (uncredited)
    • Director
      • Aldo Lado
    • Writers
      • Francesco Barilli
      • Massimo D'Avak
      • Aldo Lado
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews66

    6.43.2K
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    Featured reviews

    aschepler2

    A formulaic but engaging murder mystery

    WHO SAW HER DIE? (1972) *** George Lazenby, Anita Strindberg, Peter Chatel, Adolfo Celi. In this engaging giallo directed by Aldo Lado, George Lazenby plays Franco Serpieri, a well-known Venetian sculptor. After Serpieri's young daughter is murdered, he grows impatient with the efforts of the police and tries to find the killer himself, with some help from his estranged wife (Strindberg). The film sticks to a familiar formula: the likely suspects are killed off one by one, and the last man (or woman) standing is revealed as the murderer. But the process feels clumsier than it ought to here, and since the killer turns out to be one of the film's least developed characters, the ending is less than satisfying. Fortunately, though, painterly cinematography and an intriguing score by the brilliant Ennio Morricone help compensate for the weaknesses of the script. Recommended.
    7Keltic-2

    Great cinematography and a fair mystery

    _Chi L'ha Vista Morire?_ is, visually, a very beautiful film. From the first shots emphasising the starkness of the alpine landscape which segue into similarly stark black and white photos and drawings from a police file to the closing scenes, the cinematography is beautiful. In particular, one shot in which a flock of pigeons taking flight in a town square provides a metaphor for the rising panic of the father, played by George Lazenby, struck me as particularly beautiful - both aesthetically pleasing in its own right and a very tasteful way to lay the ground for the scene that follows. A unifying visual motif is the veil worn by the killer, which makes for some interesting point-of-view shots, although the impact must have been blunted somewhat by viewing on video.

    Unfortunately, there's some flaws that detracted from the experience for me. Lazenby does not speak Italian, so his lines are dubbed. At times, the sound level appears to be much too high, making the dubbing glaring. Similarly, the soundtrack is at times overbearing, particularly during appearances by the killer, whose discordant "theme music" became incredibly annoying, particularly when the rest of the film was marked by such a light touch. Mercifully, this problem is rectified at the climax and the music is cut short.

    On the visual side, watch for some very fake looking blood. Many scenes (particularly interior scenes) are very dark, which caused me some problems in determining what was going on, but again this may have been compounding by watching on videotape rather than the big screen.

    Overall, a satisfying mystery film, if a little slow-paced.
    6Bezenby

    She's off to Venice with the Girls

    I am required by law to mention that this film is similar to Nicholas Roeg's Don't Look Now, made a year later. So that's that out of the way.

    Who Saw Her Die begins in the French mountains with a red-haired girl being murdered by what looks like an old woman wearing a black veil. We then kick in with Ennio Morricone's outstanding soundtrack made up of a child's choir and harpsichord – a far cry from twangy guitars and harmonicas! I should note here that this soundtrack woke my daughter up and freaked her out from two rooms away!

    In Venice, skinny sculptor George Lazenby is happy that his daughter Roberta has come from London to visit him, although it's clear by her absence that things aren't going too well with his wife Anita Strinberg as she's stayed behind. Worse still, an old woman in a black veil stalking the kid and seems determined to murder her, which happens while George is banging his mistress.

    George is distraught and blames himself for his daughter's death, leading him on an obsessive quest to find the killer, which will lead him down sleazy avenues involving the rich and powerful in Venice. This being a giallo, the killer gets wind of this and tries to eliminate some of the witnesses…

    Even though it's not a top tier giallo, this film is still worth a watch due to the misty Venice location shooting, Morricone's creepy soundtrack, and the acting talents of Adolfo Celi, who here, like in the film Eye of the Labyrinth, can seemingly change his mood and personality with subtle facial expressions and posture. The mystery isn't that hard to solve if you've watched a few of these films, but that's not going to put anyone off, is it?

    Why are Lazenby and Strinberg so thin though?
    anthonycwhittle

    Had potential

    An obvious catalyst to Nic Roeg's Don't Look Now. This film had a great first half but after that it sort of lost the plot a bit. The ending was horrible and some of the dialogue to risible. On the positive side, the settings were splendid and the music was harrowing at times.If your interested in Giallo films this is not the place to start your mission. Try Aldo Lado's far superior Short Night of Glass Dolls instead.
    jlabine

    Great little Giallo!

    "Who Saw Her Die" was a great little surprise. I had been searching for it for a little while, and when I had found it, I was happy to find that it was a much better film for actor George Lazenby ("On Her Majesty's Secret Service"), then the other films he had been making at that time ("Universal Soldier", "Stoner" etc.). It is a tad annoying to see that he was completely dubbed (a standard Italian practice I've heard), but I didn't find this too distracting from the film. It does however contain a great eerie soundtrack supplied by Ennio Morricone, which seems to jump in everytime we are viewing the killer's point of view through a veil. It's also a lot more mature than the typical Italian Giallo of that time, It's never too grautuidice in it's gore or nudity. It does contain great cinematography, especially great if viewed in widescreen. George Lazenby's daughter in the film is played by a little girl that seemed to play in every Giallo/ Horror flick that ever got produced in Italy ("Bay Of Blood", "Deep Red", and "Andy Warhol's Frankenstein"), which is due no doubt to her very unusual looks. Also, the fact that they have a cameo from Adolfo Celli ("Thunderball") makes me think that director had a James Bond fascination. The only problems I really have of the film, is that the ending is a little unclimactic and predictable (you guess who it is, before they show you). A slight influence from Nick Roeg's "Don't Look Now" is evident. Other than this, quite a little gem of a film. And actually hold's up to some of Dario Argento's earlier work, if not better.

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    Related interests

    Jacopo Mariani in Les Frissons de l'angoisse (1975)
    Giallo
    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in Les Soprano (1999)
    Crime
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama
    Jack Nicholson and Faye Dunaway in Chinatown (1974)
    Mystery
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    Thriller

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      George Lazenby lost 35 pounds for this role.
    • Goofs
      When Ginevra is killed in cinema, it's impossible that whole cinema wouldn't see someone being killed in front row,especially because it's a flat room and not like modern cinema. cinema.
    • Quotes

      Journalist: There hasn't been a child murder in Venice for years. Got any clues, Inspector?

      Inspector De Donati: I'm afraid not. In this type of killing, the motive is psychological. Whoever did it is insane. But with a little luck, we will manage to catch him.

      Journalist: I don't think you can catch pneumonia!

    • Connections
      Featured in Eurotika!: Blood and Black Lace: A Short History of the Italian Horror Film (1999)

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    FAQ14

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    Details

    Edit
    • Release date
      • November 19, 1999 (France)
    • Countries of origin
      • Italy
      • West Germany
      • Monaco
    • Languages
      • French
      • Italian
    • Also known as
      • Chi l'ha vista morire?
    • Filming locations
      • Italy
    • Production companies
      • Doria G. Film
      • Roas Produzioni
      • Dieter Geissler Filmproduktion
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $1,000,000 (estimated)
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 34m(94 min)
    • Color
      • Color
    • Sound mix
      • Mono
    • Aspect ratio
      • 2.35 : 1

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