IMDb RATING
5.6/10
4.1K
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A Black prostitute and a white revolutionary must form an uneasy alliance when they are busted out of prison, then pursued by guerrillas, bounty hunters and the Army.A Black prostitute and a white revolutionary must form an uneasy alliance when they are busted out of prison, then pursued by guerrillas, bounty hunters and the Army.A Black prostitute and a white revolutionary must form an uneasy alliance when they are busted out of prison, then pursued by guerrillas, bounty hunters and the Army.
- Director
- Writers
- Stars
Zaldy Zshornack
- Ernesto
- (as Zaldy Zschornack)
Dindo Fernando
- Rocco
- (as Dondo Fernanco)
Bruno Punzalan
- Truck Driver
- (as Bruno Punzalah)
Subas Herrero
- Luis
- (as Ricardo Herrero)
Jesus 'Og' Ramos
- Alfredo
- (as Jess Ramos)
Andres Centenera
- Leonardo
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Wow, this one just about defies description! Although the filmmakers seem to take the project a bit too seriously, our stars (Pam Grier and Margaret Markov) seem to be enjoying themselves. There's sadistic female guards, showers, a prison break, shootouts between revolutionaries and police. This film really typifies the genre.
Despite some of the dire happenings (blood flows like water) the film has a light-hearted feel. It's pure entertainment material, and doesn't pretend to be anything else. The heroines, Grier and Markov, really are the shining lights of this piece. One wonders how they could roll in the mud and catfight their way cross-country without mussing their uniforms. Talented women, they are. A funny note, at least in my opinion, is that Grier's character wears black underpants, and Markov's white.
See it, enjoy it, have a good giggle.
Despite some of the dire happenings (blood flows like water) the film has a light-hearted feel. It's pure entertainment material, and doesn't pretend to be anything else. The heroines, Grier and Markov, really are the shining lights of this piece. One wonders how they could roll in the mud and catfight their way cross-country without mussing their uniforms. Talented women, they are. A funny note, at least in my opinion, is that Grier's character wears black underpants, and Markov's white.
See it, enjoy it, have a good giggle.
Hellcats/The Hot Box duo Viola and Demme next paired the winning combination of Pam Grier and Sid Haig in yet another prison film, Women In Chains/Black Mama White Mama. Blonde revolutionary Margaret Markov and sworn enemy Grier, who thinks Markov's revolution is "jive-ass", bust out of prison chained together in a 70s gender reversal of The Defiant Ones. They continue to bitch and scratch each other as they head across the countryside (at one point dressed as nuns!) to meet up with Markov's bandit buddies. Sid Haig is the comedy relief in a cowboy hat as the lead bandit, and in one scene has two naked women riding him like a horse. Haig continued to work with Pam in Coffy and Foxy Brown, and was much later cast by Tarantino in a fitting touch as the sympathetic judge across from Grier in Jackie Brown.
If you like early 70's sexploitation films,woman in prison,cat fight,or are a fan of Pam Grier then this movie is worth a watch
good action,plenty of nude women,and cat fights,
although this movie is very bad acted and cheesey,
Its not boring and not sooooo dumb that you cant watch it. The action is smooth and not hard to follow with a major gun fight climax. overall 7 out of 10 ..
good action,plenty of nude women,and cat fights,
although this movie is very bad acted and cheesey,
Its not boring and not sooooo dumb that you cant watch it. The action is smooth and not hard to follow with a major gun fight climax. overall 7 out of 10 ..
Dig it! You've got your black mama. You've got your white mama. You've got your lesbian prison guards. You've got your female prison shower scene. (That lasts about 5 minutes). You've got your tough Filipino gangsters. You've got your corrupt police man. You've got a Che Guevara like revolutionary leader. Put this together and what do you get? Pure cinematic goodness. This isn't a great movie. But hell, its a lot of fun. Pam Grier is great as usual as one of the mama's.(I'll let you guess which one.) Plenty of violence and nudity to spare. Don't go looking for this in the family section of your video store. Oh yeah, the story was written by Jonathan Demme. (Seriously!)
When two trouble-making female prisoners (one a revolutionary, the other a former harem-girl) can't seem to get along, they are chained together and extradited for safekeeping. The women, still chained together, stumble, stab, and cat-fight their way across the wilderness, igniting a bloody shootout between gangsters and a group of revolutionaries.
From a story by pre-fame Jonathan Demme, this is partly an homage to the 1958 classic "The Defiant Ones", which structured the same type of situation for its leading characters, played by Tony Curtis and Sidney Poitier. Then we bring on director Eddie Romero, who was an actual Filipino director who worked primary in the Tagalog language. Well done, AIP, for not bringing in your own guy.
There were a number of jungle revolutionary films in the early 1970s, starting with Jack Hill's "Big Doll House" (1971), also starring Pam Grier. Actually, Grier was the queen of 1970s Filipino jungle women-in-prison films, also appearing in Hill's "The Big Bird Cage" (1972), plus Gerardo de León's "Women in Cages" (1971). Grier really made her name in these type of films before transitioning to "Foxy Brown".
Grier's co-star Margaret Markov also appeared in "The Hot Box" (again written by Jonathan Demme). She starred opposite Pam Grier again in "The Arena" (1974). She never quite reached the level of Grier because during the making of the latter she started dating producer Mark Damon (who had risen to fame through Roger Corman); the two later married and Markov retired.
The Arrow Video disc features an audio commentary with filmmaker Andrew Leavold, director of "The Search for Weng Weng". He loves to recommend the documentary "Machete Maidens Unleashed", and I would second that if you want to see how "Black Mama" fits into the whole Filipino action film cycle.
We also have new interviews with stars Margaret Markov and Sid Haig. Markov covers the entire breadth of her career, even spending time discussing Rock Hudson and Gene Roddenberry on "Pretty Maids All in a Row" (1971). Haig had many films in Philippines, so he has a few tales to tale. We are treated to a previously unseen archive interview with director Eddie Romero. (Exactly why an interview would have been filmed and not used, I don't know.) What is missing? An interview or commentary from David Sheldon, as on the disc for "Sheba Baby". Sheldon has contributed by far the best audio commentary in years, and we really need more of those from him.
***
From a story by pre-fame Jonathan Demme, this is partly an homage to the 1958 classic "The Defiant Ones", which structured the same type of situation for its leading characters, played by Tony Curtis and Sidney Poitier. Then we bring on director Eddie Romero, who was an actual Filipino director who worked primary in the Tagalog language. Well done, AIP, for not bringing in your own guy.
There were a number of jungle revolutionary films in the early 1970s, starting with Jack Hill's "Big Doll House" (1971), also starring Pam Grier. Actually, Grier was the queen of 1970s Filipino jungle women-in-prison films, also appearing in Hill's "The Big Bird Cage" (1972), plus Gerardo de León's "Women in Cages" (1971). Grier really made her name in these type of films before transitioning to "Foxy Brown".
Grier's co-star Margaret Markov also appeared in "The Hot Box" (again written by Jonathan Demme). She starred opposite Pam Grier again in "The Arena" (1974). She never quite reached the level of Grier because during the making of the latter she started dating producer Mark Damon (who had risen to fame through Roger Corman); the two later married and Markov retired.
The Arrow Video disc features an audio commentary with filmmaker Andrew Leavold, director of "The Search for Weng Weng". He loves to recommend the documentary "Machete Maidens Unleashed", and I would second that if you want to see how "Black Mama" fits into the whole Filipino action film cycle.
We also have new interviews with stars Margaret Markov and Sid Haig. Markov covers the entire breadth of her career, even spending time discussing Rock Hudson and Gene Roddenberry on "Pretty Maids All in a Row" (1971). Haig had many films in Philippines, so he has a few tales to tale. We are treated to a previously unseen archive interview with director Eddie Romero. (Exactly why an interview would have been filmed and not used, I don't know.) What is missing? An interview or commentary from David Sheldon, as on the disc for "Sheba Baby". Sheldon has contributed by far the best audio commentary in years, and we really need more of those from him.
***
Did you know
- TriviaPam Grier told The Rolling Stone she chose to be nude in many of her early films because she wanted to push the limits of how Black women were perceived in the acting world. She said, "I call it the 'Brown Nipple Revolution.' We weren't the epitome of sexual attraction for the male audience, in movies, magazines, anything. We were told our brown nipples weren't attractive. I was trying to break that line of what was acceptable in society."
- GoofsThe short yellow dresses worn by the leading actresses become dirty due to fights, explosions, climate; but they magically become clean again in immediately following scenes.
- Quotes
Warden Logan: Keep it up and you could go blind.
Matron Densmore: Piss off!
- Alternate versionsThe film was heavily cut for its original UK theatrical release (as "Hot, Hard and Mean"). Video releases used the original "Black Mama, White Mama" title and were cut by 53 secs with edits to the rape of Brent and the torture scene. These cuts were fully waived for the 2003 MGM DVD.
- SoundtracksBlack Mama White Mama (Main Title) - Bus Ride
Written and Produced by Harry Betts
Performed by Harry Betts And His Orchestra
- How long is Black Mama White Mama?Powered by Alexa
Details
Box office
- Budget
- $200,000 (estimated)
- Runtime
- 1h 27m(87 min)
- Color
- Aspect ratio
- 1.85 : 1
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