Exorcisme tragique - Les monstres se mettent à table

In the '40 Mariale is an eight year old girl.Powerless,she witnesses the death of her mother and of her young lover,both killed in cold blood by her father.Years have passed and Mariale has married a young nobleman who keeps her almost captive in an old estate forbidding her to take part in society's life.A sort of love-and-hate relationship has developed between the two characters.One day Mariale decides to put an end to her seclusion;she eludes her husband's and the butler watchful vigilance,breaks the phone's padlock and sends several telegrams inviting friends for a evening at her home.As absurd as it may seems,Mariale intends to reconstruct,thanks to her guests,the tragedy she lived several years before.She wants to prove that in everyone of us exist two distinct entities.When Paolo,Mariale's husband fully understands the situation is too late.The evening turns into bloody nightmare,when unknown killer starts murdering people.Romano Scavolini's "Spirits of Death" is a stylish giallo with some gory murders.The photography is beautiful and the atmosphere is creepy and nightmarish.The identity of the killer is never explained and that makes the film quite disturbing.The cast is splendid with Ivan Rassimov and Luigi Pistilli to boost.Check it out.7 out of 10.

On the one hand, we're treated to several giallo regulars - Ivan Rassimov, Evelyn Stewart, and Luigi Pistilli. Ivan Rassimov comes across the best here because he is given the most to do. Truth be told, everyone tries to do the best they can - the thing is the script doesn't give them much to do.

There's also a slow pace. The first murder doesn't occur until an hour into the film. The violence and special effects are done quite well.

I think this film really falls flat because of the direction. The performances are uneven. It doesn't look like anyone was in charge of the project. There are multiple continuity errors. Sometimes the camera is intentionally out of focus for effect, but there were a few times it was unintentionally out of focus for no good reason. Some of his style is interesting, but it does not always serve the story.

The ending has been done 100 times before, and you can see it coming well in advance.

This is one of those gialli I probably wouldn't recommend to those unfamiliar with the Italian genre, but committed giallo fans will certainly enjoy it. A young girl witnesses her father shotgun her mother ( Evelyn Stewart) and male lover to death before turning the gun on himself. The little girl naturally grows into a pretty maladjusted adult (also played by Stewart) who is kept drugged and isolated in a remote castle by her over-protective husband (Luigi Pistilli) and his brutish butler. Still she manages to invite a group of her decadent bourgeois "friends" to the castle for a kind of weird masked orgy. It's a bad sign though when the hostess herself comes dressed in the white gown in which her mother was killed (which you would would think would be covered in blood and riddled with buckshot, but oh well). Naturally, it isn't long before the guests are dropping off like flies.

It takes a little time for the murders to get going, but they come fast and thick when they do. And the early going is spent with lots of surreal Gothic touches. A great eerie setting and superb visual style and music make this film similar to other heavy-duty bizarro gialli like "Sex of the Witch" and "Crazy Desires of a Murderer", even if--like with those--the plot rarely makes a lick of sense. There are only really two possible perpetrators of the killings, but even by the end of the movie I wasn't sure which of them was responsible. The victims are certainly worthy though. There is a bickering young, interracial couple--the guy derides the girl as a "slave" while she belittles him by calling him "white master" (yet another sensitive, politically correct portrayal of black people in Italian genre films). Spanish actress Pilar Velasquez plays a character after my own heart--a raving nympho who responds to nearly getting raped by a male guest by going to the black woman's room and (for no apparent reason beyond the obvious) stripping off for some hot, interracial lesbian action! I was quite impressed with Velasquez--not just her body (which can also be seen in "Naked Girl killed in Park"), but also her acting--it can't be easy to play such a preposterously motivated character. The real acting honors, however, go to the two great character actors, Luigi Pistilli and Ivan Rassimov. It's a sublime joy to watch these two devour scenery together.

Director Roman Scavoli was later responsible for the film "Nightmare in a Damaged Brain", one of those films that was banned in Britain, but completely ignored in America. I haven't seen that one yet, but it's probably safe to say this is better. Newcomers to the giallo genre will probably be left scratching their heads, but long-time fans will definitely enjoy this.

I've rarely been as disappointed as I was after watching this "A White Dress for Marialé". I spent years looking for a decent copy of this film, and all this time remained under the assumption that it was one of the last great gialli that I hadn't seen yet. Alas, after the derivative but nevertheless atmospheric and promising opening sequences, the film turns into a bizarre smorgasbord of trash, sleaze and murder, but ... not the good kind! Six people are invited into the remote gothic castle of a married couple, much against the will of the husband and the eerie house servant. The oppressed wife - Marialé - takes them to the cellars where she has an odd collection of mannequin dolls with medieval costumes, and shortly after, the whole group indulges into an extended and dreadfully boring orgy without sex but with crazy role-plays instead. These masquerade sequences are overlong, implausible and utterly senseless. Only in the last half hour, the guests are being murdered one by one and shortly after another, but the outcome (as in: the identity of the culprit) is so incredibly obvious that you wonder what the point of the whole masquerade was. The murders are unimaginative and as good as bloodless, with the notable exception of one person being bludgeoned to death in a pool. To finish off with at least a few positive words, the soundtrack is sublime, the women are beautiful, and there are some good performances by respectable Italian genre veterans (Ivan Rassimov, Luigi Pastili, ...)

(1974) A White Dress For Marialé/ Un bianco vestito per Marialé (In Italian with English subtitles)

Cinematography and directed by Romano Scavolini that opens with a father stopping his car and instructing his little daughter to stay in the car while he goes out and does something. The daughter of course does not listen and follows him anyway, and upon approaching his wife and her lover. He then pulls out a gun and he shoots and kills them both before he turns the gun on to himself. The movie then shows the credits and it is the current time, and apparently several people are offered to stay at a manor/ castle. And as soon as Massimo (Ivan Rassimov) shows up, he is then turned away by the creepy servant, Osvaldo (Gengher Gatti), but he hangs around long enough until others have shown up. We then find out that that Marialé (Ida Galli) was that little girl at the opening and that her husband, Paolo (Luigi Pistilli) is planning something on her viewers are unable to figure out what for it is most likely be her fortune.