Au seuil de la psychose

A race car driver suddenly develops a strange psychic ability to detect impending danger. He has a vision involving a woman in peril; a parapsychologist implores him to find her and try to avert whatever danger she is in. He winds up at an English manor house – the one he saw in his vision – where he encounters the woman and a host of other untrustworthy characters.

Leonard Nimoy seems to have been enjoying himself in the title role of this entertaining TV movie. Like others have said, it does have the whiff of a pilot for a TV series about it. It would be quite easy to imagine a male/female psychic/parapsychologist team going around and saving innocent people from bad guys every week. But alas no, there was no series of this. However, that doesn't change the fact that Baffled! is a fair amount of fun. It has a pretty compelling mystery plot to it that combines ESP with the occult. The acting from everyone is good while the production values have that solid made for TV cosiness about them. If I had to make a complaint, it would be a minor one, but it would be that despite the great build it has a slightly overly silly denouncement that would not have looked out of place in a Scooby Doo cartoon. But, no matter, this one is still a lot of fun.

One of my sci-fi/horror/fantasy reviews written 50 years ago: Directed and Produced by Philip Leacock at Pinewood Studios for Arena Productions and ITC. A British-U. S. Telefilm co-production broadcast by NBC. Screenplay by Theodore Apstein; Photography by Ken Hodges; Edited by Bill Blunden; Music by Richard Hill. Starring: Leonard Nimoy, Susan Hampshire, Rachel Roberts, Vera Miles, Jewel Blanche, Angharad Rees, Val Taylor, Mike Murray and Al Mancini.

Slick TV pilot pegged on prescience with dozens of red herrings and preposterous antics as Rachel dabbles in supernatural regaining her youth at the expense of aging young Miss Blanche. Fine cast and Hodges' lensing redeem this turkey.

This non_classic, remembered fondly by some, forgotten by most, is likely to be enjoyed the most by fans of 1970s made-for-tv genre movies, Leonard Nimoy or Vera Miles completists, or avid fans of all things psychic. It is in the same vein as The Sixth Sense tv series, AKA Circle of Fear, with Gary Collins, except that where the latter was quite earnest, Baffled is relatively light-hearted and decidedly unintense. It consists largely of Leonard Nimoy driving around a rear-projection landscape, mannequins being tossed off of cliffs, and cheeky flirtation among certain of the adult leads. Baffled is a mellow easy chair in which you might sit as you fold your laundry.

The oddball "Baffled!" got intended as a pilot for a TV show but never got picked up. I don't know whether or not the story would've worked as a series, but as a standalone movie it's fun. Leonard Nimoy (in a role very unlike his most famous one) plays a racecar driver who has strange visions of an estate and decides to find out what it is. Sure enough, some other people have a connection to this place.

It's not a masterpiece but still a clever movie. A red herring here and there help keep the end a surprise. It looks like the sort of movie that they had fun filming. Moreover, it was neat to see Nimoy in a role so unlike the one with which he's most associated. And I also liked Vera Miles's role.

BAFFLED is a mystery whodunit in which the twist is that "it" has not been done yet: due to clairvoyant episodes of the protagonist played by Leonard Nimoy, who then promptly teams up with a psychic expert to prevent "it" from happening, the story takes place before "it" is done.

This is a light entertaining film which was apparently filmed as a pilot to a series that never got off the ground. Though much of it plays like a cinematic movie, the credit sequence and ending allow one to guess as much.

The thing that struck me most about this film was the choice of Leonard Nimoy as the lead character in a role that would have been a much more obvious fit with someone like (ideally) Rock Hudson. Nimoy already has quite a serious face, and his close identification with his role as the ultra-serious Mr Spock in the STAR TREK franchise would not naturally suggest him in scenes of lighthearted banter.

However, he does lighten up in the movie, we see him smile frequently, and the initial feeling of the oddness of the choice of the lead does subside eventually. Who knows, had the series got off the ground, his aura of seriousness might even have faded.

The film has some editing issues (perhaps due to time constraints?), there is a car chase which is pretty lame by today's standards (though FRENCH CONNECTION (1971) and its phenomenal car chase scene were filmed the year prior, so we know people could do better even back then), and the supernatural shtick got a bit much for my taste, but nonetheless it keeps the audience guessing with various red herrings while doing a good job of only gradually revealing the mystery.

This is especially for people who want to see Mr. Spock like they've never seen him before, but fans of old-fashioned light mystery films might also enjoy this.