Au seuil de la psychose

Learning that this was intended as a pilot for a tv series actually helps sum up how this movie felt to me. There were hints throughout that the main characters, Spock and his lady interest, either had a prior relationship or were building toward a more involved future one. There are no big surprises here and there is definitely plenty of 70s cheese. But I found myself watching the entire movie and enjoying it. Worth a look if you come across it.

One of my sci-fi/horror/fantasy reviews written 50 years ago: Directed and Produced by Philip Leacock at Pinewood Studios for Arena Productions and ITC. A British-U. S. Telefilm co-production broadcast by NBC. Screenplay by Theodore Apstein; Photography by Ken Hodges; Edited by Bill Blunden; Music by Richard Hill. Starring: Leonard Nimoy, Susan Hampshire, Rachel Roberts, Vera Miles, Jewel Blanche, Angharad Rees, Val Taylor, Mike Murray and Al Mancini.

Slick TV pilot pegged on prescience with dozens of red herrings and preposterous antics as Rachel dabbles in supernatural regaining her youth at the expense of aging young Miss Blanche. Fine cast and Hodges' lensing redeem this turkey.

The oddball "Baffled!" got intended as a pilot for a TV show but never got picked up. I don't know whether or not the story would've worked as a series, but as a standalone movie it's fun. Leonard Nimoy (in a role very unlike his most famous one) plays a racecar driver who has strange visions of an estate and decides to find out what it is. Sure enough, some other people have a connection to this place.

It's not a masterpiece but still a clever movie. A red herring here and there help keep the end a surprise. It looks like the sort of movie that they had fun filming. Moreover, it was neat to see Nimoy in a role so unlike the one with which he's most associated. And I also liked Vera Miles's role.

The plot was pretty straightforward, but I thought that the writing, direction, and the acting were actually quite good.

I particularly liked the dialog between the two leads. There was a good chemistry and considering the time and that it was a Telefilm for a pilot, it COULD have simply been tossed off without much thought put into it. But, I liked the humour and interplay between them.

You could tell that they were sort of shooting for a feel similar to the series The Avengers. Between the two of them, her being British and him being a pretty cool fellow, I felt it worked rather well.

There was a decent Mystery too, and I liked the way the story unfolded where they continued to build a sense of tension as the audience tries to figure out what is going on.

Again, considering the time and type of film, the characters were all portrayed fairly well. Usually during that time and with such a low budget production, you would see a lot of overacting and hammy performances, but not here.

It was really nice to see Leonard Nimoy in such a role and see him smiling freely and using humour, which as we all are well aware for a few years there we almost never got to see... : )

All 'n' all I truly felt it was a fun, entertaining movie. If you have the right mindset for the time and what kind of production it is, and you are not expecting too much, then you may very well find some enjoyment here.

~~~~~~~~~~~~~~~~~~~~~~~~~~ MY PARTICULAR WAY OF RATING:

5 - Flawed, but with some entertainment value.

6. A decently passable story maybe worth a watch.

7. A solid film, well made, effective, and entertaining.

And, obviously, you can probably figure out what above and below these would mean... : )

In between his iconic small screen and big screen STAR TREK career, Leonard Nimoy headlined this television movie that was really an intended pilot for a British series co-starring sophisticated blonde beauty Susan Hamphire: an ESP expert aiding Nimoy's famous race car driver to channel visions of a veteran actress murdered in a castle where he, reluctantly at first, takes on the case...

BAFFLED! has all the elements of a good mystery but without enough doomed tension. And yet it works from the affable chemistry between Nimoy and Hampshire, brightening up the surrounding ensemble of Agatha Christie-like suspects including a tempestuous Rachel Roberts; Vera Miles as the possibly doomed starlet; and scene-stealing Jewel Blanch as a childlike pre-teen whose personality morphs into a creepy, possessed teenager...

Making the best scenes a "Spock verses THE EXORCIST" kind of thing, and a year earlier. But it's really Susan Hampshire's ride. She energetically tackles the part as if it were truly the beginning of an assured series. In fact this "movie" ends with their next case shaping up. Sadly, it was her show to lose.