Les quatre mercenaires d'El Paso

Wow, did the soundtrack for this film stink...and I mean STINK! Imagine if the same person who scored some of the old Rankin-Bass Christmas specials got together with a guy who produces elevator music--that's what the music from this film sounds like! The horrible lyrics and music are completely wrong for an Italian "Spaghetti Western"--and are about as far removed from the great Ennio Morricone (who scored all the greatest films of the genre) scores as you can get. It's full of weird Lawrence Welk-style singing, weird European rock and whatever else they felt like haphazardly chucking into it. And, sadly music is one of the biggest reasons you'd want to see one of these Italian westerns in the first place. Because of this, I nominate this film for the most god-awful soundtrack in film history. If there's a worse one, I'd love to hear about it! Another big reason to see the films is the incredibly tough characters and style. This film stars the meanest and scariest of the bad-men, Lee Van Cleef. Yet, inexplicably, they decided to make this one a bit of a comedy!!! Lee Van Cleef in a western comedy?! That makes about as much sense as Richard Nixon becoming one of the backup singers for Diana Ross!! Van Cleef should NEVER, EVER be in a comedy.

The rest of the cast, apart from the no-name Italians who play most of the minor roles, is pretty odd as well. None other than James Mason co-stars (a guy who seemed totally out of place in the genre and sported a weird accent to say the least). And looking quite fetching, Italian star Gina Lollobrigida.

So, at the outset, this film had some pretty substantial strikes against it. Could the rest of the film overcome this goofiness?! Well, not really. While there were a few good moments, too much emphasis on bad comedy that fell flat was the film's undoing. One of the worst scenes that was supposed to be funny was the scene where the bad guys came to talk to the Federale commander and then began throwing dynamite about--it was sloppy, impossible to believe and not the lest bit entertaining. Overall, a bad film that just didn't work, the plot never gels and is clearly among the least interesting Italian westerns I've ever seen. Thank you Eugenio Martin for putting the BAD in "Bad Man's River"!

Not really a spaghetti western; as well as Italy it was financed by Spain and France. It's meant to be a comedy western, MEANT to be; it has a handful of funny lines and a bizarre accent from James Mason. It's a complete mystery to me why he and Lee Van Cleef bothered to appear in this. Put simply, the film is boring - the characters are cardboard and the actors look like they'd be having more fun watching paint dry. The plot is clichéd and contrived, and difficult to follow. The freeze-frames at the beginning are just plain stupid. Beautiful as Gina Lollobrigida is, she just can't carry the film alone. Eugenio Martin really hasn't got an excuse for rearing such a turkey here, as the following year, he [the director] went on to make the far superior horror classic "Horror Express".

And now, the plot: Roy King (Van Cleef) and his bank-robbing gang get caught up in a plan by his ex-wife and her new husband (James Mason) to steal $1 million from the Mexican government. But the group are captured and sent to a rebel stronghold. Besieged and under fire from the Mexican army, the rebel general is forced to offer King and his gang freedom if they can pull the rebel side through. And I only know that basic outline 'cause it's given in a slightly more in depth form on the packaging...

Like I say, "Bad Man's River" is unquestionably awful. It's simply not even worth seeing as a curiosity piece. I bought it in a 2 for £10 sale and now consider that to have been a waste of money. Some people say that for the sake of top billing, Lee Van Cleef appeared in some real stinkers. This time, I'm inclined to agree.

This eccentric Euro-Western has more in common with the revisionist, light-hearted approach of BUTCH CASSIDY AND THE SUNDANCE KID (1969) than with any of the sadistic Italian fare shot around the same time and on the same locations. A great, eclectic cast (Lee Van Cleef, James Mason, Gina Lollobrigida, Sergio Fantoni, Jess Hahn, Simon Andreu, Eduardo Fajardo, Gianni Garko, Diana Lorys) finds itself somewhat stranded - and in the case of Mason, evidently embarrassed - in the face of the film's bizarre changes of mood, some of which work (there are a few enjoyably comical action sequences) and some of which don't (why the director chose to overdose on the "freeze-frame" stuff at the beginning is anyone's guess); in light of all this, the involvement of talented Hollywood veterans Philip Yordan, Irving Lerner and Bernard Gordon is even more baffling. All in all, however, BAD MAN'S RIVER emerges as a surprisingly pleasant, if ultimately forgettable, diversion.

But for the horrible completely out of place soundtrack. Just ruins the mood and feel for an otherwise decent movie with the great LVC! Worst. Soundtrack. Ever.

Lovable rogue Lee Van Cleef steals from banks and blows things up for a living. He and his gang are hired by James Mason to explode an Army munitions stockpile in Mexico, using a luxury riverboat as a base of operations, only to be pulled into a bigger scheme that digs them even deeper into the revolution.

Like most of the Mexican Revolution spaghetti westerns (A Bullet For The General being one exception), this is an acquired taste. Production values are a little iffy and it does run out of steam a bit near the end. On the whole though, there's certainly a lot of action and adventure to make up for it's shortcomings.

A Spanish-made, but American-produced minor addition to the genre, this benefits from the participation of Hollywood veterans Philip Yordan and Bernard Gordon, as well as Van Cleef, Mason, and a few familiar European favorites like Aldo Sambrell, Eduardo Fajardo, Gianni Garko, Diana Lorys, and the beautiful Gina Lollabrigida.

An oddball soundtrack goes from really dated vocal-quartets, to early-seventies style hard rock, with a marching band in-between!

Recommended mainly for Van Cleef fanatics.